Main content
Sorry, this episode is not currently available

Kate Molleson sees how Elisabeth Jacquet de La Guerre is among the first to develop the sonata in French music, and how she portrays legendary heroines in her series of cantatas.

Elisabeth Jacquet de La Guerre (1665-1729) was a pioneer in the history of music, one of the first to bring sonatas and cantatas into the French repertoire, and the first woman in France to compose a performed opera. She explored and pushed further the possibilities of musical composition, as well as writing some of the most beautiful pieces of the Baroque era. She worked under the patronage of the most powerful figures of this Grand Siècle that saw the absolute reign of Louis XIV and the construction of his dreamed Versailles. And yet, there are still many elements of mystery and unknown in this composer's story. Kate Molleson invites you to (re)discover the extraordinary adventures of a gifted musician, with a soupçon of French flair and lots of gorgeous music.

In this fourth episode, we see how Elisabeth Jacquet de La Guerre is among the first to develop the sonata in French music, and how she portrays legendary heroines in her series of cantatas.

Sonata in A minor
from Sonates en Trio et pour Violon Seul et Basse Continue (1695)
II. Allegro – Bemol
Ensemble La Rêveuse
Benjamin Perrot, director

Harpsichord Suite (No. 5) in D minor
from Pièces de Clavecin qui peuvent se jouer sur le Violon (1707)
I. La Flamande
II. Double
Frances Conover Fitch, harpsichord

Suite (No. 6) in G major
from Pièces de Clavecin qui peuvent se jouer sur le Violon (1707)
Ensemble Amarillis
Héloïse Gaillard, director

Sonata No. 3 in F major
from Sonates pour le Violon et pour le Clavecin (1707)
II. Presto - Adagio
III. Presto
IV. Aria
V. Adagio
Ensemble La Rêveuse
Benjamin Perrot, director

Jonas (excerpts)
from Cantates Françaises, sur des Sujets Tirés de l'Écriture; Livre Premier (1708)
Isabelle Desrochers, soprano
Chantal Rémillard, baroque violin
Margaret Little, bass viol
Dorothéa Ventura, positive organ/harpsichord

Judith (excerpts)
from Cantates Françaises, sur des Sujets Tirés de l'Écriture; Livre Premier (1708)
Maïlys de Villoutreys, soprano)
Ensemble Amarillis
Héloïse Gaillard, director

Presented by Kate Molleson
Produced by Julien Rosa
A ÃÛÑ¿´«Ã½ Audio Wales production for ÃÛÑ¿´«Ã½ Radio 3

59 minutes

Music Played

  • Élisabeth Jacquet de La Guerre

    Sonata in A minor

    Ensemble: Ensemble La Rêveuse. Director: Benjamin Perrot.
    • MIRARE.
  • Élisabeth Jacquet de La Guerre

    Harpsichord Suite in D Minor (excerpt)

    Performer: Frances Conover Fitch.
    • CENTAUR CRC2781-82.
    • CENTAUR.
    • 2.
  • Élisabeth Jacquet de La Guerre

    Harpsichord Suite in G major

    Ensemble: Amarillis. Director: Héloïse Gaillard.
    • EVIDENCE CLASSICS : EVCD088.
    • EVIDENCE CLASSICS.
    • 25.
  • Élisabeth Jacquet de La Guerre

    Sonata No 3 in F major (excerpt)

    Ensemble: La Rêveuse. Director: Benjamin Perrot.
    • Mirare MIR 105.
    • Mirare.
    • 19.
  • Élisabeth Jacquet de La Guerre

    Jonas

    Performer: Chantal Remillard. Performer: Margaret Little. Performer: Dorothéa Ventura. Singer: Isabelle Desrochers.
    • ATMA CLASSIQUE : ACD-22191.
    • ATMA CLASSIQUE.
    • 23.
  • Élisabeth Jacquet de La Guerre

    Judith

    Singer: Maïlys de Villoutreys. Ensemble: Amarillis. Director: Héloïse Gaillard.
    • EVIDENCE CLASSICS : EVCD088.
    • EVIDENCE CLASSICS.
    • 13.

Broadcast

  • Thu 1 May 2025 16:00

Beethoven Unleashed – the box set

Beethoven Unleashed – the box set

The complete set of Radio 3 Beethoven Unleashed podcasts, with Donald Macleod.

What was really wrong with Beethoven?

What was really wrong with Beethoven?

Georgia Mann and neurosurgeon Henry Marsh examine the composer's numerous health problems

Composers A to Z

Composers A to Z

Visit the extensive audio archive of Radio 3 programmes about Composers and their works.

Who knew? Five eye-opening stories from Composer of the Week

Who knew? Five eye-opening stories from Composer of the Week

The production team reflects on 5 of Donald Macleod’s best stories from the last 20 years

Five reasons why we love Parry's Jerusalem

What is the strange power of Jerusalem which makes strong men weep?

A man out of time – why Parry's music and ideas were at odds with his image...

The composer of Jerusalem was very far from the conservative figure his image suggests.

Composer Help Page

Find resources and contacts for composers from within the classical music industry.