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The sound of voices in harmony, especially polyphony by Scottish composer Robert Carver, brings inspiration to teacher of literature and religion, Linden Bicket.
Script:

Good morning. I still vividly recall a sound that transported me – almost, it seemed, to heaven itself – during my student days. We were played an example of sacred music by the early modern Scottish composer Robert Carver, renowned for his polyphony – voices singing in harmony - in the sixteenth century. I was absolutely transfixed by what I heard, and even now, some twenty years later, I listen to it with the same admiration for Carver’s music of profound power and beauty.

But it’s not just admiration that I feel when I listen to Carver’s O bone Jesu, which is a motet for nineteen voices. Who could fail to feel awe and tenderness as the singers’ voices intertwine, clustering and soaring exquisitely around the word ‘Jesus’, imploring: ‘forsake not me whom your love has made.’ His music brings me to the heart of the mystery of life, its sacredness, our fragility, our strength, and our smallness. I invite you to close your eyes, and be drawn into an encounter with sacred mystery and love.

Loving God, help us to find moments of peace, wonder and grace in the work of musicians throughout the ages. We thank you for the gifts of artists, and we ask you to help our faith and courage to grow through encountering their creations. And may we grow in love and tenderness. Amen.

Music used: O bone Jesu à 19 (Composer: Robert Carver)
Performed by The Sixteen directed by Harry Christophers.
Album: An Eternal Harmony / Record Label: Coro