Continuing our commemoration of the centenary since the outbreak of the First World War, the ÃÛÑ¿´«Ã½ Symphony Orchestra and Martyn Brabbins explore English responses to conflict in Ivor Gurney’s War Requiem and Walton’s poignant First Symphony. Plus Sally Beamish’s accordion concerto.
Continuing our commemoration of the centenary since the outbreak of the First World War, the ÃÛÑ¿´«Ã½ Symphony Orchestra and Martyn Brabbins explore English responses to conflict in Ivor Gurney’s War Requiem and Walton’s poignant First Symphony. Plus Sally Beamish’s accordion concerto.
Join Anna Flannagan and the ladies of the ÃÛÑ¿´«Ã½ Singers to sing extracts from Cole Porter's Kiss Me, Kate and pick up some musical theatre performance tips along the way. Open to ages 7-plus.
The first Greek orchestra ever to appear at the Proms, Armonia Atenea, and Artistic Director George Petrou, presents a programme with an appropriately classical flavour. Greek myths form the thread through a Baroque labyrinth of arias and overtures from French, German and Italian operas, including Gluck’s Orphée, Handel’s Arianna in Creta and Lully’s Phaeton.
The first Greek orchestra ever to appear at the Proms, Armonia Atenea, and Artistic Director George Petrou, presents a programme with an appropriately classical flavour. Greek myths form the thread through a Baroque labyrinth of arias and overtures from French, German and Italian operas, including Gluck’s Orphée, Handel’s Arianna in Creta and Lully’s Phaeton.
Actress Alexandra Gilbreath and actress and director Janet Suzman discuss their approach to Shakespeare's The Taming of the Shrew and how 21st-century audiences react to its sexual politics.
Following the enormous success of their staged performance of My Fair Lady in 2012, John Wilson and his orchestra return to perform Kiss Me, Kate – Cole Porter’s Tony Award- reworking of Shakespeare’s The Taming of the Shrew.
Following the enormous success of their staged performance of My Fair Lady in 2012, John Wilson and his orchestra return to perform Kiss Me, Kate – Cole Porter’s Tony Award- reworking of Shakespeare’s The Taming of the Shrew.
Whether you play an instrument or sing, whether you’re a complete novice or an aspiring virtuoso, you're all invited to join our fantastic team of professional musicians to create music inspired by this afternoon's War Horse Prom. Open to ages 7-plus.
The Proms continues to commemorate the anniversary of the outbreak of First World War, collaborating for the first time with the National Theatre for a concert inspired by Michael Morpurgo’s award-winning play War Horse. Lifesize War Horse puppets join the ÃÛÑ¿´«Ã½ Concert Orchestra, Gareth Malone and the Military Wives on stage for a performance that explores the music and stories of the Great War.
The Proms continues to commemorate the anniversary of the outbreak of First World War, collaborating for the first time with the National Theatre for a concert inspired by Michael Morpurgo’s award-winning play War Horse. Lifesize War Horse puppets join the ÃÛÑ¿´«Ã½ Concert Orchestra, Gareth Malone and the Military Wives on stage for a performance that explores the music and stories of the Great War.
Donald Runnicles and the ÃÛÑ¿´«Ã½ Scottish Symphony Orchestra are joined by the National Youth Choir of Scotland for a performance of Mozart’s ever-popular Requiem – the composer’s powerful and prescient anticipation of his own death. The concert also features Beethoven’s elegant Fourth Symphony and the London premiere of John McLeod’s The Sun Dances, inspired by a Scottish folk legend.
Donald Runnicles and the ÃÛÑ¿´«Ã½ Scottish Symphony Orchestra are joined by the National Youth Choir of Scotland for a performance of Mozart’s ever-popular Requiem – the composer’s powerful and prescient anticipation of his own death. The concert also features Beethoven’s elegant Fourth Symphony and the London premiere of John McLeod’s The Sun Dances, inspired by a Scottish folk legend.
Richard Strauss was just 20 when he composed his Suite for 13 wind instruments – and steeped in the musical tastes of his horn-player father, who revered Haydn, Beethoven and Mozart above all. Clarinettist Michael Collins and his ensemble London Winds pair Strauss’s youthful work with Mozart’s Serenade in C minor.
Richard Strauss was just 20 when he composed his Suite for 13 wind instruments – and steeped in the musical tastes of his horn-player father, who revered Haydn, Beethoven and Mozart above all. Clarinettist Michael Collins and his ensemble London Winds pair Strauss’s youthful work with Mozart’s Serenade in C minor.
On the centenary of Britain's entry into the First World War, Baroness Shirley Williams and Colonel Tim Collins introduce an anthology of poetry and prose from 1914.
Donald Runnicles conducts a programme that looks to the past – a musical meditation on history, death and loss that still speaks powerfully today, 100 years after the start of the First World War. The concert sets Mahler’s bitterly elegiac Ninth Symphony against the ecstatic string writing of Vaughan Williams’s Fantasia on a Theme of Thomas Tallis, a work reimagining an English identity that would so soon find itself under threat.
Donald Runnicles conducts a programme that looks to the past – a musical meditation on history, death and loss that still speaks powerfully today, 100 years after the start of the First World War. The concert sets Mahler’s bitterly elegiac Ninth Symphony against the ecstatic string writing of Vaughan Williams’s Fantasia on a Theme of Thomas Tallis, a work reimagining an English identity that would so soon find itself under threat.
Spiritual in a secular age, combining musical simplicity and generous radiance, John Tavener captured the public imagination like few others. The other-worldly atmosphere of a Late Night Prom frames a musical tribute to the English composer by the Tallis Scholars, leading the audience into the exact anniversary of Britain’s declaration of entering the First World War, at 11.00pm, in contemplative calm.
Spiritual in a secular age, combining musical simplicity and generous radiance, John Tavener captured the public imagination like few others. The other-worldly atmosphere of a Late Night Prom frames a musical tribute to the English composer by the Tallis Scholars, leading the audience into the exact anniversary of Britain’s declaration of entering the First World War, at 11.00pm, in contemplative calm.
This concert from the European Union Youth Orchestra opens with Berio’s 20th-century classic, Sinfonia – a witty, whistle-stop tour through centuries of Western culture, from Bach to The Beatles. Shostakovich’s embattled Fourth Symphony attempts to reconcile the same conflicts and contradictions as Berio, but finds only Babel and madness, in one of the composer’s most confrontational works.
This concert from the European Union Youth Orchestra opens with Berio’s 20th-century classic, Sinfonia – a witty, whistle-stop tour through centuries of Western culture, from Bach to The Beatles. Shostakovich’s embattled Fourth Symphony attempts to reconcile the same conflicts and contradictions as Berio, but finds only Babel and madness, in one of the composer’s most confrontational works.
The ÃÛÑ¿´«Ã½ National Orchestra of Wales and Mark Wigglesworth perform the exuberantly rhythmic overture to Wagner’s early comedy Das Liebesverbot and Elgar’s richly orchestrated First Symphony – a work itself steeped in the Germanic tradition. Exciting young British violinist Matthew Trusler joins the orchestra as soloist for Mathias’s neglected Violin Concerto – a virtuosic celebration of song and dance.
The ÃÛÑ¿´«Ã½ National Orchestra of Wales and Mark Wigglesworth perform the exuberantly rhythmic overture to Wagner’s early comedy Das Liebesverbot and Elgar’s richly orchestrated First Symphony – a work itself steeped in the Germanic tradition. Exciting young British violinist Matthew Trusler joins the orchestra as soloist for Mathias’s neglected Violin Concerto – a virtuosic celebration of song and dance.
Poet and playwright Tony Harrison talks about his passionate commitment to the classics, poetic language and political writing.
Sakari Oramo conducts the ÃÛÑ¿´«Ã½ Symphony Chorus and ÃÛÑ¿´«Ã½ Singers in one of the great 20th-century dramatic showpieces – Stravinsky’s vivid and visceral ‘opera-oratorio’ Oedipus rex. The concert opens with Beethoven’s beloved Egmont overture.
Sakari Oramo conducts the ÃÛÑ¿´«Ã½ Symphony Chorus and ÃÛÑ¿´«Ã½ Singers in one of the great 20th-century dramatic showpieces – Stravinsky’s vivid and visceral ‘opera-oratorio’ Oedipus rex. The concert opens with Beethoven’s beloved Egmont overture.
A concert of big melodies and even bigger sounds culminates in Saint-Saëns’s mighty ‘Organ’ Symphony. The French theme continues with Franck’s Symphonic Variations and, at just 22 years old, British pianist Benjamin Grosvenor returns for his fourth Proms appearance, performing both in the Franck and in Chopin’s virtuosic Piano Concerto No. 1.
A concert of big melodies and even bigger sounds culminates in Saint-Saëns’s mighty ‘Organ’ Symphony. The French theme continues with Franck’s Symphonic Variations and, at just 22 years old, British pianist Benjamin Grosvenor returns for his fourth Proms appearance, performing both in the Franck and in Chopin’s virtuosic Piano Concerto No. 1.
Singer and broadcaster Clare Teal transports us back to the 1930s, as two of the greatest swing bands of the day – one led by Count Basie, the other by Duke Ellington – faced off in a memorable Battle of the Bands. In this Late Night Prom, present-day leaders James Pearson and Grant Windsor fight it out in their own, roof-raising battle.
Singer and broadcaster Clare Teal transports us back to the 1930s, as two of the greatest swing bands of the day – one led by Count Basie, the other by Duke Ellington – faced off in a memorable Battle of the Bands. In this Late Night Prom, present-day leaders James Pearson and Grant Windsor fight it out in their own, roof-raising battle.
The Lapland Chamber Orchestra celebrates the 80th birthdays of two major British composers. Trumpeter Håkan Hardenberger leads the way through the maze-like landscapes of Birtwistle’s trumpet concerto Endless Parade, while Davies is represented by his 1989 Sinfonia. Celebrations of C. P. E. Bach’s 300th anniversary continue with the brooding textures of his Symphony in B minor, while all is languorous sunshine in Honegger’s Pastoral d’été.
The Lapland Chamber Orchestra celebrates the 80th birthdays of two major British composers. Trumpeter Håkan Hardenberger leads the way through the maze-like landscapes of Birtwistle’s trumpet concerto Endless Parade, while Davies is represented by his 1989 Sinfonia. Celebrations of C. P. E. Bach’s 300th anniversary continue with the brooding textures of his Symphony in B minor, while all is languorous sunshine in Honegger’s Pastoral d’été.
The sea lies at the centre of this concert from Mark Elder and the ±á²¹±ô±ôé. The sunshine glitters on the waves in Berlioz’s overture Le corsaire, while the ocean ebbs and flows in Elgar’s Sea Pictures, sung here by mezzo-soprano Alice Coote. Human rather than natural drama is what drives Beethoven’s ‘Eroica’ Symphony, however – a stirring musical meditation on heroism and valour.
The sea lies at the centre of this concert from Mark Elder and the ±á²¹±ô±ôé. The sunshine glitters on the waves in Berlioz’s overture Le corsaire, while the ocean ebbs and flows in Elgar’s Sea Pictures, sung here by mezzo-soprano Alice Coote. Human rather than natural drama is what drives Beethoven’s ‘Eroica’ Symphony, however – a stirring musical meditation on heroism and valour.
Join composer Fraser Trainer and professional musicians to explore new approaches to contemporary composition. Open to young composers aged 12 to 18 years old.
Whether you play an instrument or sing, whether you’re a complete novice or an aspiring virtuoso, you're all invited to join our fantastic team of professional musicians to create music inspired by this afternoon's Matinee Prom. Open to ages 7-plus.
Three masterworks from three different centuries: Beethoven’s First Symphony is all 18th- century poise and wit, Bruch’s First Violin Concerto swoons with 19th-century romance, and Walton’s Henry V celebrates the golden age of 20th-century film music. Sir Neville Marriner is joined by Joshua Bell, the Music Director of the Academy of St Martin in the Fields, who appears here both as conductor (Beethoven) and soloist (Bruch).
Three masterworks from three different centuries: Beethoven’s First Symphony is all 18th- century poise and wit, Bruch’s First Violin Concerto swoons with 19th-century romance, and Walton’s Henry V celebrates the golden age of 20th-century film music. Sir Neville Marriner is joined by Joshua Bell, the Music Director of the Academy of St Martin in the Fields, who appears here both as conductor (Beethoven) and soloist (Bruch).
Join Natasha Zielazinski, Detta Danford and professional musicians for a family-friendly introduction to tonight’s Prom. Bring your instrument and join in!
The NYOGB presents a fiery and virtuosic programme of 20th-century orchestral masterpieces, conducted by Proms favourite Edward Gardner. ÃÛÑ¿´«Ã½ New Generation Artist Louis Schwizgebel takes the lead in Prokofiev’s youthful First Piano Concerto, which brims with the same audacious energy that pulses through Stravinsky’s vividly colourful ballet Petrushka. LutosÅ‚awski’s Concerto for Orchestra closes the evening with still more primary-coloured, folkloric brilliance and drama.
The NYOGB presents a fiery and virtuosic programme of 20th-century orchestral masterpieces, conducted by Proms favourite Edward Gardner. ÃÛÑ¿´«Ã½ New Generation Artist Louis Schwizgebel takes the lead in Prokofiev’s youthful First Piano Concerto, which brims with the same audacious energy that pulses through Stravinsky’s vividly colourful ballet Petrushka. LutosÅ‚awski’s Concerto for Orchestra closes the evening with still more primary-coloured, folkloric brilliance and drama.
Before her solo appearance at the Last Night of the Proms, Dutch violinist Janine Jansen joins with pianist Itamar Golan and with conductor Sakari Oramo (making his Proms debut as a violinist). Two lyrical works by Prokofiev are paired with Schubert’s sublime Fantasie from almost a century earlier.
Before her solo appearance at the Last Night of the Proms, Dutch violinist Janine Jansen joins with pianist Itamar Golan and with conductor Sakari Oramo (making his Proms debut as a violinist). Two lyrical works by Prokofiev are paired with Schubert’s sublime Fantasie from almost a century earlier.
National Poet of Wales Gillian Clarke and the painter Peter Blake celebrates the centenary of the birth of Dylan Thomas.
In the first of two concerts with the ÃÛÑ¿´«Ã½ National Orchestra of Wales, Principal Conductor Thomas SøndergÃ¥rd directs the first of two great Scandinavian symphonies. Nielsen’s Fifth Symphony explores a bleakness that is also at the core of Strauss’s great tone-poem Tod und Verklärung. The ‘complicated nonsense’ of Strauss’s youthful Burleske and Mozart’s sunny Rondo in A major complete the concert, both featuring pianist Franceso Piemontesi.
In the first of two concerts with the ÃÛÑ¿´«Ã½ National Orchestra of Wales, Principal Conductor Thomas SøndergÃ¥rd directs the first of two great Scandinavian symphonies. Nielsen’s Fifth Symphony explores a bleakness that is also at the core of Strauss’s great tone-poem Tod und Verklärung. The ‘complicated nonsense’ of Strauss’s youthful Burleske and Mozart’s sunny Rondo in A major complete the concert, both featuring pianist Franceso Piemontesi.
The ÃÛÑ¿´«Ã½ Proms welcomes back Canadian violinist James Ehnes as soloist in Walton’s virtuosic yet intimate Violin Concerto. SøndergÃ¥rd and the ÃÛÑ¿´«Ã½ NOW continue with a suite from Sir Peter Maxwell Davies’s ballet Caroline Mathilde and two great orchestral works by Sibelius – his soaring Fifth Symphony and the more delicate, mystical Swan of Tuonela.
The ÃÛÑ¿´«Ã½ Proms welcomes back Canadian violinist James Ehnes as soloist in Walton’s virtuosic yet intimate Violin Concerto. SøndergÃ¥rd and the ÃÛÑ¿´«Ã½ NOW continue with a suite from Sir Peter Maxwell Davies’s ballet Caroline Mathilde and two great orchestral works by Sibelius – his soaring Fifth Symphony and the more delicate, mystical Swan of Tuonela.
The dreamy pastoralism of Vaughan Williams’s The Lark Ascending contrasts with the jaunty vigour of the composer’s overture The Wasps in this all-English Prom. Job continues this season’s thread of great 20th-century ballet scores, while William Alwyn’s First Symphony adds to the evening’s nostalgia with the endless melody of its slow movement. Janine Jansen joins Sakari Oramo and the ÃÛÑ¿´«Ã½ Symphony Orchestra as soloist.
The dreamy pastoralism of Vaughan Williams’s The Lark Ascending contrasts with the jaunty vigour of the composer’s overture The Wasps in this all-English Prom. Job continues this season’s thread of great 20th-century ballet scores, while William Alwyn’s First Symphony adds to the evening’s nostalgia with the endless melody of its slow movement. Janine Jansen joins Sakari Oramo and the ÃÛÑ¿´«Ã½ Symphony Orchestra as soloist.
Surrender to the pulsing rhythms and repetitions of Minimalism’s founding father, Steve Reich, performed by the ÃÛÑ¿´«Ã½ Singers and contemporary specialists the Endymion Ensemble. Relive the early experimentation of It’s Gonna Rain with its hypnotic layers of spoken sound, while The Desert Music offers a hypnotising meditation on fragments of William Carlos Williams’s poetry.
Surrender to the pulsing rhythms and repetitions of Minimalism’s founding father, Steve Reich, performed by the ÃÛÑ¿´«Ã½ Singers and contemporary specialists the Endymion Ensemble. Relive the early experimentation of It’s Gonna Rain with its hypnotic layers of spoken sound, while The Desert Music offers a hypnotising meditation on fragments of William Carlos Williams’s poetry.
Join Mike Roberts, composer, pianist and Head of Electronic Music & Music Technology at the Guildhall School of Music & Drama, to explore electro-acoustic composition. Open to young composers aged 12 to 18 years old.
Sibelius’s slowly shifting structures and emotive musical language, showcased here in his Second Symphony, are echoed and evolved in Sir Peter Maxwell Davies’s Fifth Symphony. John StorgÃ¥rds and the ÃÛÑ¿´«Ã½ Philharmonic also mark the First World Way centenary in Bridge’s haunting Oration – part lament, part warning.
Sibelius’s slowly shifting structures and emotive musical language, showcased here in his Second Symphony, are echoed and evolved in Sir Peter Maxwell Davies’s Fifth Symphony. John StorgÃ¥rds and the ÃÛÑ¿´«Ã½ Philharmonic also mark the First World Way centenary in Bridge’s haunting Oration – part lament, part warning.
Rameau’s opera Les Indes galantes and Strauss’s tone-poem Ein Heldenleben were notorious flops at their premieres, yet both are now recognised as peaks of their genre. The ÃÛÑ¿´«Ã½ Scottish Symphony Orchestra take us from 18th-century France to fin-de-siècle Germany (with a quick stop-off in Chelsea, where the 8-year-old Mozart composed his First Symphony) in a concert that also includes the UK premiere of Bernard Rands’s Piano Concerto.
Rameau’s opera Les Indes galantes and Strauss’s tone-poem Ein Heldenleben were notorious flops at their premieres, yet both are now recognised as peaks of their genre. The ÃÛÑ¿´«Ã½ Scottish Symphony Orchestra take us from 18th-century France to fin-de-siècle Germany (with a quick stop-off in Chelsea, where the 8-year-old Mozart composed his First Symphony) in a concert that also includes the UK premiere of Bernard Rands’s Piano Concerto.
Coloured by sleigh-bells and charming melodies, Mahler’s Fourth Symphony is the centrepiece of this Prom by Bernard Haitink and the London Symphony Orchestra. They pair Mahler’s mighty work with the Classical perfection of Schubert’s Fifth Symphony.
Coloured by sleigh-bells and charming melodies, Mahler’s Fourth Symphony is the centrepiece of this Prom by Bernard Haitink and the London Symphony Orchestra. They pair Mahler’s mighty work with the Classical perfection of Schubert’s Fifth Symphony.
The Aurora Orchestra and Nicholas Collon contrast Mozart’s graceful Symphony with two much newer pieces: Dobrinka Tabakova’s hurdy-gurdy-inflected Spinning a Yarn and Benedict Mason’s audacious ÃÛÑ¿´«Ã½ commission, Meld.
The Aurora Orchestra and Nicholas Collon contrast Mozart’s graceful Symphony with two much newer pieces: Dobrinka Tabakova’s hurdy-gurdy-inflected Spinning a Yarn and Benedict Mason’s audacious ÃÛÑ¿´«Ã½ commission, Meld.
Join Mary King and members of the ÃÛÑ¿´«Ã½ Singers to sing excerpts from Britten’s War Requiem. Open to ages 16-plus.
Baritone Roderick Williams joins the ÃÛÑ¿´«Ã½ Scottish Symphony Orchestra in music inspired by the First World War. Butterworth’s setting from Housman’s A Shropshire Lad depicts a world on the brink of collapse, while Vaughan Williams’s Pastoral Symphony is a curdled vision of war-ravaged France. Both Rudi Stephan and Frederick Kelly were killed in the conflict, the latter leaving behind the exquisite Elegy for strings, the former the more muscular Music for Orchestra (1912).
Baritone Roderick Williams joins the ÃÛÑ¿´«Ã½ Scottish Symphony Orchestra in music inspired by the First World War. Butterworth’s setting from Housman’s A Shropshire Lad depicts a world on the brink of collapse, while Vaughan Williams’s Pastoral Symphony is a curdled vision of war-ravaged France. Both Rudi Stephan and Frederick Kelly were killed in the conflict, the latter leaving behind the exquisite Elegy for strings, the former the more muscular Music for Orchestra (1912).
Repertoire to include songs by R. Strauss and Debussy.
Repertoire to include songs by R. Strauss and Debussy.
An all-Russian programme from the ÃÛÑ¿´«Ã½ Symphony Orchestra and Edward Gardner opens with the buzzing energy of Stravinsky’s Scherzo fantastique and end in the cannon-fire of Tchaikovsky’s ‘1812’ Overture. In between come Rachmaninov’s choral symphony The Bells and Stravinsky’s iconoclastic violin concerto, performed here by soloist Baiba Skride.
An all-Russian programme from the ÃÛÑ¿´«Ã½ Symphony Orchestra and Edward Gardner opens with the buzzing energy of Stravinsky’s Scherzo fantastique and end in the cannon-fire of Tchaikovsky’s ‘1812’ Overture. In between come Rachmaninov’s choral symphony The Bells and Stravinsky’s iconoclastic violin concerto, performed here by soloist Baiba Skride.
The Melbourne Symphony Orchestra makes its Proms debut under its Chief Conductor Sir Andrew Davis. Passion and despair, love and death, all feature in a programme that roams from the dark fantasy of Berlioz’s Symphonie fantastique to the soaring ecstasy of Strauss’s Don Juan, while Elgar’s Cello Concerto adds more delicate shades of melancholy and yearning.
The Melbourne Symphony Orchestra makes its Proms debut under its Chief Conductor Sir Andrew Davis. Passion and despair, love and death, all feature in a programme that roams from the dark fantasy of Berlioz’s Symphonie fantastique to the soaring ecstasy of Strauss’s Don Juan, while Elgar’s Cello Concerto adds more delicate shades of melancholy and yearning.
Brit Award- and Mercury-nominated singer-songwriter Laura Mvula returns to the ÃÛÑ¿´«Ã½ Proms for an intimate Late Night Prom – a cabaret-style evening of music that couches Mvula’s talents in rich orchestral textures.
Brit Award- and Mercury-nominated singer-songwriter Laura Mvula returns to the ÃÛÑ¿´«Ã½ Proms for an intimate Late Night Prom – a cabaret-style evening of music that couches Mvula’s talents in rich orchestral textures.
Join composer, conductor and arranger Jules Buckley to find out more about arranging popular music. Open to young composers aged 12 to 18.
Join composer, conductor and arranger Jules Buckley to find out more about arranging popular music. Open to young composers aged 12 to 18.
The Aurora Orchestra, under Nicholas Collon, performs the winning entries from this year’s ÃÛÑ¿´«Ã½ Proms Inspire Young Composers’ Competition.
The West–Eastern Divan Orchestra returns with Daniel Barenboim for a Spanish-themed evening. We open outside Seville in Mozart’s breathless Figaro overture, before drifting into dreams with Ravel’s Rapsodie espagnole. Dreams give way to dance in Ravel’s µþ´Ç±ôé°ù´Ç and his Pavane pour une infante défunte. Also included are two works composed for the orchestra – Kareem Roustom’s Ramal and Ayal Adler’s Resonating Sounds – both exploring the musical junctions of East and West.
The West–Eastern Divan Orchestra returns with Daniel Barenboim for a Spanish-themed evening. We open outside Seville in Mozart’s breathless Figaro overture, before drifting into dreams with Ravel’s Rapsodie espagnole. Dreams give way to dance in Ravel’s µþ´Ç±ôé°ù´Ç and his Pavane pour une infante défunte. Also included are two works composed for the orchestra – Kareem Roustom’s Ramal and Ayal Adler’s Resonating Sounds – both exploring the musical junctions of East and West.
Wilfred Owen’s shattering verse sits at the heart of Britten’s War Requiem – that great pacifist outpouring of horror and sorrow. Performed here in this First World War centenary year by the same orchestra which premiered it in 1962, in this performance the City of Birmingham Symphony Orchestra and Music Director Andris Nelsons are joined by the ÃÛÑ¿´«Ã½ Proms Youth Choir.
Wilfred Owen’s shattering verse sits at the heart of Britten’s War Requiem – that great pacifist outpouring of horror and sorrow. Performed here in this First World War centenary year by the same orchestra which premiered it in 1962, in this performance the City of Birmingham Symphony Orchestra and Music Director Andris Nelsons are joined by the ÃÛÑ¿´«Ã½ Proms Youth Choir.
The Iceland Symphony Orchestra makes its Proms debut with works by two homegrown composers, both inspired by Iceland’s geology. The slow-growing, primal force of Leifs’s Geysir is balanced by the shifting tectonics of Tómasson’s Magma. Jonathan Biss joins the orchestra for Schumann’s Piano Concerto, and the concert closes with Beethoven’s dramatic Fifth Symphony.
The Iceland Symphony Orchestra makes its Proms debut with works by two homegrown composers, both inspired by Iceland’s geology. The slow-growing, primal force of Leifs’s Geysir is balanced by the shifting tectonics of Tómasson’s Magma. Jonathan Biss joins the orchestra for Schumann’s Piano Concerto, and the concert closes with Beethoven’s dramatic Fifth Symphony.
Whether you play an instrument or sing, whether you’re a complete novice or an aspiring virtuoso, you're all invited to join our fantastic team of professional musicians to create music inspired by some of the highlights of the season. Open to ages 7-plus.
Join Rachel Leach and professional musicians for a family-friendly introduction to tonight’s Prom. Bring your instrument and join in!
Ice-maidens, pirates and princesses form the cast of this fairy-tale concert. The ÃÛÑ¿´«Ã½ Symphony Orchestra is joined by soprano Anu Komsi to perform Szymanowski’s atmospheric Songs of a Fairy Princess. Rimsky-Korsakov’s Scheherazade sees the orchestra turn storyteller.
Ice-maidens, pirates and princesses form the cast of this fairy-tale concert. The ÃÛÑ¿´«Ã½ Symphony Orchestra is joined by soprano Anu Komsi to perform Szymanowski’s atmospheric Songs of a Fairy Princess. Rimsky-Korsakov’s Scheherazade sees the orchestra turn storyteller.
Cellist Alisa Weilerstein returns to the Proms with one of the great Romantic concertos – Dvořák’s Cello Concerto. Jiřà BÄ›lohlávek leads the Czech Philharmonic Orchestra in Beethoven’s ‘apotheosis of the dance’, the Seventh Symphony; and the evening opens with a Czech flavour, in the overture to JanáÄek’s final opera, From the House of the Dead.
Cellist Alisa Weilerstein returns to the Proms with one of the great Romantic concertos – Dvořák’s Cello Concerto. Jiřà BÄ›lohlávek leads the Czech Philharmonic Orchestra in Beethoven’s ‘apotheosis of the dance’, the Seventh Symphony; and the evening opens with a Czech flavour, in the overture to JanáÄek’s final opera, From the House of the Dead.
Whether you play an instrument or sing, whether you’re a complete novice or an aspiring virtuoso, you're all invited to join our fantastic team of professional musicians to create music inspired by this afternoon's Free Prom. Open to ages 7-plus.
Pianist Louis Schwizgebel and the dynamic Royal String Quartet are the key players in a concert that culminates in Richard Strauss's richly nostalgic Metamorphosen, heard in an intimate arrangement for string septet. Alongside it are Mahler's contemplative Piano Quartet movement and Mozart's elegantly poised Piano Sonata in D major, K311.
Pianist Louis Schwizgebel and the dynamic Royal String Quartet are the key players in a concert that culminates in Richard Strauss's richly nostalgic Metamorphosen, heard in an intimate arrangement for string septet. Alongside it are Mahler's contemplative Piano Quartet movement and Mozart's elegantly poised Piano Sonata in D major, K311.
This year’s Free Prom is a Bank Holiday matinee from the Ulster Orchestra, bursting with dance rhythms and colour. A selection of Dvořák’s rustic Slavonic Dances opens the concert, and Grieg’s piano concerto with its jaunty dance-themed finale continues the mood. The evening ends in the orchestra’s musical heartland with Bax’s tone-poem Roscatha and Bill Whelan’s new Riverdance suite – adapted from his music for the ever-popular stage show.
This year’s Free Prom is a Bank Holiday matinee from the Ulster Orchestra, bursting with dance rhythms and colour. A selection of Dvořák’s rustic Slavonic Dances opens the concert, and Grieg’s piano concerto with its jaunty dance-themed finale continues the mood. The evening ends in the orchestra’s musical heartland with Bax’s tone-poem Roscatha and Bill Whelan’s new Riverdance suite – adapted from his music for the ever-popular stage show.
The Bank Holiday weekend celebrations continue with Proms favourites the Budapest Festival Orchestra and a programme of orchestral showpieces from the Habsburg Empire. Viennese-style Strauss dances are matched by Brahms’s colourful Hungarian Dances and Kodály’s sweeping Dances of Galánta, balanced by the crisp Classical textures of a Mozart March. At the centre is Schubert’s ‘Unfinished’ Symphony.
The Bank Holiday weekend celebrations continue with Proms favourites the Budapest Festival Orchestra and a programme of orchestral showpieces from the Habsburg Empire. Viennese-style Strauss dances are matched by Brahms’s colourful Hungarian Dances and Kodály’s sweeping Dances of Galánta, balanced by the crisp Classical textures of a Mozart March. At the centre is Schubert’s ‘Unfinished’ Symphony.
The second of two concerts from Iván Fischer and the Budapest Festival Orchestra reinstates the Proms tradition of composer nights with an evening dedicated to the music of Brahms. His intimate, autumnal Third Symphony gives way to the nobility and stature of the Fourth – a heavyweight symphony with one of the loveliest slow movements the composer ever wrote.
The second of two concerts from Iván Fischer and the Budapest Festival Orchestra reinstates the Proms tradition of composer nights with an evening dedicated to the music of Brahms. His intimate, autumnal Third Symphony gives way to the nobility and stature of the Fourth – a heavyweight symphony with one of the loveliest slow movements the composer ever wrote.
Celebrating its 50th anniversary this year, the Monteverdi Choir returns to the Proms under Sir John Eliot Gardiner for one of the greatest choral works of the repertoire – Beethoven’s mighty Missa solemnis. Join them on this tumultuous spiritual journey in music that defies simple resolution.
Celebrating its 50th anniversary this year, the Monteverdi Choir returns to the Proms under Sir John Eliot Gardiner for one of the greatest choral works of the repertoire – Beethoven’s mighty Missa solemnis. Join them on this tumultuous spiritual journey in music that defies simple resolution.
Myung-Whun Chung directs the Seoul Philharmonic Orchestra, making its Proms debut this year. Unsuk Chin’s sheng concerto evokes the sounds of South Korea and is an extended sonic game between soloist and orchestra. Framing this is the sensuous richness of Debussy’s La mer and Tchaikovsky’s final symphony, with its elusive and emotional narrative.
Myung-Whun Chung directs the Seoul Philharmonic Orchestra, making its Proms debut this year. Unsuk Chin’s sheng concerto evokes the sounds of South Korea and is an extended sonic game between soloist and orchestra. Framing this is the sensuous richness of Debussy’s La mer and Tchaikovsky’s final symphony, with its elusive and emotional narrative.
Join Rachel Leach and professional musicians for a family-friendly introduction to tonight's Prom. Bring your instrument and join in!
Masterpieces from Schoenberg, Holst and Scriabin offer three very different portraits of 20th-century music in this concert by the London Philharmonic Orchestra and Vladimir Jurowski. Big tunes and vivid characterisation make Holst’s The Planets a perennial favourite, while Scriabin’s Prometheus is an eccentric musical experiment. Premiered at the Proms in 1912, Schoenberg’s Five Orchestral Pieces took tonality to a new limit.
Masterpieces from Schoenberg, Holst and Scriabin offer three very different portraits of 20th-century music in this concert by the London Philharmonic Orchestra and Vladimir Jurowski. Big tunes and vivid characterisation make Holst’s The Planets a perennial favourite, while Scriabin’s Prometheus is an eccentric musical experiment. Premiered at the Proms in 1912, Schoenberg’s Five Orchestral Pieces took tonality to a new limit.
In a symphony that took over six years to complete, Mahler wrestles with the essential questions of humanity. Birth, death and the fragile stages between are the subject of this grand musical exploration, which culminates in a transcendent choral finale. Daniel Harding and the Swedish Radio Symphony Orchestra are joined by soloists Kate Royal and Chistianne Stotijn.
In a symphony that took over six years to complete, Mahler wrestles with the essential questions of humanity. Birth, death and the fragile stages between are the subject of this grand musical exploration, which culminates in a transcendent choral finale. Daniel Harding and the Swedish Radio Symphony Orchestra are joined by soloists Kate Royal and Chistianne Stotijn.
Join composer Judith Weir to explore techniques for writing for solo instruments. Open to young composers aged 12 to 18 years old.
Join composer Judith Weir to learn new techniques for writing for solo instruments. Open to young composers aged 12 to 18 years old.
Celebrating his 80th birthday this year, Sir Peter Maxwell Davies is one of the greats of contemporary British music. A programme chosen by Davies himself ranges from the sleek chamber textures of A Mirror of Whitening Light to the music-drama of Revelation and Fall. London Sinfonietta Principal Cellist Timothy Gill is the soloist in Linguae ignis’s writhing plainchant melodies.
Celebrating his 80th birthday this year, Sir Peter Maxwell Davies is one of the greats of contemporary British music. A programme chosen by Davies himself ranges from the sleek chamber textures of A Mirror of Whitening Light to the music-drama of Revelation and Fall. London Sinfonietta Principal Cellist Timothy Gill is the soloist in Linguae ignis’s writhing plainchant melodies.
In Richard Strauss’s 150th-anniversary year the Proms presents a double bill of his two great tragedies. On consecutive nights his heroines Salome and Elektra meet their bloody ends in the Royal Albert Hall. Donald Runnicles brings his Deutsche Oper forces to the Proms for Salome. Star soprano Nina Stemme leads the cast as the troubled princess.
In Richard Strauss’s 150th-anniversary year the Proms presents a double bill of his two great tragedies. On consecutive nights his heroines Salome and Elektra meet their bloody ends in the Royal Albert Hall. Donald Runnicles brings his Deutsche Oper forces to the Proms for Salome. Star soprano Nina Stemme leads the cast as the troubled princess.
Elektra – Strauss’s brutal and ferociously powerful retelling of the Greek revenge myth – continues this weekend’s opera double bill. The ÃÛÑ¿´«Ã½ Symphony Orchestra and Semyon Bychkov are joined by an international cast of soloists, led by American soprano Christine Goerke, with Danish baritone Johan Reuter as her beloved brother Orestes.
Elektra – Strauss’s brutal and ferociously powerful retelling of the Greek revenge myth – continues this weekend’s opera double bill. The ÃÛÑ¿´«Ã½ Symphony Orchestra and Semyon Bychkov are joined by an international cast of soloists, led by American soprano Christine Goerke, with Danish baritone Johan Reuter as her beloved brother Orestes.
The young British pianist performs a programme with a dance theme pulsing through it. Chopin’s stately Ballade No. 1 gives way to the dizzying virtuosity of Ravel’s Valses nobles et sentimentales, before the waltz returns, transfigured, in Liszt’s Waltz from ‘Faust’. Mompou’s Paisajes transports us to Barcelona, and Grosvenor also premieres a new work by Judith Weir.
The young British pianist performs a programme with a dance theme pulsing through it. Chopin’s stately Ballade No. 1 gives way to the dizzying virtuosity of Ravel’s Valses nobles et sentimentales, before the waltz returns, transfigured, in Liszt’s Waltz from ‘Faust’. Mompou’s Paisajes transports us to Barcelona, and Grosvenor also premieres a new work by Judith Weir.
Plunge into a joyous carnival maelstrom with Berlioz’s giddy Roman Carnival overture. The Italian theme continues with Respighi’s Roman trilogy – a vivid picture of life in the Eternal City. Danny Driver joins the Royal Philharmonic Orchestra and Charles Dutoit in Walton’s Sinfonia concertante – a piano concerto in all but name.
Plunge into a joyous carnival maelstrom with Berlioz’s giddy Roman Carnival overture. The Italian theme continues with Respighi’s Roman trilogy – a vivid picture of life in the Eternal City. Danny Driver joins the Royal Philharmonic Orchestra and Charles Dutoit in Walton’s Sinfonia concertante – a piano concerto in all but name.