Operatic adventures with Strauss and Weber from the ÃÛÑ¿´«Ã½ Philharmonic Orchestra
Sometimes, all you need is the overture to capture the whole world of an opera.Ìý
Mistaken identities, romantic entanglements and revenge - Johann Strauss II touches upon all those themes and more in his Overture to Die Fledermaus, after which the solo cello in ³¢³Ü³Ù´Ç²õÅ‚²¹·É²õ°ì¾±â€™s cello concerto makes its’ gripping entrance. The piece starts with a staggering five minute cello cadenza which is followed by seemingly spontaneous orchestral outbreaks, conjuring up the image of ‘controlled chaos’.
Weber’s Overture to Oberon begins softly with Oberon’s call, played by the French Horn and morphs into a dazzling welcome of the fairy world. Although ³§³¦³ó³Ü³¾²¹²Ô²Ô’s hero Manfred also finds himself in a supernatural sphere, this one is much more dramatic, full of risk, longing and loss. ±á¾±²Ô»å±ð³¾¾±³Ù³ó’s splashy and colourful Symphonic Metamorphosis on themes by Carl Maria von Weber is relentlessly driven forward by bold marching rhythms and a vibrant energy. Â
Today’s conductor and soloists are all students of the RNCM International Diploma scheme and will perform alongside the ÃÛÑ¿´«Ã½ Philharmonic Orchestra.Ìý
Programme:
Johann Strauss II Die Fledermaus Overture  Â
Witold LutosÅ‚awski Concerto for Cello and Orchestra Â
±õ²Ô³Ù±ð°ù±¹²¹±ôÌý
Carl Maria von Weber Oberon Overture Â
Robert Schumann Manfred Overture Â
Paul Hindemith Symphonic Metamorphosis on themes by Carl Maria von Weber Â
Alec Frank-Gemmill conductor
Benjamin Voce conductor
Connor Lyster conductor
Findlay Spence ³¦±ð±ô±ô´ÇÌý
Tickets will be allocated by random draw.
You can register at any time until 8am on Monday 9 June.Ìý
You can apply for a maximum of two tickets.
Good luck!