
György Kurtág: Brevity, intensity and the past
Kate Molleson and Gillian Moore shine new light on the 'modern' music of the 20th century. This week, Kate explores the intense, shadow-forms created in the music of György Kurtág.
Kate Molleson and Gillian Moore present ѿý Radio 3's series exploring the pivotal 'modern' musical works of the 20th century, the groundbreaking composers who created them, and the radical cultural and artistic movements which gave rise to them. In this episode, Kate explores the intense, short-form musical shadows created by György Kurtág, leading to full performance of his setting of Samuel Beckett’s What is the Word – a work in which language itself is broken down into tiny parts. On the way, we’ll find out what Béla Bartók referred to as his “mother tongue”, explore the tragedy inherent in the works of László Vidovszky, and discover a Hungarian visual artist whose paintings often feature tombstone motifs, a mirroring of the frequent musical memorials Kurtág himself makes for lost friends and colleagues.
Produced by Sam Phillips
A Reduced Listening production for ѿý Radio 3
To listen on most smart speakers just say, “ask ѿý Sounds to play 20th Century Radicals”
On radio
Broadcast
- Sun 5 Oct 2025 21:00ѿý Radio 3