蜜芽传媒

Donald Macleod explores the life and music of African-American composer William Grant Still. Today, an unhappy brush with Hollywood, and Still鈥檚 Fourth Symphony, 鈥楢utochthonous'.

In 1942, Still was approached by 20th Century Fox to be musical director on Stormy Weather, a film with an all-black cast based on the life of the dancer Bill 鈥楤ojangles鈥� Robinson, who also starred. Things did not go to plan. Before long, he said, he found himself sat in an office all day with nothing to do, twiddling his thumbs. It must have been a relief to return to the world of 鈥減ure music鈥�, which is how Still said he composed his Fourth Symphony, to which he later gave the unusual subtitle 鈥楢utochthonous鈥�, meaning 鈥榥ative to the place where it is found鈥�. The symphony, Still said, was 鈥渋ntended to represent the spirit of the American people. It may also be said that the music speaks of the fusion of musical cultures in North America鈥�.

鈥楢 Black Pierrot鈥� (Songs of Separation)
Robert Honeysucker, baritone
Vivian Taylor, piano

Incantation and Dance, for oboe and piano
Joseph Robinson, oboe
Pedja Muzijevic, piano

Festive Overture
Royal Philharmonic Orchestra
Arthur Bennet Lipkin, conductor

Bells
Denver Oldham, piano

Symphony No 4, 鈥楢utochthonous鈥�
Fort Smith Symphony
John Jeter, conductor

Produced by Chris Barstow for 蜜芽传媒 Wales