Join Anna Flannagan and the ladies of the ѿý Singers to sing extracts from Cole Porter's Kiss Me, Kate and pick up some musical theatre performance tips along the way. Open to ages 7-plus.
The first Greek orchestra ever to appear at the Proms, Armonia Atenea, and Artistic Director George Petrou, presents a programme with an appropriately classical flavour. Greek myths form the thread through a Baroque labyrinth of arias and overtures from French, German and Italian operas, including Gluck’s Orphée, Handel’s Arianna in Creta and Lully’s Phaeton.
The first Greek orchestra ever to appear at the Proms, Armonia Atenea, and Artistic Director George Petrou, presents a programme with an appropriately classical flavour. Greek myths form the thread through a Baroque labyrinth of arias and overtures from French, German and Italian operas, including Gluck’s Orphée, Handel’s Arianna in Creta and Lully’s Phaeton.
Actress Alexandra Gilbreath and actress and director Janet Suzman discuss their approach to Shakespeare's The Taming of the Shrew and how 21st-century audiences react to its sexual politics.
Following the enormous success of their staged performance of My Fair Lady in 2012, John Wilson and his orchestra return to perform Kiss Me, Kate – Cole Porter’s Tony Award- reworking of Shakespeare’s The Taming of the Shrew.
Following the enormous success of their staged performance of My Fair Lady in 2012, John Wilson and his orchestra return to perform Kiss Me, Kate – Cole Porter’s Tony Award- reworking of Shakespeare’s The Taming of the Shrew.