Noddy's not dead
We've had a huge response to our item looking at the techniques used in putting together TV news pieces, following the decision of the (watch the item here).
The outcome is by no means clear cut. Many thought that editing shots like "noddies" and "reverse questions" should be banned, some on the grounds that they could lead to deception, others that they are just plain old-fashioned and clunky. But many others think any ban would be a gross over-reaction and that as long as the broadcasters use these techniques responsibly there is little problem.
So what is our conclusion on Newsnight?
The first thing to say is that the issue of editing shots is in a different league from the incidents of deception and dishonesty which have caused turmoil in the TV industry in recent months. But if the industry's response to those problems is a new level of transparency towards our viewers then it is surely right to address what we used to call the "magic of television"
鈥 Noddies (the reverse shot of the reporter, illustrated here with Evan Davis, Rosie Millard and Andrew Marr, which is recorded after the interview is over, and used to cover an edit point in an interview)
I'd stop short of a total ban, but we certainly encourage our producers to use them sparingly. On Newsnight we make a lot of longer films and I can imagine if we banned the noddy ending up in a perverse situation where you'd have lots of weird cutaway shots of anxiously clasped hands or white flashes just to avoid a perfectly harmless image of a reporter (apparently) listening to an interview.
鈥 Reverse questions (the reporter or presenter's questions, recorded after the interview is over, when only one camera is available)
We're not going to ban these. Unlike most news programmes we often run exchanges between correspondents and interviewees within our films, rather than just soundbites. If we rejected the reverse question we could end up with a lot of shots of interviewees listening blankly to the interviewer's question, or the equally unnatural "two shot" (a wide shot of interviewer and interviewee talking about what they had for breakfast)
鈥 Walking set-up shots (the shot of the interviewee, very often a politician, walking stiffly past the camera as a means of introduction)
These are banned. Our rule is: don't shoot them and you won't be tempted to use them. But where do you draw the line? Is it wrong to direct anyone to do anything they wouldn't normally be doing - prune the roses, type at a computer - so we can get some shots of them? We have at least one cameraman who believes that and insists on only shooting things that are occurring naturally.
And isn't that the real point of this debate? Viewers demand and expect that what they see in news and current affairs reports is a true representation of what is happening through what they know is an artificial medium. And after that they expect a natural and undistracting viewing experience. If the outcome of this debate is that viewers end up being distracted because they can see all the joins, then we will surely have shot ourselves in the foot.



蜜芽传媒 News certainly does not have a line on climate change, however the weight of our coverage reflects the fact that there is an increasingly strong (although not overwhelming) weight of scientific opinion in favour of the proposition that climate change is happening and is being largely caused by man. 

It was produced by ITV News' Deborah Turness and the 蜜芽传媒's Sam Taylor and used dry ice, countdown clocks, spotlights and partial stories to create a pressurised atmosphere for the panellists. The scenario was set so that there was a danger of being reckless, but also that we could be overly cautious, not reporting parts of a story that should be told.

Nobody is pretending that her opinion is worth more than others but that doesn鈥檛 mean I鈥檓 not interested in what she has to say. She wasn鈥檛 gifted six minutes of 蜜芽传媒 One air time to preach on the social injustices of climate change.
We promised to post them at the this weekend so that those who make TV can absorb them. We've hired an old confessional box (pictured) which will sit in the foyer of the conference centre - we'll adorn the walls with your thoughts, and invite those who work in the industry to leave theirs too.
It was a remarkable day, whether you were in London among the crowds or watching on television. From the first distraught gasp as the coffin left Kensington Palace to the flower throwing along the motorway in London鈥檚 outskirts, there was no precedent for this. Commentators went back to the funeral of Admiral Nelson to make their comparisons.
We did think long and hard about whether such a deeply personal event as a young mother鈥檚 funeral could be treated as part of our shared television history, and broadcast again in this way. Given the other public events on this tenth anniversary, including the commemorative concert for Diana and the Service of Thanksgiving in the Guard鈥檚 Chapel (蜜芽传媒 One, 1100, Friday 31 August) we took the view that the re-broadcast could be part of that sequence of programming.
This is what they look like, and you can see how they work by clicking on any story - .
Earlier this week our interest was sparked by the news that a group of c was setting up camp near Heathrow airport. Two thousand people are expected at the Camp for Climate Action by the weekend and there's the promise of "mass direct action" on Sunday.
In our flagship programme World News Today we interviewed our correspondent in Baghdad, Richard Galpin. He was able to pull together information from local sources, and we've also been speaking to the 蜜芽传媒 World Service Middle East analyst Roger Hardy, who has briefed us on the Yazidi minority group which has been the target of the attacks. But our staff are still trying to get hold of people who can give us direct eyewitness accounts and paint a more accurate picture of exactly how many people have been killed or injured.
We have a team based in South Korea, and we're trying to get people into the North. But for now we have to rely on pictures emerging either on North Korean television or from any news agencies which are able to operate there.
However the situation that many facts are not reliably established has not stopped many of our press and broadcast colleagues from treating rumour as being newsworthy.
The first minister characterised the debate he wanted to start as a broader one than previous arguments about the so-called "Scottish Six" - the notion that there should be a combined news hour created for Scotland that would mix international, Scottish and UK news according to overall news values as seen from Scotland. 
Television does need pictures to tell a story. A comprehensive police cordon was in operation on the ground, for obvious reasons. Any attempt by us to walk or drive around to see what was happening could have helped spread contamination. The use of aircraft is an effective way to cover this type of story and possibly the safest as well.
I鈥檓 not going to spell out here exactly what he said (it won鈥檛 take you long to find it in its colourful glory elsewhere on the 鈥榥et) but needless to say some of those watching weren鈥檛 best pleased that the actor who can currently be heard as the voice of Prince Charming in the latest child-orientated Shrek film felt the need to be so graphic on morning television. And Susanna and co-presenter Charlie Stayt are to be commended on their appropriate reactions and swift on air apology.
In the early stages of breaking news, when camera crews are heading to the scene, we relied in part on a lot of phone and studio interviews to tell the story. And producers dug out library pictures of the 2001 outbreak to play during these interviews. 

There are also an unknown number of civilian dead with estimates ranging from President Bush's 30,000 to the of more than 600,000.
We will also analyse how complex the Darfur conflict is - a mixture of competition over increasingly scarce water resources between settled agriculturalists and nomadic herdsmen, as well as among other things, an attempt by the Sudanese government to put down a regional revolt and a conflict between ethnic Arabs and Africans. We'll also ask whether the coverage by some Western journalists and the rhetoric of some Western leaders and pressure groups that say the Sudanese government is carrying out genocide in Darfur is an oversimplification that has impeded attempts to reach a political solution to end the fighting. 
But did the listeners mind? Well, largely no. Interestingly there was an overwhelmingly positive response - even on texts which normally are rich in cynicism.