
Heiligenstadt Variations
Donald Macleod tells the story of Beethoven’s harrowing personal crisis of 1802 and Heiligenstadt Testament, a remarkable personal document only discovered after his death.
Donald Macleod tells the story of Beethoven’s harrowing personal crisis of 1802 and Heiligenstadt Testament, a remarkable personal document only discovered after his death.
Ludwig van Beethoven (1770-1827) composed piano music in the form of themes and variations across his entire career - from his earliest published work to his late, titanic “Diabelli Variations”, lasting nearly an hour. And Beethoven’s life can itself be seen as a set of variations on a theme: recurring episodes of unrequited love, artistic anguish, angry fallings-out and constant striving for the highest pinnacle of musical achievement. Yet Beethoven’s piano variations often lie in the shadow of his 32 great sonatas for the instrument. This week, Donald Macleod puts that right - shining a light on this remarkable corpus of work, as well another often-overlooked genre: his piano bagatelles.
By the first years of the 19th century, Beethoven had composed a flurry of masterpieces - among them his first two symphonies and the so-called Moonlight Sonata - which had established him as the leading figure in European music. Yet the months either side of the pivotal year of 1802 would also see Beethoven in the midst of his most profound existential and musical crisis: one in which he’d confront physical and psychological torment and re-emerge, transformed. Donald Macleod tells the story, featuring a complete performance of the composer’s Op 34 Piano Variations, and his rarely heard oratorio “Christ On The Mount Of Olives”.
Variations in D on “Rule Britannia!”, WoO 79
Cecile Ousset, piano
Variations in F, Op 34
Rudolf Buchbinder, piano
Christ On The Mount Of Olives (excerpt), Op 85
V. Recitativo: Verkündet, Seraph (Jesus, Seraph)
VI. Duetto: So ruhe denn mit ganzer Schwere (Jesus, Seraph)
VII. Recitativo: Willkommen, Tod! (Jesus)
VIII. Chor der Krieger : Wir haben ihn gesehen
Luba Orgonasova (soprano, Seraph)
Plácido Domingo (tenor, Jesus)
Deutsches Symphonie-Orchester Berlin
Rundfunkchor Berlin
Kent Nagano, conductor
Seven Bagatelles, Op 33
Melvyn Tan, fortepiano
Producer: Steven Rajam
Last on
Music Played
-
Ludwig van Beethoven
Five Variations on 'Rule Britannia' in D major, WoO 79
Performer: Cécile Ousset.- ELOQUENCE : ELQ4827395.
- ELOQUENCE.
- 6.
-
Ludwig van Beethoven
Variations in F major, Op 34
Performer: Rudolf Buchbinder.- Deutche Grammophon : 483 7733.
- Deutche Grammophon.
- 4.
-
Ludwig van Beethoven
Christ on the Mount of Olives, Op 85 (excerpt)
Singer: Ľuba Orgonášová. Singer: Plácido Domingo. Orchestra: German Symphony Orchestra Berlin. Choir: Berlin Radio Choir. Conductor: Kent Nagano.- HARMONIA MUNDI : HMG501802.
- HARMONIA MUNDI.
- 6.
-
Ludwig van Beethoven
Seven Bagatelles, Op 33
Performer: Melvyn Tan.- WARNER CLASSICS : 9029515800.
- WARNER CLASSICS.
- 2.
Broadcast
- Tue 26 Jul 2022 12:00ѿý Radio 3
Beethoven Unleashed – the box set
What was really wrong with Beethoven?
Composers A to Z
Who knew? Five eye-opening stories from Composer of the Week
Five reasons why we love Parry's Jerusalem
What is the strange power of Jerusalem which makes strong men weep?
A man out of time – why Parry's music and ideas were at odds with his image...
The composer of Jerusalem was very far from the conservative figure his image suggests.
Composer Help Page
Find resources and contacts for composers from within the classical music industry.