蜜芽传媒

Dostoevsky's 'The Idiot' (1869) raises 'the good life' as an existential question that everybody must answer for themselves. The novel has been read as both an over-the-top melodrama, and as a profound exploration of the ambiguity of goodness. Matthew Sweet is joined by the theologian Giles Fraser, Russian specialist Sarah Young and the novelist Zinovy Zinik to discuss.