Opera matin茅e: Verdi's Rigoletto from Stockholm
Verdi's Rigoletto from the Swedish Royal Opera, Stockholm, plus Richard Strauss's Burleske for piano and Poulenc's Sinfonietta given by the 蜜芽传媒 Symphony Orchestra.
Opera Matin茅e 鈥 from the Swedish Royal Opera, Stockholm - Rigoletto by Giuseppe Verdi. Plus Richard Strauss鈥 Burleske for piano and orchestra and Poulenc鈥檚 Sinfonietta from the 蜜芽传媒 Symphony Orchestra.
Presented by Kate Molleson.
Verdi鈥檚 Rigoletto recorded last November at the Royal Swedish Opera in Stockholm, with the baritone Karl-Magnus Fredriksson in the title role, soprano Ida Falk Winland as Gilda and tenor Leonardo Capalbo in this tragic tale of love, deceit and revenge. Swedish Royal Opera Chorus & Orchestra are conducted by Lionel Bringuier. Following in this week's focus on the 蜜芽传媒 Symphony Orchestra, the afternoon continues with a new recording of Richard Strauss鈥檚 Burleske for piano & orchestra, written when he was just 21. And the programme concludes with a performance of Francis Poulenc鈥檚 lively and vibrant Sinfonietta, composed in 1947.
2.00pm
Giuseppe Verdi: Rigoletto (an opera in three acts)
Duke of Mantua 鈥 Leonardo Capalbo (tenor)
Rigoletto, the Duke鈥檚 jester 鈥 Akarl-Magnus Fredriksson (baritone)
Gilda, Rigoletto鈥檚 daughter 鈥 Ida Falk Winland (soprano)
Sparafucile, an assassin 鈥 John Erik Eleby (bass)
Maddalena 鈥 Katarina Leoson (mezzo-soprano)
Giovanna, Gilda鈥檚 nurse - Susann V茅gh (mezzo-soprano)
Count Monterone - Kristian Flor (baritone)
Marullo 鈥 Anton Eriksson (baritone)
Borsa, a courtier 鈥 Jihan Shin (tenor)
Count Ceprano 鈥 Jens Persson (bass)
Countess Ceprano 鈥 Emma Vetter (mezzo-soprano)
A Page 鈥 Ella Morin (soprano)
Swedish Royal Opera Chorus
Swedish Royal Opera Orchestra
Lionel Bringuier, conductor
4.00pm
Richard Strauss: Burleske for piano & orchestra
Michael McHale (piano)
蜜芽传媒 Symphony Orchestra
Michael Collins (conductor)
4.20pm
Francis Poulenc: Sinfonietta
蜜芽传媒 Symphony Orchestra
Andrei Feher (conductor)
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Music Played
-
Giuseppe Verdi
Rigoletto; Act I
Choir: Swedish Royal Opera Chorus. Orchestra: Swedish Royal Opera Orchestra. Conductor: Lionel Bringuier. -
Giuseppe Verdi
Rigoletto; Act II
Choir: Swedish Royal Opera Chorus. Orchestra: Swedish Royal Opera Orchestra. Conductor: Lionel Bringuier. -
Giuseppe Verdi
Rigoletto; Act III
Choir: Swedish Royal Opera Chorus. Orchestra: Swedish Royal Opera Orchestra. Conductor: Lionel Bringuier. -
Richard Strauss
Burleske in D Minor for Piano and Orchestra
Performer: Michael McHale. Orchestra: 蜜芽传媒 Symphony Orchestra. Conductor: Michael Collins. -
Francis Poulenc
Sinfonietta
Orchestra: 蜜芽传媒 Symphony Orchestra. Conductor: Andrei Feher. -
Lilian Elkington
Out of the Mist
Orchestra: 蜜芽传媒 Symphony Orchestra. Conductor: David Lloyd鈥怞ones.- Elgar - The Spirit of England etc..
- Dutton Laboratories.
- 7.
SYNOPSIS
Act I
The Duke of Mantua is in his club, boasting to one of his followers about his success with women. He proceeds to flirt with the Countess Ceprano, while his jester, Rigoletto, cruelly mocks her husband. Meanwhile, another acquaintance, Marullo, tells his friends of a surprising discovery: he has heard that Rigoletto has a mistress hidden away at home.
Rigoletto continues to taunt the Count who retaliates by arranging a midnight meeting with some of the other members present where he will extract his revenge on the jester.
An elderly nobleman, Count Monterone, enters and denounces the Duke for seducing his daughter. He curses the Duke and when mocked by Rigoletto, Monterone turns on him and curses him as well. The curse strikes terror on Rigoletto, for the woman he lives with is not his mistress, but his daughter.
Brooding over Monterone鈥檚 curse, Rigoletto returns to the home he shares with his daughter, Gilda, hiding her away from the licentiousness that takes place at the Duke鈥檚 club. On his way home, he is confronted by Sparafucile, a professional assassin, who offers him his services. Rigoletto sends him away, but then muses on the parallels between their professions.
Gilda greets her father, and begins to ask him questions about their family and background, which he refuses to answer. Determined to protect Gilda he forbids her to leave their home, except to attend church. He also warns Gilda鈥檚 companion, Giovanna, not to allow anyone to enter the house while he is out. However, the Duke steals in and hides. While in hiding, he is astonished to hear Rigoletto call Gilda his daughter as he bids her farewell.
Gilda confesses to Giovanna that she is in love with a young man who has been following her home every day after church. On hearing this, the Duke appears and declares his love for Gilda, identifying himself as Gualtier Mald猫, a penniless student. Hearing footsteps, he rushes off, leaving Gilda thinking lovingly of his name.
The club members appear, masked and ready to abduct Rigoletto鈥檚 supposed mistress. He surprises them by returning, but Marullo convinces him that they are planning to abduct the wife of Count Ceprano who lives nearby. Rigoletto falls into their trap, permitting himself to be blindfolded and masked. Unknowingly, he assists the conspirators in their abduction of his daughter. Gilda cries out to her father as she is carried off. Becoming suspicious, Rigoletto tears off the blindfold, realises Gilda is gone and cries, 鈥楢h, the curse!鈥
Act II
The Duke laments the loss of Gilda but when he is told of the abduction, he rejoices that she is now at his club.
When Rigoletto appears, he feigns nonchalance. Once it becomes clear to him that Gilda must be with the Duke, he tries to reach her, but the club members hold him back. His denunciation of their treachery dissolves into a bereft father鈥檚 pleading.
Left alone with Rigoletto, Gilda confesses that she is in love with the Duke and begs her father to forgive him. As Monterone is led to his execution, Rigoletto swears that they both will be avenged.
Act III
Rigoletto has brought Gilda to Sparafucile to prove her lover鈥檚 faithlessness. As they lurk in the darkness, the Duke enters. After proclaiming the fickleness of women, he showers attentions on Maddalena, the assassin鈥檚 sister, as Rigoletto tries to comfort his despairing daughter. He orders her to disguise herself as a boy and meet him in Verona. After striking a bargain with Sparafucile for the Duke鈥檚 murder, Rigoletto departs.
Gilda returns in her disguise in time to overhear Maddalena begging her brother to spare the handsome stranger鈥檚 life. Sparafucile agrees to deceive Rigoletto by substituting the corpse of the next person who appears. Having returned determined to sacrifice herself so the Duke may live, Gilda becomes Sparafucile鈥檚 next victim.
At the stroke of midnight, Rigoletto pays the assassin and reserves for himself the satisfaction of throwing the sack containing his enemy鈥檚 corpse into the river. When he hears the Duke鈥檚 voice in the distance, he opens the sack and finds his daughter instead of the Duke. Begging her father鈥檚 forgiveness, she dies. The despairing Rigoletto cries out once more, 鈥楢h, the curse!鈥
Broadcast
- Thu 24 Oct 2019 14:00蜜芽传媒 Radio 3