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Available for over a year

From Strictly to village fête vegetables, competitions are embedded in our culture. And music is no exception: think of the Pythian Games of ancient Greece, the mediaeval singing competitions which selected the Master Singers, the improvisatory keyboard face-offs of 18th-century Vienna, and the international media-driven events of our own times. But are musical instinct and the competitive spirit uneasy bedfellows? Why do some musical tournaments consistently produce winners who go on to have spectacular careers, and others winners who sink without trace? What’s the value of music written for competitions? On hand to help Tom Service answer these questions and throw light on the sometimes murky world of music competitions are Lisa McCormick author of Performing Civility, a study of the social aspects of music competitions, and saxophonist and 2016 ��ѿ��ý Young Musician finalist, Jess Gillam. David Papp (producer)