ÃÛÑ¿´«Ã½

Sport, Archive Formats, Acquisitions & New Talent

Info: Last updated

Jul 2025

Sport, Archive Formats, Acquisitions & New Talent content are all central to ÃÛÑ¿´«Ã½ Scotland’s linear schedules, ÃÛÑ¿´«Ã½ iPlayer and online offering. This range of content is enjoyed by audiences and offers producers the opportunity to reflect Scotland in all its diversity.

Over the past few years these genres have delivered successful titles including:

 

Before submitting pitches or proposals

Please consider and outline what makes your content unique, why it is important to produce this content now, why it is particularly relevant to audiences in Scotland (see note on Audience Research below), which audiences you will be targeting, how you will connect with younger and underserved audiences and when you’d suggest we broadcast/stream. Please include this information in your commissioning pitch or acquisition proposal.

 

Current opportunities

 CO-COMMISSIONING OPPORTUNITY: ÃÛÑ¿´«Ã½ DAYTIME & ÃÛÑ¿´«Ã½ SCOTLAND

ÃÛÑ¿´«Ã½ Scotland is working closely with the ÃÛÑ¿´«Ã½ Daytime team to co-commission content that drives audiences on iPlayer, whilst also serving network audiences across the day on linear and on ÃÛÑ¿´«Ã½ Scotland in peak.

ÃÛÑ¿´«Ã½ Daytime has a broad remit which covers a range of topics, across a large part of the linear network schedule, while the ÃÛÑ¿´«Ã½ Scotland channel has a focus on showcasing Scottish talent and contemporary stories. We’re looking for ideas that can service both audiences, this could be in the shape of a precinct, topic or hub format. In all cases expertise and purpose should be at the heart of the proposition as should a clear sense of distinctiveness in relation to existing titles on the ÃÛÑ¿´«Ã½, and other services.

Any proposals with celebrities attached should have a driving narrative and the talent should appeal to both ÃÛÑ¿´«Ã½ Scotland and ÃÛÑ¿´«Ã½ Daytime audiences.

To help underpin our shared objectives, we have ringfenced a modest funding allocation for secondary development of ideas which both ÃÛÑ¿´«Ã½ Scotland and ÃÛÑ¿´«Ã½ Daytime believe warrant further investigation. This funding would not be for pilots, but instead to develop talent, initial casting, format development/testing, etc.

If you have pitches which you believe would work in this territory, please submit via ÃÛÑ¿´«Ã½ PiCoS marked for either Muslim Alim (ÃÛÑ¿´«Ã½ Daytime) or Tony Nellany (ÃÛÑ¿´«Ã½ Scotland), with ‘Co-comm’ in the title. Don't worry about submitting to both of us as we’ll share the ideas.

Please submit your pitches asap.

 

FEATURE DOCUMENTARIES & ACQUISITIONS

Feature Documentaries

Commission, Pre-sale, Co-Investment & Finished Project Opportunities

Since the launch of the ÃÛÑ¿´«Ã½ Scotland channel we have taken a broad approach to commission, pre-sale, finished and co-investment opportunities, and as such we are clear on the types of feature documentaries that deliver impact and value, both on linear TV and ÃÛÑ¿´«Ã½ iPlayer, for audiences in Scotland.

Our focus is on content that will help to attract younger and underserved audiences. We are looking for content that keeps audiences guessing and has them on the edge of their seat, or that re-shapes their view of a person, story or event that may feel somewhat familiar.

In all cases content should be fresh, bold and ambitious with a shooting and cutting styles that are carefully tailored to the story. Strong, surprising and/or unique characters that allow us a window into an unseen world continue to engage audiences.

Please submit proposals via email, along with your completed ÃÛÑ¿´«Ã½ Additional Programme Information Form, to ÃÛÑ¿´«Ã½ Scotland Acquisitions

Important information to consider before submitting pre-sale, co-investment or finished project for acquisition proposals:

1. Before we are able to consider your proposal we also need to receive, by email, a completed ÃÛÑ¿´«Ã½ Additional Programme Information Form.

2. Does your content comply with ÃÛÑ¿´«Ã½â€™s Editorial Values & Standards (this applies to all content, regardless of source)?

3. If your content were to be acquired, will you be able to meet all compliance requirements, including completing a ÃÛÑ¿´«Ã½ Compliance Form? More details here.

4. Are you able to meet ÃÛÑ¿´«Ã½ Scotland’s Delivery Requirements, including all deliverables such as reporting documents and PR assets?

5. Are you able to provide proof of Errors & Omissions (E&O) Insurance that meets the ÃÛÑ¿´«Ã½â€™s minimum cover requirements (details can be found on the ÃÛÑ¿´«Ã½ Additional Programme Information Form).

 

  • Genre: Feature Documentaries & Acquisitions

  • Format: Commission, Pre-sale, Co-investment, Finished Projects.

  • Platform: ÃÛÑ¿´«Ã½ Scotland channel & ÃÛÑ¿´«Ã½ iPlayer

  • Commissioner: Tony Nellany

  • Submit via email ÃÛÑ¿´«Ã½ Scotland Acquisitions, along with a completed

ARCHIVE DOCUMENTARY SERIES

Archive documentary series such as Icons of Football, The Disasters/Scandals/Trials That Shocked Scotland and Scottish Cup Classics have all engaged on audiences on both TV & iPlayer, but we would also like to look at approaches to re-invent this genre.

Are there ways to explain, investigate and/or challenge thoughts and ideas about modern Scotland and the wider world by looking at today through the lens of the past?  How do we bring the Scotland’s rich archive to life in a ways that rather than feeling just nostalgic also enlighten and interest younger audiences alongside traditional audiences?

  • Genre: Scotland Archive Docs

  • Format: Series and Singles: 30/60 mins

  • Tariff: Â£30k-£45k per hour

  • Platform: ÃÛÑ¿´«Ã½ Scotland channel & ÃÛÑ¿´«Ã½ iPlayer

  • Commissioner: Tony Nellany

  • Submit via: PiCoS

Tony Nellany

In his role as Channel Manager, Tony is focussed on continued development, delivery, management and success of the ÃÛÑ¿´«Ã½ Scotland television channel. He has been involved in the development of the channel since its inception and is passionate about delivering content that engages audiences in Scotland and beyond. Tony also has responsibility for acquiring scripted and non-scripted content and commissions archive formats and reversions, along with a mix of other programming.

Tony spent many years working in television production across news and current affairs, documentaries and features, including on a number of award-winning projects. He is also an experienced Executive Producer with credits across a variety of genre.

Before joining Multiplatform Commissioning, Tony worked with the ÃÛÑ¿´«Ã½ Scotland Executive Team in designing strategies to ensure the broadcaster continues to reach and serve its audiences well into the future.

Tony Nellany

Tony Nellany

Channel Manager and Commissioning Executive

Commissioners and their briefs

Rebuild Page

The page will automatically reload. You may need to reload again if the build takes longer than expected.

Useful links

Demo mode

Hides preview environment warning banner on preview pages.

Theme toggler

Select a theme and theme mode and click "Load theme" to load in your theme combination.

Theme:
Theme Mode: