 
                
                        Hinterland
Olivia Williams and Michael Pennington with readings that explore hinterland, an area lying beyond what is visible or known. Music by Debussy, Dowland, Mendelssohn and Britten.
We travel to an area beyond what is visible or known, and to remote areas of a country away from the coast or the banks of major rivers in this evocation of hinterland.
Olivia Williams and Michael Pennington read poetry and prose from the travel writing of Bruce Chatwin about the lost mythical city of riches hidden in the Andes to the sinister underworld of Virgil’s Aeneid, via contemporary urban byways examined in the Edgelands project of Paul Farley and Michael Symmons Roberts, childhood dreams remembered by Australian poet Les Murray and the remote island which the sailor Enoch Arden ends up on in the poem by Alfred, Lord Tennyson - a poem which has given name to the principle in law that after being missing a certain number of years (typically seven), a person could be declared dead for purposes of remarriage and inheritance. The music includes John Luther Adams' environmentally inspired piece Under the Ice and Walking Song from Meredith Monk, Mussorgsky's Great Gate at Kiev from his Pictures at an Exhibition and Felix Mendelssohn's Scherzo from A Midsummer Night's Dream. 
Producer: Felix Carey
Readings:
William Wordsmith - Tintern Abbey
Bruce Chatwin - In Patagonia
Virgil, translated by John Dryden - Aeneid, Book VI
Plato translated by Benjamin Jowett - Republic, Book VII 
Christina Rossetti - Somewhere or Other
Les Murray - The Sleepout
Thomas Hardy - The Dead Drummer
Slavomir Rawicz - The Long Walk
Robert Byron - The Road to Oxiana
Paul Farley and Michael Symmons Roberts - Edgelands
Rudyard Kipling - A Song for Travel
Judith Schalansky - Atlas of Remote Islands
Alfred Tennyson - From Enoch Arden
Robert Frost - Once by the Pacific
Last on
Music Played
Timings (where shown) are from the start of the programme in hours and minutes
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    ![]() 00:00 00:00Leos JanáčekThey Chattered Like Swallows (from On an Overgrown Path) Performer: Marc-Andre Hamelin (piano).- Hyperion CDA68030.
- 5.
 
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    William WordsmithTintern Abbey, read by Olivia Williams ![]() 00:01 00:01George ButterworthThe Banks of Green Willow Performer: Neville Marriner (conductor), Academy of St Martin in the Fields.- Decca 452 707.
- 2.
 ![]() 00:07 00:07John Luther AdamsUnder the Ice Performer: John Luther Adams.- Cantoloupe Music CA21112.
- 2.
 Bruce ChatwinIn Patagonia, read by Michael Pennington ![]() 00:10 00:10Alberto GinasteraPiano Sonata No.1: mvt Presto misterioso Performer: Gabriela Montero (piano).- EMI 6411442.
- 19.
 Virgil, translated by John DrydenAeneid book VI, read by Olivia Williams ![]() 00:13 00:13John DowlandIn Darkness Let Me Dwell Performer: Dorothee Mields (soprano), Hille Perl (viola de gamba), Sirius Viols.- DHM 88697362132.
- 14.
 Plato translated by Benjamin JowettRepublic Book VII read by Michael Pennington ![]() 00:20 00:20Steve ReichNagoya Marimbas Performer: Bob Becker. Performer: James Preiss.- Nonesuch 7559-79430-2.
- 1.
 Christina RossettiSomewhere or Other read by Olivia Williams ![]() 00:24 00:24Christian WallumrødA Year from Easter Performer: Christian Wallumrød Ensemble.- ECM 1801 982 4132.
- 9.
 Les MurrayThe Sleepout read by Michael Pennington ![]() 00:28 00:28Felix MendelssohnMidsummer Nights Dream - Scherzo Performer: Vladimir Ashkenazy (conductor), German Symphony Orchestra Berlin.- Decca 440 296-2.
- 2.
 Thomas HardyThe Dead Drummer read by Olivia Williams ![]() 00:33 00:33Claude VivierChanson dadieu  from Cinq chansons pour percussion Performer: Christian Dierstein (percussion).- Kairos 0012472KAI.
- 7.
 Slavomir RawiczThe Long Walk read by Michael Pennington ![]() 00:38 00:38TradPeshnawazi from 3 raga Khamaj Performer: Khalde Arman (rubab).- Arion Arn 64681.
- 1.
 Robert ByronThe Road to Oxiana read by Olivia Williams ![]() 00:41 00:41Modest MussorgskyPictures at an Exhibition  The Great Gate at Kiev Performer: Herbert von Karajan (conductor), Berlin Philharmonic Orchestra.- DG 429 162-2.
- 1.
 ![]() 00:47 00:47Charles AmirkhanianWalking Tune  A Room Music for Percy Grainger Performer: Charles Amirkhanian.- Starkland ST 206.
- 5.
 Paul Farley and Michael Symmons RobertsEdgelands read by Olivia Williams ![]() 00:51 00:51Meredith MonkWalking Song Performer: Meredith Monk.- Mercury 5369032.
- 9.
 Rudyard KiplingA Song for Travel read by Michael Pennington ![]() 00:54 00:54Arthur HoneggerPacific 231 Performer: Charles Dutoit (conductor), Bavarian Radio Symphony Orchestra.- Erato ECD88171.
- 1.
 ![]() 01:01 01:01John Luther AdamsUnder the Ice Performer: John Luther Adams.- Cantoloupe Music CA21112.
- 2.
 Judith SchalanskyAtlas of Remote Islands read by Olivia Williams Alfred TennysonFrom Enoch Arden read by Michael Pennington ![]() 01:05 01:05Johann Sebastian BachCanon a 2 per Tonos from Musikalisches Opfer BWV 1079 Performer: Ton Koopman and members of the Amsterdam Baroque Orchestra.- Challenge Classics CC72309.
- 6.
 Robert FrostOnce by the Pacific read by Olivia Williams ![]() 01:09 01:09Benjamin BrittenStorm from Four Sea Interludes Performer: Edward Gardner (conductor), ѿý Philharmonic.- Chandos CHAN 10658.
- 12.
 Producer noteThe texts and music in this programme relate to the idea of hinterland both as a geographical location - peripheral or remote - and hinterland as something beyond that which is immediately knowable or perceivable. 
 From Bruce Chatwin’s In Patagonia, we hear the tale of Trapalanda, the lost mythical city of riches hidden in the Andes, before the mysterious and skittering second movement of Argentinian composer Alberto Ginastera’s Piano Sonata No.1.
 John Dryden’s translation of the Aeneid takes us to Virgil’s underworld, at a murky fork in the road between the heaven and hell of Elysium and Tartarus, as Aeneas and the Sybil part ways with the ill-fated ghost of Deophobus.
 Plato’s cave allegory outlines the notion that the world we experience through our senses is just a shadow of the real thing - a kind of philosophical hinterland - the shadows in the cave manifested musically in Reich’s phasing marimba duo.
 Dreams could be said to occupy the hinterland of our everyday lives, and Les Murray’s poem describes the sensuality of childhood dreams, drawing on his own experience of sleeping on the verandah of his family dairy farm in New South Wales.
 Hardy’s The Dead Drummer tells of a young life lost in a strange land - a West Country boy fighting in the Boer War. Buried unceremoniously in the remote plains of South Africa he becomes a part of his new surroundings. This poignant poem is paired with the sparse, exotic soundworld of Claude Vivier’s Chanson d’Adieu.
 The fearsome Gobi Desert is the backdrop for Slawomir Rawicz in The Long Walk, the Polish author's controversial account of his escape from a Siberian gulag and subsequent 4,000 mile journey through Asia to India.
 Then in a passage from The Road to Oxiana, celebrated travel writer Robert Byron describes his arrival at the city Balkh in northern Afghanistan, “balm to eyes bruised by the monstrous antiquity of the preceding landscape”.
 Topographical observations of a different kind come from Paul Farley and Michael Symmons Roberts in their study of Edgelands, the urban hinterland of town planners. In it they make a link between the muddy desire paths of city parkland and the nomadic songlines of the Australian Aboriginals. Two contemporary songlines accompany this text: Charles Amirkhanian’s homage to Percy Grainger and Meredith Monk’s Inuit-like Walking Song.
 With Tennyson’s Enoch Arden we return to the idea of hinterland as a place of solitude or remote isolation, with the stranded sailor immersed in the riches of the natural environment but longing for home.
 Producer: Felix CareyBroadcasts- Sun 23 Oct 2016 17:30ѿý Radio 3
- Sun 3 Jan 2021 17:30ѿý Radio 3
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