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16 October 2014
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Tom Finnigan

Tom was born in 1948 and lived in England until 2001 when he came to Donegal with his wife. He belongs to the Derry Playhouse Writers and started to write three years ago. His stories are set in Inishowen, London and Rome, where he lived as a student.

The Last Tutorial by Tom Finnigan

I killed my tormentor at Dunargus, high above the Ocean near Malin Head.

I throttled him with wire from a clothes-line. Gulls caught his screams and lifted them through a sky stained copper by the setting sun. Spittle dribbled onto my wrists as he kicked and jerked.

A dog cowered by the wall of the byre, whimpering and turning. I dragged the body inside, my hands sticky with blood. The place reeked of cattle piss. He lay quiet now, grey hair streaked with cattle dung. I took off his black boots and tied them around his neck.

The sun slipped blood-red into the Atlantic.

I jerked him onto a cart before the light failed. The dog was quiet now and came to me, tail tucked. Outside, the air was sweet with the smell of cut grass. A donkey stood in the field. I put a harness on him and pushed him between the shafts.

I was elated.

My name is Patsy Gallagher. That night I was fifteen. The man I had killed was Eamon Dalton - Doctor Dalton - my teacher, a priest.

It was 1961 when I entered the secondary school at Crandonagh.

My mother was still at school when I was born. My father was an actor from London. They met when she went to a play at the Rialto in Derry. He disappeared. When I was born in Malin Head, my mother threw herself into the Atlantic at Hell’s Hole. The rocks are like razors. They found the body in Lough Foyle. Her beautiful face was ripped raw. My grandfather recognised her boots.

When Eamon D’Alton first started to fondle me I had no one to tell. Love was scarce in Ballyhillion amid rocks and wind.

“Young Patsy is wild bright,” Master O’Callaghan told my grandfather at the school in Malin Head; “he’d best go to the secondary school in Carn. There’s a curiosity in him strange to this sea-scorched place.”

“That’ll be from his father,” grumbled grandpa, “…’twas the mother gave him his looks.”

Both aspects of my personality were noted by Doctor D’Alton when he began to teach me.

“You have an aptitude for history, Patrick Gallagher,” he drawled, “you know about high crosses. You have visited the stone circles, notice standing stones. This we must foster and nourish.”

His fingers tousled my hair and strayed down my back.

D’Alton gained a doctorate in Maynooth and stayed to lecture. His field was early Christianity in Ireland. There had been an incident - a complaint, I later discovered - and he was sent to Inishowen.

My talent merited special tutoring.

He was a handsome man in his early forties, aristocratic in manner.

“My family came to Wexford with Richard fitz Godebert - that first wave of Norman influence in 1167. I like to think we helped to take the rough edges from the Gaels…gave them some finesse. You’ll have heard of the Roche family? No? Oh dear. Are you all tinkers in Malin Head…? Come here, Patrick, let this be our secret - not a word about it, not a word.”

I told my granddad that Doctor D’Alton was being funny with me. I got a clout in return.

"Will you not respect the priest - and him a doctor?"

I told Father McDermott, the Principal in Carndonagh.

“How dare you, Gallagher! Doctor D’Alton is eminent in his field. The school is lucky to have such a scholar. What other wain from Malin Head has your chance?”

“I’d mind saying anything agin the priests,” warned my friend Jimmy Doherty as we skimmed stones on the shore; “you’re lucky to get the attention. It’ll stand you in good stead. Aren’t the priests the fellers with influence? Stick in there, Patsy.”

My friends in Carndonagh were terrified of speaking to the priests. Criticism merited eternal damnation. I had nowhere to go. But I was intelligent. I knew what was happening to me was wrong, so I wrote to the Bishop in Derry and told him what Doctor D’Alton was doing to me. No reply. I wrote again. Nothing. I wrote a third time. A week later Father McDermott summoned me to his office and thrashed me. My legs bled.

"It is only the goodness of Doctor D'Alton, Gallagher, you scut, that keeps you here. If you ever contact the Bishop again…you'll be back to fishing and scraping the rocks at Malin Head", he roared.

My tutorials in early Christian history continued.

“I will see you under the clock of the chapel after school”, commanded Dr. D’Alton in his well bred Kildare accent.

In a book-lined study, his hands explored every bit of my body whilst he drawled about the seventh century Carndonagh cross.

“The Continent again, my dear. You don’t think those designs came from Inishowen, do you? From France and Italy, Patrick. France especially. Monks returned imbued with ideas for design. We have to admit that local craftsmen carved them. So much stone here, don’t you think? The ignorant louts about Inishowen wouldn’t know about King David, now, would they?”

His face glistened and at times his body jerked but the drawl was steady.

Every week I looked at the chapel clock and trembled. When I passed the Carndonagh crosses I felt sick. The very symbols of my salvation were destroying my innocence. I was on my own in a place of evil. Nobody listened; nobody believed. And D’Alton gave not a cuss.

In the holidays he came to Ballyhillion in his Morris Minor. He bewitched my grandfather with charm. The neighbours were amazed that this learned priest took time to educate Patsy Gallagher.

"And him a bastard from that slut of a mother!” they marvelled.

We walked from Cullourt to Dunargus and Knockamany. D’Alton explained how the shore was formed from the melting of the glaciers. He expounded on the Armada and the Napoleonic wars; gave reasons for the building of the Lloyds Tower at Malin Head.

The winds whistled around us. The sky whirled and shook. Sheep bleated. Gulls screamed. At the White Strand, the tide hissed through small stones. Seaweed gleamed in the August sun. The smell of salt clung to my clothes. Often, on that elemental coastline, he put his arm around me and started to grope, his fingernails bruising my skin.

On the Five Fingers strand, I decided to kill him. I would never convince anyone that this priest was evil. He was so grand, so confident, so secure. I planned to take him to Hell’s Hole and push him onto the needles that had torn life from my mother. The Ocean could grope him as he had groped me. Let crabs gorge themselves on his flesh. But, after two years of abuse I had grown a little mad. This grandee of the church needed to leave life with a grand gesture. It must have been my father’s actor’s genes that built the scene…

I led the donkey out of the byre. It was late September in 1963. A yellow moon followed the sunset and dappled Trawbreaga with light. It fell on D’Alton’s body slewn across the cart like an old sack. I smelt his urine. Where now was his Norman elegance, his learning, his clerical aloofness? I found a pitchfork glinting in the moonlight and covered the corpse with sods of turf.

With peat for a shroud, we drove into the night - the donkey’s shadow jumping along the ditches, the dog dandering alongside. Down through Knockglass by Quigley’s hill we passed along the Lagg shore. Black night was my theatre. Fuchsia nodded in approval. Water nudged the shore and applauded. A fox slunk across the road, grinning his appreciation. Stacks of hay blew their fragrance. The clock on Carndonagh chapel glowed in the moonlight.

We padded through the town, the dog panting, the donkey sweating, D’Alton stinking. The river slipped over rocks beneath us. In front of our cortege stood three crosses, the high cross caught full in the moonlight. King David and the two thieves of the Crucifixion greeted us at Patrick's old church.

The moon was my spotlight. Drawing the cart across the base of the cross, I calmed the donkey. The dog lay down, tongue hanging, eyes bright in the light. I lifted the sods of turf, loosened the thongs of the harness and tipped the cart. Down onto cold stone slithered the body of Father D’Alton. The sods clattered about his head, the scent of peat like incense.

I threw the spade into the cart and lectured the animals.

“Now this is a perfect example of seventh century High Crosses. Notice the simple incised technique of carving and the presence of broad ribbon interlace. Some prefer a later date, the ninth century. For myself, I feel the earlier date can be confidently asserted from perusal of the literature.”

The donkey and the dog were impressed. The clock struck the half hour. I put the dog in the cart and turned the donkey for Malin Head.


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