
Hong Ying, George Szirtes, Michel Faber, Holly Pester
Presented by Ian McMillan. With Chinese author Hong Ying, George Szirtes on Winnie-the-Pooh, novelist Michel Faber on his new novel and a commission from sound poet Holly Pester.
Ian's guests on the 'cabaret of the word' include the internationally bestselling Chinese author Hong Ying, whose books include 'K: The Art of Love' (Penguin) and her memoir 'Daughter of the River' (Bloomsbury).
We continue our series looking at the language of Instruction Manuals with a new commission from sound poet Holly Pester.
Poet George Szirtes explains why his fellow countrymen think that Winnie the Pooh is much better translated into Hungarian.
And novelist Michel Faber explains why he came up with a new language for his latest novel which is about a Christian missionary in space.
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George Szirtes

The poet and translator George Szirtes examines the status of Winnie the Pooh in his native Hungary as part of our series looking at ‘Foreign Books in Foreign Lands’. He tells Ian that the version by Frigyes Karinthy is considered by many Hungarians to be better than A.A.Milne’s and also reads a poem which draws on imagery from Winnie the Pooh. George Szirtes latest collection of poetry is ‘Bad Machine’ (Bloodaxe)
Hong Ying

Holly Pester

The latest commission in our ‘instruction manuals’ series comes from the sound poet Holly Pester. Using a 1920’s lawnmower manual as her starting point, Holly’s poem ‘The Old Lawnmower Club’, investigates the boundaries between beast and machine. Holly’s work includes the installation ‘‘Temperament, Temperature’, which is available to listen to in a telephone box at Burlington House in London until 14th November.
Michael Faber

The novelist Michel Faber’s previous books include ‘Under the Skin’ (Cannongate) and ‘The Crimson Petal and the White’, which have both been adapted for film and television. In his latest novel, ‘The Book of Strange New Things’, Michel has invented an unpronounceable language. Michel discusses the difficulties of both verbal and written communication, and the importance of the body when trying to connect.
Michael Faber
Five Minute Myths

A new series, only available on our podcast
‘You need to be sad to write’, ‘You can’t wait for inspiration’, ‘Write what you know’, ‘You need to find “your voice” as a writer ’ - each week Ian and a Verb guest interrogate the so-called rules of creative writing, in a brand new series available as a bonus at the end of The Verb podcast. The creative writing myths must explode within five minutes otherwise the producer’s alarm clock goes off.
Myth One:
Ian and George Szirtes ask whether you need to be sad to write well.
Download The Verb podcast
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- Fri 17 Oct 2014 22:00ѿý Radio 3
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The Verb
Radio 3's cabaret of the word, featuring the best poetry, new writing and performance