England
Donald Macleod describes Dvorak's extraordinary reception in England and introduces some of the works he premiered during the many visits he made to the country.
Following a hugely popular performance of his Stabat Mater at the Royal Albert Hall in March 1883, Dvor谩k was invited by the Philharmonic Society of London to write a new work for them and to come and conduct it. Donald Macleod describes Dvor谩k's extraordinary reception in England and introduces some of the works he premiered during the many visits he made to the country, including the symphony written for the Philharmonic Society, a cantata based on a spooky gothic tale and one of the greatest of all his liturgical works.
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Music Played
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Anton铆n Dvo艡谩k
Scherzo Capriccioso
Orchestra: Oslo Philharmonic Orchestra. Conductor: Mariss Jansons.- EMI CDC749995-2.
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Anton铆n Dvo艡谩k
Symphony No.7 (1st mvt)
Orchestra: Bournemouth Symphony Orchestra. Conductor: Jos茅 Serebrier.- Warner 2564 66656-2.
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Anton铆n Dvo艡谩k
Requiem (excerpt)
Singer: Thomas Moser. Singer: Jan鈥怘endrik Rootering. Choir: Czech Philharmonic Chorus. Orchestra: Czech Philharmonic Orchestra. Conductor: Wolfgang Sawallisch.- Supraphon 60C37-7427/8.
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Anton铆n Dvo艡谩k
Spectre's Bride (excerpt)
Singer: Oksana Krovytska. Singer: John Aler. Orchestra: New Jersey Symphony Orchestra. Conductor: Zden臎k M谩cal.- Delos DE3296.
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Anton铆n Dvo艡谩k
The strings are tuned op.55 no 5
Singer: Genia K眉hmeier. Performer: Christoph Berner.- Harmonia Mundi HMC902081.
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Anton铆n Dvo艡谩k
Songs my mother taught me; op.55 no 4
Singer: Genia K眉hmeier. Performer: Christoph Berner.- Harmonia Mundi HMC902081.
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