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Thursday Opera Matinee - Iolanta

Penny Gore presents Tchaikovsky's one-act opera Iolanta, in a performance given in the Tchaikovsky Concert Hall in Moscow. Plus the ѿý NOW performing music by Bowden.

Penny Gore presents this week's Opera Matinee - Tchaikovsky's one-act opera 'Iolanta', premiered in 1892, in a performance from the Tchaikovsky Concert Hall in Moscow. The opera concerns the blind Princess Iolanta, who doesn't know that she's blind or a princess. Her betrothed, Duke Robert, is in love with someone else and wants to break off the engagement. Things might work in his favour, as his friend Count Vaudemont falls instantly in love with Iolanta the first time he sees her. Plus more from this week's featured orchestra, the ѿý National Orchestra of Wales, and music from a new CD of music by Mark Bowden.

Tchaikovsky: Iolanta
René, King of Provence ..... Pyotr Mignunov (bass)
Robert, Duke of Burgundy ..... Dmitry Vargin (baritone)
Count Vaudémont ..... Victor Antipenko (tenor)
Ibn-Hakia ..... Elchin Azizov (baritone)
Alméric ..... Yaroslav Abaimov (tenor)
Bertrand ..... Nikolai Kazansky (bass)
Iolanta ..... Anastasia Moskvina (soprano)
Marta ..... Svetlana Shilova (contralto)
Brigitta ..... Margarita Ivanova (soprano)
Laura ..... Alexandra Kadurina (mezzo-soprano)
State Chorus of Moscow Region Philharmonic
Russian National Orchestra
Mikhail Pletnev (conductor)

c.3.50pm
Bowden: Lyra, for cello and orchestra
Oliver Coates (cello)
ѿý National Orchestra of Wales
Grant Llewellyn (conductor).

2 hours, 30 minutes

Music Played

  • Pyotr Ilyich Tchaikovsky

    Iolanta

    Singer: anastasia moskvina. Singer: pyotr mignunov. Conductor: Mikhail Pletnev.
  • Mark Bowden

    Lyra

    Performer: Oliver Coates. Orchestra: ѿý National Orchestra of Wales. Conductor: Grant Llewellyn.
  • Alexander Glazunov

    Ballade in F maj, Op.78

Synopsis

IOLANTA

Iolanta is blind. She lives a secluded life and is treated like a doll. A long time ago her father, King René, hid her from the world and placed her in the care of simple people, Martha and Bertrand. His greatest concern is for his daughter never to find out she is blind. He also doesn’t want the news of Iolanta’s blindness to reach Robert, her future husband. Iolanta is convinced that eyes are only for crying. But she is becoming anxious and has some vague presentiments.

Alméric arrives at Iolanta’s dwelling, announcing a visit from the King and a famous Moorish physician. The doctor’s diagnosis is clear: Iolanta must be told of her disability before treatment can begin. René says no.

Robert and Vaudémont appear at Iolanta’s house. They are overawed—the place seems to hide a secret, danger, they feel threatened. They meet Iolanta, not knowing who she is. Robert doesn’t realize she is his betrothed, whom he doesn’t want to marry because he loves someone else. Vaudémont is enchanted with the girl while Robert is worried by this mysterious place. Enthralled with Iolanta’s beauty, Vaudémont asks her to give him a red rose as a keepsake. Iolanta hands him a white one, twice. Vaudémont realizes that she can’t see. Iolanta has no idea what it means to see, she isn’t aware what she is missing. King René catches Vaudémont talking to Iolanta and is furious with him for revealing the secret to her. With no will of her own, Iolanta doesn’t even know whether she wants to be able to see—she will do anything her father tells her. This only confirms the doctor’s words that without an inner desire, no change is possible. To awaken her desire to regain her sight, the King threatens that if the treatment fails Vaudémont will be killed. Iolanta is healed and her father consents to her marriage to Vaudémont. But regaining her sight doesn’t bring Iolanta the expected deliverance. Blinded by the world, she can’t believe that the people she loves look the way they do. Her love for Vaudémont and the wedding ceremony subdue her fears.

- See more at: http://www.metopera.org/Discover/Synposes-Archive/Iolanta-Bluebeard-Castle/#sthash.iKM0fZJb.dpuf

Broadcast

  • Thu 27 Apr 2017 14:00