Main content
Sorry, this episode is not currently available

Donald Macleod explores the women who shaped Hector Berlioz’s life and work. Today, his Ophelia – the love interest who was to have a fatal influence over his life.

Donald Macleod pulls back the curtain on Berlioz’s greatest obsession.

Hector Berlioz was one the most innovative and rebellious musicians of 19th-century France. He was a man of unwaveringly high expectations, in his wider life as well as his music. As the quintessential Romantic, one friend said that love was the “alpha and omega of his existence”. This week Donald Macleod looks at Berlioz through the passions and relationships that shaped who he was and what he created, exploring the romantic obsessions of an especially obsessive man. We’ll also hear a movement of his Symphonie Fantastique each day – Berlioz’s best-known work, and the musical embodiment of his most powerful infatuation.

Today, starting with the woman who would have a fatal influence over him – his Ophelia. As the curtain rises for a performance of Hamlet at the Paris Odeon theatre, little does Berlioz know what he would later call the “supreme drama” of his life, is about to begin...

Marche Funèbre pour la dernière scène d‘Hamlet (Tristia, Op 18)
Orchestre Revolutionnaire et Romantique
John Eliot Gardiner, conductor

Irlande (La belle voyageuse)
Anne Sofie von Otter, soprano
Cord Garben, piano

Romeo et Juliette – Scène d’amour
London Symphony Orchestra
Colin Davis, conductor

Lelio – Choeur d’ombres
John Alldis Choir
London Symphony Orchestra
Colin Davis, conductor

Symphonie Fantastique (1st movement – Reveries – Passions)
Bavarian Radio Symphony Orchestra
Mariss Jansons, conductor

Produced in Cardiff by Amelia Parker

59 minutes

Last on

Mon 5 Jul 2021 12:00

More episodes

Previous

You are at the first episode

See all episodes from Composer of the Week

Music Played

  • Hector Berlioz

    Tristia, Op 18 (Marche Funèbre pour la dernière scène d'Hamlet)

    Orchestra: Orchestre Révolutionnaire et Romantique. Choir: Monteverdi Choir. Conductor: Sir John Eliot Gardiner.
    • PHILIPS 4466762.
    • PHILIPS.
    • 7.
  • Hector Berlioz

    Irlande, Op 2 (La belle voyageuse)

    Performer: Cord Garben. Singer: Anne Sofie von Otter.
    • DG : 445-823-2.
    • DG.
    • 7.
  • Hector Berlioz

    Romeo et Juliette - Scène d'amour

    Conductor: Colin Davis. Orchestra: London Symphony Orchestra.
    • PHILIPS : 416-963-2.
    • PHILIPS.
    • 9.
  • Hector Berlioz

    Lelio - Choeur d'ombres

    Conductor: Colin Davis. Choir: The John Alldis Choir. Orchestra: London Symphony Orchestra.
    • PHILIPS : 416-961-2.
    • PHILIPS.
    • 8.
  • Hector Berlioz

    Symphonie Fantastique, Op 14 (1st movement - Reveries - Passions)

    Conductor: Mariss Jansons.
    • BR KLASSIK : 900121.
    • BR KLASSIK.
    • 1.

Broadcast

  • Mon 5 Jul 2021 12:00

Beethoven Unleashed – the box set

Beethoven Unleashed – the box set

The complete set of Radio 3 Beethoven Unleashed podcasts, with Donald Macleod.

What was really wrong with Beethoven?

What was really wrong with Beethoven?

Georgia Mann and neurosurgeon Henry Marsh examine the composer's numerous health problems

Composers A to Z

Composers A to Z

Visit the extensive audio archive of Radio 3 programmes about Composers and their works.

Who knew? Five eye-opening stories from Composer of the Week

Who knew? Five eye-opening stories from Composer of the Week

The production team reflects on 5 of Donald Macleod’s best stories from the last 20 years

Five reasons why we love Parry's Jerusalem

What is the strange power of Jerusalem which makes strong men weep?

A man out of time – why Parry's music and ideas were at odds with his image...

The composer of Jerusalem was very far from the conservative figure his image suggests.

Composer Help Page

Find resources and contacts for composers from within the classical music industry.