
The Last Laugh
Donald Macleod follows the trail of Johann Sebastian Bach as he makes his way in the world. Today, Bach’s late years see his patience and pride tested.
Johann Sebastian Bach is a towering cultural icon, a composer who might be seen as the poster boy for “serious music” and spent most of his career in the service of the church. But he played many roles in the course of his life, and could be funny, sassy, conniving, obstinate, and rebellious. This week, along with the “worldly” Bach, we’ll get to know his secular music… and follow his trail as he makes his way in the world, from courts to coffee houses, building a family, two-timing his bosses, and even a stint behind bars.
Today, in Bach’s latter years in Leipzig, he finds himself under critical attack and responds with a monumental change of direction. We’ll see his patience and his pride tested, in a series of events that reveal two important sides of his character: his determination and his wit.
“Peasant” Cantata – Mer hahn ein neue Oberkeet, BWV212: “Wir gehn nun wo der Dudelsak”
Emma Kirkby, soprano
David Thomas, bass
Academy of Ancient Music
Christopher Hogwood, conductor
Double Violin Concerto, BWV1043 (2nd movement)
Arabella Steinbacher, violin
Christoph Koncz, violin
Stuttgart Chamber Orchestra
Orchestral Suite No 3, BWV1068 (iii. Gavotte to v. Gigue)
Freiburg Baroque Orchestra
Goldberg Variations, BWV988 (Aria and Variations 1-5)
Víkingur Ólafsson, piano
Musical Offering, BWV1079: Ricercar a 6
Phantasm
The Contest Between Phoebus and Pan, BWV201 (“Pan ist Meister”….end)
Roman Trenkel, bass (Phoebus)
Peter Lika, baritone (Pan)
Andreas Scholl, countertenor (Mercurius)
Maria Christina Kiehr, soprano (Momus)
Kurt Azesberger, tenor (Midas)
Akademie für Alte Musik Berlin
René Jacobs, conductor
Produced by Amelia Parker for ѿý Audio Wales and West
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- Fri 17 Oct 2025 16:00ѿý Radio 3
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