Slavery days
Over the past fortnight there have been many commemorative events around the country and abroad to mark the bi-centenary of the abolition of the slave trade in the British Empire and the 蜜芽传媒 has given extensive coverage to them both in news and documentary programmes.
This has not been universally popular with audiences - there have been accusations that the 蜜芽传媒 has taken a position on issues such as whether there should be an apology - though it's not clear who would apologise to who - or whether descendents of slaves should be paid reparations in some form.
A lot of the audience were telling us slavery is in the past and should stay there, that there is no need for apologies or reparations and some told us to stop flagellating ourselves. Here are a couple of examples.
- So the self-loathers at the 蜜芽传媒 are having a great time this week. It seems the dg's idea of heaven is to be horse whipped by a black man鈥 The Europeans simply cashed in on a trade which was well established in Africa.
- There's been very little coverage about Africa's involvement with the slave trade鈥 Total PC nonsense.
The 蜜芽传媒 has had a lot of programming around this anniversary both in news programmes such as The World Tonight and there have been seasons of programmes on networks like Radio 4.
Few would argue that it was not an important moment in the history of Britain, and also that it marked the beginning of the end of the enslavement of Africans by Europeans and Americans; it was also an important moment in the development of what are known today as human rights.
In this sense, the 蜜芽传媒 did make an editorial judgement that it was an important anniversary to mark, but it is important to remember that the commemorative events by governments, local authorities, museums, etc, were not been run by the 蜜芽传媒 and we were - along with other broadcasters and newspapers - covering them as news events.
On The World Tonight, our coverage has focussed not on the history of slavery, but on the survival of practices today which are basically forms of enslavement, such as bonded child labour in India.
Indeed a report by our Delhi Correspondent, Damian Grammaticas, this Wednesday (listen here) provoked an interesting debate in our editorial meetings. His report, which focussed on a boy who was working as a bonded labourer ended with the boy being freed from that bonded labour, but faced with an uncertain future, because it was unclear how his family would make ends meet without the low wages he was paid.
Some of us believe we had become too involved in the story and our reporting had led to significant changes in this boy's life and we should have stuck to traditional neutral reporting.
The dilemma faced by our correspondent was that once the boy's case was brought to the attention of the authorities in the course of his investigation into what under Indian law is illegal, the boy could not continue working in the workshop he was bonded to, and the alternative to continuing with the investigation would have been to drop it.
So what would have been more honourable? To not report on an illegal practice that enslaves many children, or to report on it and cause a change in a child's life that leaves him with an uncertain future.
Our correspondent will also follow up on the story, partly out of human interest, but also to see if the local authorities fulfil their responsibility to help his rehabilitation.
It seems there is no consensus on this among journalists on the ethics of this and I'm not sure what the audience think, although we had some e-mails offering to help the boy featured in the report.



This was no trick, but at that point Guido was in a corner. His film had been an exhortation to programmes like Newsnight aggressively to empty-chair politicians who refuse to debate. While he himself prefers to operate in the shadows he could therefore hardly refuse, and a poll of his site's readers urged him overwhelmingly to appear. 


OK... editing a programme is an art not a science and there are many reasons why an editor will decide one way on a Monday and a different way on a Tuesday. I know, I've been there. Plus, programmes aren't edited in hindsight by paragons of omniscience. But think about this.

We had discussed the way we would handle such a situation a couple of days previously and decided we wouldn't show the pictures without trying to give the families of those held as much notice as we could. We also wouldn't show them if the British captives looked to be in undue distress or injured. The pictures would inevitably become a major part of the story and be shown around the world.
When the pictures came in, we watched them all and although the British personnel looked strained and were almost certainly acting under duress, they looked in good health and said they had been treated well. The Ministry of Defence said that it hoped that this would be some comfort to the families and Naval colleagues at the moment - a sentiment we share.

Mark said this to the rally: "Exactly two weeks, at 2:15pm on a Monday afternoon, Alan Johnston left the 蜜芽传媒's bureau in Gaza to go home. He said goodbye to his colleagues, got into his car, and promised to phone them when he reached his flat. He never rang. His car was found abandoned. We believe he was abducted. No one from the 蜜芽传媒 has seen or heard from Alan since, though we're told by others that he is safe, and being looked after.
The film centred on the time Clinton had spent as a Rhodes scholar in Oxford and involved a run-in with the official photographers at the college Clinton had attended. They wouldn't let us film a contemporary year photograph being taken, so we improvised by climbing a wall and shooting over it, giving me an early metaphor of Michael's approach to journalism.

It started on a Thursday morning 鈥 Thursday 1 March - when Reeta Chakrabarti rang me with a good story from an excellent source. It took us six days to get our full story out; and another six to broadcast the story of the gagging. So 12 busy, frustrating and challenging days. Here鈥檚 how it felt from the inside:

Just to clarify, for those who may wonder, when exactly did we get banned? In the eccentric former minister of information Professor Jonathan Moyo said in a letter addressed to me, that he is 鈥渟uspending all accreditation of 蜜芽传媒 correspondents鈥 who want to work in Zimbabwe. 
He was invited on last Friday to talk about a written by the rabbi at Lord Levy's local synagogue, Rabbi Yitzchak Schochet. (You have to subscribe to the JC to get more than this summary).
I recognise that the judgments we take in a newsroom - often a fevered environment - can seem very brutal when you're watching television at home in the kitchen or living room. So a decision on whether to use the word "bastard" on the Six O'Clock News - a decision I had to make last week to - is tough. For some people, this is extremely offensive language. 

There is a body of opinion that argues the market and consumer pressure will drive the economic and environmental policy changes that most scientists agree are needed to arrest climate change and global warming. Others argue that the urgency of the situation is such that governments must regulate - as they did when CFCs were phased out to stop the erosion of the ozone layer.
So why do we continue to use it? The 蜜芽传媒's experts at the Monitoring advise "there is no direct translation into English of the Farsi phrase used by Mahmoud Ahmadinejad. Therefore there a number of possible ways of rendering the Farsi original into English. However, in the context of the whole passage we believe our original interpretation is an accurate reflection of the words."
One senior fire officer was quoted in a subsequent interview as saying there was a "bulge" in the building and he was "pretty sure it was going to collapse". During this time, our staff were talking directly to the emergency services and monitoring local and national media鈥 and there was a fairly consistent picture being painted of Building 7 in danger of collapse. Producers in London would have been monitoring the news agency wires - the Associated Press, Reuters, etc - and although we don't routinely keep an archive of agency reports, we're sure they would have been reporting the same as the local media. 

A few viewers complained that by detailing the fault we were handing crucial information to the enemy. Here's one complaint:
It is true that Paul Wood's report did give very detailed information - however, in no way did this endanger the lives of our troops. An official report into the death of 10 British servicemen in Iraq made clear what the problem was - this was widely reported in many media outlets (including the Ten O'Clock News) at the time.