Expanded distribution in the US for أغر؟´«أ½ World News
This week viewers to أغر؟´«أ½ World News have been watching a series of reports focusing on the Arab uprisings, two years after they first began. Correspondents have been in Damascus, Tunis, Cairo, the Syria-Lebanon border and elsewhere. Their eyewitness TV reporting is accompanied by further explanation and analysis on our website, . These are expert journalists, with years of experience and knowledge, living the story on behalf of the audience. They demonstrate our commitment to reporting the world, and bringing clarity to complex events.
Until now, however, viewers in the world's biggest TV market, the US, have found it hard to access أغر؟´«أ½ reporting of this kind. The market is saturated with TV channels, but for the past couple of years we've been very focused on securing widespread carriage on the distribution systems which bring TV into most homes.
So today the أغر؟´«أ½ is delighted to announce we have agreed to a partnership with the US cable giant - Time Warner Cable - and through this and other deals, a further 10 million homes in the US will have access to أغر؟´«أ½ World News 24 hours a day, seven days a week.
This means by the end of this year we will be available in 25 million homes, including those in most of the major markets - New York, Washington DC, Los Angeles, Chicago, Boston. There is still some way to go before we can say we have reached everyone - but 2012 has been a year of significant breakthroughs for us in the US.
The أغر؟´«أ½ is already well-known in America through its partnerships with public radio, through the success of our website أغر؟´«أ½.com/news, and because of our nightly broadcast on public television fronted by Katty Kay. We believe our brand of high-quality, intelligent and non-partisan journalism has something to offer US audiences, and we're determined to make access to our services as simple as possible.
The timing could not be better. We're just a few weeks away from the first broadcasts of أغر؟´«أ½ World News from our brand new headquarters in central London. Three new studios, a big investment in production and journalism, and working more closely with أغر؟´«أ½ journalists working in English and 27 other languages - it's more than just a new home, it's a new start. We're delighted to share that even more widely.
Richard Porter is controller of English at أغر؟´«أ½ Global News



In our flagship programme World News Today we interviewed our correspondent in Baghdad, Richard Galpin. He was able to pull together information from local sources, and we've also been speaking to the أغر؟´«أ½ World Service Middle East analyst Roger Hardy, who has briefed us on the Yazidi minority group which has been the target of the attacks. But our staff are still trying to get hold of people who can give us direct eyewitness accounts and paint a more accurate picture of exactly how many people have been killed or injured.
We have a team based in South Korea, and we're trying to get people into the North. But for now we have to rely on pictures emerging either on North Korean television or from any news agencies which are able to operate there. 
Rome starts with us in a couple of weeks, and then the real planning will begin. The formula will be largely familiar to audiences of أغر؟´«أ½ World - we'll be taking the best of our international coverage and presenting it in a way that we hope will be closer, more relevant to American audiences. It will be a programme of real substance, but it will also have style and energy. It'll be broadcast from our Washington Bureau, from where we already do two nightly newscasts aimed at US audiences, but expect to see contributions from our correspondents in Delhi and Beijing and Nairobi and Brussels and all the other places which don't often make it on to the US news agenda.
We will soon have four editions of World News Today on air, sharing the same structure and appearance, but each targeted at a slightly different audience. Tonight's programme will be for أغر؟´«أ½ Four viewers in Britain and, simultaneously, أغر؟´«أ½ World's audiences in continental Europe. Others are (or will be) aimed at the USA, South Asia and the Far East.
One senior fire officer was quoted in a subsequent interview as saying there was a "bulge" in the building and he was "pretty sure it was going to collapse". During this time, our staff were talking directly to the emergency services and monitoring local and national media… and there was a fairly consistent picture being painted of Building 7 in danger of collapse. Producers in London would have been monitoring the news agency wires - the Associated Press, Reuters, etc - and although we don't routinely keep an archive of agency reports, we're sure they would have been reporting the same as the local media.
The overall effect is much crisper and cleaner, and I think gives the channel a more contemporary feel. We operate in a very competitive environment and it's important that we support the substance of our journalism with the style of our presentation and production. For that reason, we've also made a number of other changes. There are new titles sequences, with remixed music....and these will appear on all the أغر؟´«أ½ Television News programmes, so that means the One, Six and Ten O'Clock News on أغر؟´«أ½ One in the UK as well as News 24 and أغر؟´«أ½ World.
And lastly on أغر؟´«أ½ World, we've made some changes to what we call the "running orders" of our news bulletins. From now on, there'll be a clear structure which starts with a core news bulletin in the first one-third, has space for analysis and discussion in the second third, and finishes with Sport and Features in the final third. Partly this is the result of what you, the audience, have been telling us during extensive research over the past year.
But as I said, our experiences off air have also taught us something about life in Iran. The university we've been filming at, the Islamic Azad University, could not have been more helpful. Our correspondent Frances Harrison and her dedicated team have spent many weeks negotiating the arrangements and the university has pulled out all the stops to help us. And when it came to the filming, no one was monitoring the students or telling them what to say - they were left on their own to say what they think.
Where we appear to depart from al-Jazeera is in our attitudes to reporting what happens in the West. One of their London correspondents says he won't attend briefings at Downing Street because "that's typical of the Western way of doing TV News where you take something seriously simply because a big statesman is saying things."
But it's also a pragmatic one. The number of people who can speak English is growing, and it's becoming the international language of business and, of course, the internet in many parts of the world. Exactly how many people speak English is a matter of some disagreement.
Allan reported on the "Ceremony of the Reed" - where the King of Swaziland chooses a wife from a parade of women dressed in traditional costume. That is, they weren't wearing anything on top. There wasn't really any way of avoiding the issue - that's how they were dressed, and to have edited out any toplessness would have been bizarre.
We have pictures coming in from local news organisations, and our producers in London are checking these before making them ready to go to air. The wire services are providing us with new information - such as the prime minister of India's reaction to what's happened. And our own producers are calling upon their contacts to get as much fresh information as possible.
It's taken many years to get this far. The cable networks in the US took the view that they didn't need any more news networks. But our PBS broadcasts have been attracting very healthy audiences - more than CNN can claim for almost all of their programmes. And it's maybe a sign of the times that some American audiences want to see a channel which has a serious commitment to international news, and which doesn't see everything from a Washington or New York perspective. We don't profess to replace any other network, but we think we can offer something extra to the market. And we hope the New York deal is the first of many.
The campaign has featured John Simpson's burka, Hilary Andersson's gas mask and Matthew Price's experiences from the Middle East (filmed, as it happens, in White City, but that's another story). The latest incarnation, launched this week, is an updated series of print ads. They feature artefacts from news stories - a flak jacket, amongst other examples (see some of them ) - but also have testimonials from influential viewers...