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Endings and beginnings

Donald Macloed explores Verdi’s epic funeral in Milan, and explores what the city was really like in Verdi’s time.

Donald Macloed explores Verdi’s epic funeral in Milan, and explores what the city was really like in Verdi’s time.

As the hearse carrying the coffin of the composer Giuseppe Verdi travelled through Milan, more than half of the city’s population lined the streets to pay their respects and catch a final glimpse of their hero. Few musicians have made such an indelible impression on the population of a country, or become so linked to a nation's sense of identity. Fewer still have become as ingrained in the fabric of a city as Verdi is in Milan. Today, as well as a statue to the composer, both the Conservatoire and a major theatre are named after him. So how was this relationship, between the city of Milan and Verdi forged? After all, this was a man born in Le Roncole, which was then French territory, and yet he would rise to become the most successful Italian composer of his generation. Over the course of this week, Donald Macleod explores the twists and turns of Verdi’s relationship with Milan -where Verdi would see his first iconic successes, and where he would breathe his last, but also a city where, for a time, he tried to ban performances of his music.

In Monday’s episode, Donald explores Verdi’s epic funeral in Milan, and explores what the city was really like in Verdi’s time, as he traces the composer’s first youthful experiences in the city, when he travelled there to study, amid an oppressive police presence which saw armed Austrian soldiers patrolling the streets.

Requiem - Sanctus
Anja Harteros, soprano
Elīna Garanča, mezzo
Jonas Kaufmann, tenor
René Pape, bass
Orchestra e coro del Teatro alla Scala, Milan
Daniel Barenboim, conductor

Il Trovatore - Miserere
Anna Netrebko (Leonora), soprano
Rolando Villazón (Manrico), tenor
Orchestra del Teatro Regio di Torino, Coro del Teatro Regio di Torino
Gianandrea Noseda, conductor

Io la Vidi (Scena lirica)
Luciano Pavarotti, tenor
Antonio Savastano, tenor
Teatro alla Scala
Claudio Abbado, conductor

Un Ballo in Maschera - Act 3 scene 2 & 3
Leontyne Price (Amelia), soprano
Carlo Bergonzi (Riccardo), tenor
Robert Merrill (Renato), baritone
Reri Grist (Oscar), soprano
Ezio Flagello (Samuel), bass
Ferruccio Mazzoli (Tom), bass
RCA Italiana Opera Orchestra & Chorus
Erich Leinsdorf, conductor

Sei Romanze – no. 1 “Non t’accostare all’urna” & no. 6 “Deh, piatoso, oh Addolorata”
Ning Liang, mezzo-soprano
Cord Garben, piano

Producer: Sam Phillips

59 minutes

Last on

Mon 7 Nov 2022 12:00

Music Played

  • Giuseppe Verdi

    Sanctus (Requiem)

    Performer: Daniel Barenboim. Singer: Anja Harteros. Singer: Elīna Garanča. Singer: Jonas Kaufmann. Singer: René Pape. Orchestra: Orchestra of La Scala, Milan. Choir: Chorus of La Scala, Milan.
    • DECCA : 478-5245.
    • DECCA.
    • 3.
  • Giuseppe Verdi

    Miserere (Il Trovatore, Act 4, Sc1)

    Singer: Anna Netrebko. Singer: Rolando Villazón. Orchestra: Orchestra del Teatro Regio di Torino. Choir: Coro del Teatro Regio di Torino. Conductor: Gianandrea Noseda.
    • Deutche Grammophon : 4791052.
    • Deutche Grammophon.
    • 13.
  • Giuseppe Verdi

    Io la Vidi

    Singer: Luciano Pavarotti. Singer: Antonio Savastano. Orchestra: La Scala Philharmonic. Conductor: Claudio Abbado.
    • WARNER CLASSICS : 2564-64653-8.
    • WARNER CLASSICS.
    • 4.
  • Giuseppe Verdi

    Un Ballo in Maschera (Act 3, Sc 2-3)

    Singer: Leontyne Price. Singer: Carlo Bergonzi. Singer: Piero de Palma. Singer: Robert Merrill. Singer: Shirley Varrett. Singer: Reri Grist. Singer: Ezio Flagello. Singer: Mario Basiola. Singer: Ferruccio Mazzoli. Singer: Fernando Iacopucci. Orchestra: Orchestra della RCA Italiana. Choir: Coro della RCA Italiana. Conductor: Erich Leinsdorf.
    • SONY : G0100035637285.
    • SONY.
    • 14.
  • Giuseppe Verdi

    Six Romances (excerpt)

    Singer: Ning Liang. Conductor: Cord Garben.
    • CPO : 999 425-2.
    • CPO.
    • 6.

Broadcast

  • Mon 7 Nov 2022 12:00

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