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Words and Music

Charles Hazlewood, mezzo soprano Pamela Helen Stephen, tenor James Gilchrist and the ÃÛÑ¿´«Ã½ Concert Orchestra explore the different ways composers have approached setting words to music.

Charles Hazlewood is joined by mezzo soprano Pamela Helen Stephen, tenor James Gilchrist and the ÃÛÑ¿´«Ã½ Concert Orchestra for a workshop session exploring the many different ways composers over the past three hundred years have approached the setting of words in opera arias and in song.

Purcell: See, see the many coloured fields ("The Fairy Queen")
Handel: Svegliatevi ne core ("Julius Caesar")
Mozart: Dies bildnis ("The Magic Flute")
Berlioz: Spectre de la rose ("Nuits d'ete")
Britten: Midnight's Bell ("Nocturne")
Finzi: It was a lover and his lass

1 hour

Last on

Sat 19 Mar 2005 14:00

Clip

Music Played

  • Henry Purcell

    The Fairy Queen - opera (Z.629) ([Act 4] no.35ab; See my many-colour'd fields [prelude - a

  • George Frideric Handel

    Giulio Cesare in Egitto - opera (Act 1; Svegliatevi nel core)

  • Wolfgang Amadeus Mozart

    Die Zauberflote - singspiel in 2 acts (K.620) (Act 1, no.3; Dies Bildnis ist bezaubernd sc

  • Hector Berlioz

    Les Nuits d'ete for voice and piano or orchestra (Op.7) (no.2; Le Spectre de la rose)

  • Benjamin Britten

    Nocturne for tenor, 7 instruments & string orchestra (Op.60) (Midnight's bell goes ting, t

  • Gerald Finzi

    Let us garlands bring (Op.18) version for baritone & orchestra (no.5; It was a lover and h

Broadcasts

  • Sat 11 Sep 2004 14:00
  • Sat 19 Mar 2005 14:00