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European Summer Festivals (4/5)

An opera matinee of German music spanning the 19th century by Carl Maria von Weber and Richard Strauss.

Opera matinee - German music from the beginning and the end of the 19th century, by Carl Maria von Weber and Richard Strauss.

Presented by Ian Skelly

Weber's Der Freischütz, one of the first German romantic operas, is an evocatively expressive tale of marksmanship and love set in Bohemia just after the Thirty Years War, while Strauss's tone poem from 1898 paints in sound 'A Hero's Life'

2.00pm
Weber
Der Freischütz
Johanni van Oostrum, soprano, Agathe
Tuomas Katajala, tenor, Max
Chiara Skerath, soprano, Ännchen
Vladimìr Baykov, bass, Kaspar
Christian Immler, bass, Eremit and voice of Samiel
Thorsten Grümbel, bass, Kuno
Samuel Hasselhorn, baritone, Ottokar
Anas Seguin, baritone, Kilian
Clément Dazin, Samiel
Accentus
Insula Orchestra
Laurence Equilbey, conductor

4.00pm
Buxtehude
Jesu, meines Lebens Leben, BuxWV 62
Nimm von uns, Herr, du treuer Gott, BuxWV 78
Herzlich lieb hab ich dich, o Herr, BuxWV 41
Orfeo Orchestra
Purcell Choir
György Vashegyi, conductor

3 hours, 1 minute

Last on

Thu 15 Apr 2021 14:00

Music Played

  • Carl Maria von Weber

    Der Freischutz - Act 1 Part 1

    Performer: Clément Dazin. Singer: Johanni van Oostrum. Singer: Tuomas Katajala. Singer: Chiara Skerath. Singer: Vladimir Baykov. Singer: Christian Immler. Singer: Thorsten Grümbel. Singer: Samuel Hasselhorn. Singer: Anas Seguin. Ensemble: Accentus Ensemble. Director: Frank Markowitsch. Orchestra: Insula Orchestra. Conductor: Laurence Equilbey.
  • Carl Maria von Weber

    Der Freischutz - Act 2 Part 1

    Performer: Clément Dazin. Singer: Johanni van Oostrum. Singer: Tuomas Katajala. Singer: Chiara Skerath. Singer: Vladimir Baykov. Singer: Christian Immler. Singer: Thorsten Grümbel. Singer: Samuel Hasselhorn. Singer: Anas Seguin. Ensemble: Accentus Ensemble. Director: Frank Markowitsch. Orchestra: Insula Orchestra. Conductor: Laurence Equilbey.
  • Carl Maria von Weber

    Der Freischutz - Act 3 Part 1

    Performer: Clément Dazin. Singer: Johanni van Oostrum. Singer: Tuomas Katajala. Singer: Chiara Skerath. Singer: Vladimir Baykov. Singer: Christian Immler. Singer: Thorsten Grümbel. Singer: Samuel Hasselhorn. Singer: Anas Seguin. Ensemble: Accentus Ensemble. Director: Frank Markowitsch. Orchestra: Insula Orchestra. Conductor: Laurence Equilbey.
  • Dieterich Buxtehude

    Jesu, meines Lebens Leben BuxWV.62

    Choir: Purcell Chamber Choir. Orchestra: Orfeo Orchestra. Conductor: György Vashegyi.
  • Dieterich Buxtehude

    Nimm von uns, Herr, due treuer Gott - cantata BuxWV.78

    Choir: Purcell Chamber Choir. Orchestra: Orfeo Orchestra. Conductor: György Vashegyi.
  • Dieterich Buxtehude

    Herzlich lieb, hab ich dich o Herr BuxWV.41

    Choir: Purcell Chamber Choir. Orchestra: Orfeo Orchestra. Conductor: György Vashegyi.
  • Dieterich Buxtehude

    Der Herr ist mit mir BuxWV.15 i Alleluja

    Choir: Purcell Chamber Choir. Orchestra: Orfeo Orchestra. Conductor: György Vashegyi.
  • Johann Sebastian Bach

    Orchestral Suite no.4 in D major BWV.1059 (Overture)

    Orchestra: Freiburg Baroque Orchestra.
    • HARMONIA MUNDI.

Carl Maria von Weber - Der Freischütz

Synopsis
Act 1 
At a practice target shooting, the young hunter Max is ridiculed by the peasant Kilian, who by comparison, did a very good shot. The forester Kuno pulls Max and Kilian apart and reminds Max that he has to pull off his trial shot the next day. Otherwise he won’t inherit Kuno’s woodland nor will he marry Kuno’s daughter Agathe. Max, who passionately loves Agathe, is plagued by self-doubt: for some time now, he hasn’t had much luck when shooting. He feels seduced by darker powers. A fellow hunter Kaspar persuades Max to come drinking although Max doesn’t really feel like it. He also tells Max that he has the means to ensure that Max always hits his mark: magic bullets. To prove it, Kaspar invites Max to shoot at an eagle flying well beyond his rifle’s range. Max’s shot hits its mark even though he took little time to aim. So as not to lose Agathe, Max accepts Kaspar’s invitation to go to the terrible Wolf’s Glen to cast magic bullets. Kaspar tells Max that he mustn’t tell anyone and triumphs: because Agathe spurned him in the past, Max must now become the devil’s sacrifice.

Act 2 
In the woods, Ännchen is doing her best to comfort Agathe who is troubled by dark forebodings. Before going to sleep, Max arrives. He looks troubled and says he must leave soon to return to the Wolf’s Glen to collect a deer that has been shot. Now that she knows that Max is going back to the Wolf’s Glen, Agathe and Ännchen fear the worst. 
In the Wolf’s Glen, unseen spirits mutter sinister magical words, after which Kaspar invokes Samiel. He wants to save his own life which he has pledged to the Black Huntsman by offering Max up as the new sacrifice. Max will get six bullets that will hit their marks. However, Samiel will direct the seventh bullet at Agathe, as Kaspar wishes. Max finally arrives, but is not certain he wants to enter the glen upon seeing his mother’s spirit with a warning for him. An image of Agathe despairing because he missed his shot persuades him to go through with it. Kaspar begins casting the magic bullets in an open fire while uttering magic words. With each bullet, nature becomes increasingly agitated. By the time the seventh bullet is cast, a strong storm is raging and the earth is trembling. Samiel appears, lightning strikes and then everything goes quiet. Both hunters lie lifeless on the ground in Wolf’s Glen.

Act 3 
Max has already taken spectacular shots and so has made a good impression on Prince Ottokar three times. He asks Kaspar to give him the remaining magic bullets, but Kaspar tauntingly uses all but the last. This means that Max has to make his trial shot with the seventh bullet which was promised to Samiel. 
Agathe, still in her bridal gown, is praying. Ännchen is trying to cheer her up with a horror story in which the monster ultimately appears to be the dog Nero. Even the bridesmaids don’t appear able to chase away the dismal atmosphere. When Ännchen opens the box with the bridal crown, she finds a black funeral wreath. Using the roses that a hermit had given Agathe the day before, Ännchen quickly weaves a new crown. 
The hunting party has arrived at a spot in the middle of the wood where they will shoot. Kaspar watches from a tree. Prince Ottokar indicates a white dove as the target for Max’s trial shot. As Max shoots, Agathe cries: “Don’t shoot, I am the dove!” At that moment Kaspar falls out of the tree and Agathe faints. Max has hit Kaspar who dies cursing the heavens and Samiel. Max must admit to the Prince that he allowed himself to be tempted by Kaspar to use magic bullets. Prince Ottokar wants to banish him, although Agathe, Kuno and the other hunters implore him to be lenient. Ultimately, a hermit persuades the Prince that a single shot cannot decide the future of two people. As a condition for marrying Agathe and inheriting the woods, he imposes a probationary year on Max.

Broadcast

  • Thu 15 Apr 2021 14:00