蜜芽传媒

In this first of two programmes, Hannah French explores the lives of two 16th Century Popes: Leo X and Clement VII, and the music that surrounded them.

Giovanni & Giulio were cousins, brought up together in the wealthy and influential Florentine household of the Medicis. Giovanni's father, Lorenzo "The Magnificent" and his brother Giuliano were the rulers of the Florentine Republic. In 1478, though, Giuliano de Medici was murdered in Florence Cathedral as part of the Pazzi Conspiracy. As a result, young Giulio was brought up by his uncle. Both boys were guided into a career in the church, and because of the financial and political backing that came with the Medici name, it was clear they were both destined for high office.

In 1513, Giovanni de Medici was elected as Pope Leo X. He made Rome a strong political power, and as a generous patron of the arts, he helped writers, poets, painters and musicians of the High Renaissance to flourish. But, his lavish tastes depleted the papal treasury, and made many enemies who accused him of being "engrossed in idle and selfish amusements". By 1517, would-be reformers in northern Europe had had enough of papal excesses, and Martin Luther published his 95 theses which were to be the start of the Protestant Reformation.

The young Giovanni de Medici was said to have had a fine ear and a melodious voice, and "loved music to the pitch of fanaticism". It's possible he learned from the great Heinrich Isaac, who was the shining musical light in late 15th Century Florence. As Pope Leo X he expanded the Sistine Chapel choir, and procured the services of professional singers, instrumentalists and composers from all over Europe.