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15 Lovely & Amazing (2002)

updated 30th July 2002
reviewer's rating
Four Stars
Reviewed by Tom Dawson


Director
Nicole Holofcener
Writer
Nicole Holofcener
Stars
Catherine Keener
Brenda Blethyn
Emily Mortimer
Raven Goodwin
Dermot Mulroney
Jake Gyllenhaal
Aunjanue Ellis
James LeGros
Length
91 minutes
Distributor
Metrodome
Cinema
2nd August 2002
Country
USA
Genres
Comedy
Drama
Web Links


Writer-director Nicole Holofcener's debut feature "Walking and Talking" was a bittersweet New York comedy, which led to her being described by some critics as a female Woody Allen (when he was funny, that is).

Five years later and her follow-up, the ironically titled "Lovely & Amazing", finds Holofcener working in an affluent LA milieu. Yet the focus is again on women struggling to manage their physical and psychological insecurities, with the film's humour underpinned by a sense of emotional pain.

What connects the various members of the Marks family in "Lovely & Amazing" is their narcissistic self-absorption.

Middle-aged mother Jane (Blethyn) has decided to have an expensive liposuction operation, to restore both her figure and sense of well-being.

Eldest daughter Michelle (Keener) was the home-coming prom queen at high school: now she's trapped in a loveless marriage, and dismally failing in her attempts to sell her home-made miniature chairs to craft shops.

Michelle's younger sister, Elizabeth (Mortimer), is an aspiring movie actress, whose anxieties over her sexual attractiveness are magnified after failing an audition with a hotshot star (Mulroney).

And their eight-year-old adopted sibling, Annie (Goodwin), is developing her own behavioural problems...

Smoothly shot on high-definition video, "Lovely & Amazing" has a loosely-structured feel, in which plot is of secondary importance to character (possibly only the figure of Annie feels significantly underwritten).

The ever-impressive Keener contributes a typically incisive, dynamic performance, suggesting beneath Michelle's acerbic, aggressively headstrong façade an individual weighed down by a sense of her own unfulfilled potential.

Meanwhile Mortimer shows real fearlessness in a scene where she stands completely naked, and demands that her lover candidly assess each part of her body.

Sustaining a mood of amused ruefulness, Holofcener has crafted a comedy which acknowledges not just our neuroses about our bodies, but also the messy, ambivalent complexities of adult family relationships.







Find out more about "Lovely & Amazing" at



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