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Donald Macleod explores Camille Saint-Saëns’s trips away from France for concert tours and to recuperate from his ailments.

Donald Macleod explores Camille Saint-Saëns’ trips away from France, for concert tours and to recuperate from his ailments.

Camille Saint-Saëns once said “I produce music as an apple tree produces apples.” In his day, that fruit was gobbled up all across Europe where the composer was acclaimed as the greatest of all French musicians. Liszt called him the greatest organist in the world. Yet in France, and in his home city of Paris, he was not always so highly regarded, despite his strong bond with his homeland. Throughout this week, as we mark the centenary of his death, Donald Macleod delves into the life and work of Saint-Saëns, charting the changing relationship with France of one of the greatest musicians that the country has ever produced.

Saint-Saëns was an inveterate traveller. In fact Debussy once said of the composer that he was so addicted to travel that he should abandon music and become an explorer! In Thursday’s episode, Donald follows Saint-Saëns’ on his many journeys away from France. We'll meet him on tour, including frequent visits to London, and find him relaxing in Algiers, where he often went to convalesces. Donald also examines the period Saint-Saëns spent travelling incognito, without any permanent home, suffering from both physical illnesses and fits of depression following the shock of the death of his mother.

Reverie
Yann Beuron (tenor)
Orchestra della Svizzera Italiana
Markus Poschner (conductor)

Henry VIII – Act 2 “Reine! Je serai reine!”
Elina Garanča (mezzo-soprano)
Orquestra de la Comunitat Valenciana
Roberto Abbado (conductor)

Symphony No 3 in C minor, Op 78 “Organ Symphony” – Finale
Gaston Litaize (organ)
Chicago Symphony Orchestra
Daniel Barenboim (conductor)

Suite Algerienne, Op 60
Orchestra della Svizzera Italiana
Frances Travis (conductor)

Clarinet Sonata in E flat major, Op. 167 - III. Lento
Michael Collins (clarinet)
Noriko Ogawa (piano)

Ascanio – Act V, Scene 2 – Tableau 7 (excerpt) – “Benvenuto, ton oeuvre est accomplie!”; “O force immense du genie”
Eve-Maud Hubeaux (mezzo-soprano)
Bernard Richter (tenor)
Jean-Francois Lapointe (baritone)
Chœur et Orchestre de la Haute École de Musique de Genève
Guillaume Tourniaire (conductor)

Producer: Sam Phillips

59 minutes

Music Played

  • Camille Saint‐Saëns

    Reverie

    Singer: Yann Beuron. Orchestra: Italian Swiss Orchestra. Conductor: Markus Poschner.
    • ALPHA : 273.
    • ALPHA.
    • 3.
  • Camille Saint‐Saëns

    Henry VIII, Act 2: "Reine! Je serai reine!"

    Singer: Elīna Garanča. Orchestra: Orquestra de la Comunitat Valenciana. Conductor: Roberto Abbado.
    • DG 94795937.
    • DG.
  • Camille Saint‐Saëns

    Symphony No 3 in C minor, Op 78 "Organ Symphony" (Finale)

    Performer: Gaston Litaize. Orchestra: Chicago Symphony Orchestra. Conductor: Daniel Barenboim.
    • DG 4746122.
    • DG.
  • Camille Saint‐Saëns

    Suite Algerienne, Op 60

    Orchestra: Italian Swiss Orchestra. Conductor: Francis Travis.
    • CHANDOS : chan-9837.
    • CHANDOS.
  • Camille Saint‐Saëns

    Clarinet Sonata in E flat major, Op 167 (3rd mvt, Lento)

    Performer: Michael Collins. Performer: Noriko Ogawa.
    • BIS BIS2497.
    • BIS.
  • Camille Saint‐Saëns

    Ascanio, Act 5: Scene 2, Tableau 7 (excerpt)

    Singer: Jean-François Lapointe. Singer: Bernard Richter. Singer: Eve-Maud Hubeaux. Orchestra: Orchestre De La Haute École De Musique De Genève. Choir: Chœur De La Haute École De Musique De Genève. Conductor: Guillaume Tourniaire.
    • B RECORDS : LBM013.
    • B RECORDS.
    • 29.

Broadcast

  • Thu 16 Dec 2021 12:00

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