A creative and fun approach to composition for school groups
A creative and fun approach to composition for school groups.
A creative and fun approach to composition for young musicians
A creative and fun approach to composition for young musicians.
A creative and fun approach to composition for young musicians.
Suzy Klein presents a live Proms edition of ÃÛÑ¿´«Ã½ Radio 3’s In Tune, featuring artists from the season.
The festival opens with a choir of 450 and two great portraits of the sea: Sakari Oramo conducts Vaughan Williams’s A Sea Symphony and Britten’s Four Sea Interludes as well as the world premiere of Julian Anderson’s Harmony. Pianist Stephen Hough plays Paganini variations by Rachmaninov and by featured composer Lutosławski.
The festival opens with a choir of 450 and two great portraits of the sea: Sakari Oramo conducts Vaughan Williams’s A Sea Symphony and Britten’s Four Sea Interludes as well as the world premiere of Julian Anderson’s Harmony. Pianist Stephen Hough plays Paganini variations by Rachmaninov and by featured composer Lutosławski.
Hannah Conway presents stories and music based on Oliver Jeffers’s Lost and Found.
This workshop is for 12-18 year olds who are interested in writing electronic music and will be led by The New Radiophonic Workshop.
Doctor Who enthusiast Matthew Sweet looks back over 50 years of the ÃÛÑ¿´«Ã½ series.
In its 50th-anniversary year, Doctor Who returns to the Proms with a spectacular concert featuring Murray Gold’s music for the series, plus pieces by Bach, Bizet and Debussy, and a special performance of one of the most iconic theme tunes in television history. Performed by the ÃÛÑ¿´«Ã½ National Orchestra of Wales conducted by Ben Foster, the Prom includes a host of alien friends and foes plus a very special appearance by Matt Smith.
In its 50th-anniversary year, Doctor Who returns to the Proms with a spectacular concert featuring Murray Gold’s music for the series, plus pieces by Bach, Bizet and Debussy, and a special performance of one of the most iconic theme tunes in television history. Performed by the ÃÛÑ¿´«Ã½ National Orchestra of Wales conducted by Ben Foster, the Prom includes a host of alien friends and foes plus a very special appearance by Matt Smith.
In its 50th-anniversary year, Doctor Who returns to the Proms with a spectacular concert featuring Murray Gold’s music for the series, plus pieces by Bach, Bizet and Debussy, and a special performance of one of the most iconic theme tunes in television history. Performed by the ÃÛÑ¿´«Ã½ National Orchestra of Wales conducted by Ben Foster, the Prom includes a host of alien friends and foes plus a very special appearance by Matt Smith.
In its 50th-anniversary year, Doctor Who returns to the Proms with a spectacular concert featuring Murray Gold’s music for the series, plus pieces by Bach, Bizet and Debussy, and a special performance of one of the most iconic theme tunes in television history. Performed by the ÃÛÑ¿´«Ã½ National Orchestra of Wales conducted by Ben Foster, the Prom includes a host of alien friends and foes plus a very special appearance by Matt Smith.
Join the Proms Family Orchestra and Chorus in creating its own Doctor Who soundtrack.
A discussion on the history of French ballet from Lully to Stravinsky and an examination of The Rite of Spring, 100 years after its premiere, with Jane Pritchard, Dance Historian at the Victoria & Albert Museum.
François-Xavier Roth and Les Siècles trace the history of French dance music – on period instruments – from the Court of the Sun King at Versailles to the riotous 1913 Paris premiere of Stravinsky’s ballet The Rite of Spring.
François-Xavier Roth and Les Siècles trace the history of French dance music – on period instruments – from the Court of the Sun King at Versailles to the riotous 1913 Paris premiere of Stravinsky’s ballet The Rite of Spring.
In the festival’s first Cadogan Hall concert, violinist Vilde Frang and pianist Michail Lifits play Ravel’s blues-influenced Violin Sonata, Mozart’s sunny Violin Sonata in G major, K379, and the dazzling 1984 Partita by Witold Lutosławski, a composer central to the festival’s focus on Polish music.
In the festival’s first Cadogan Hall concert, violinist Vilde Frang and pianist Michail Lifits play Ravel’s blues-influenced Violin Sonata, Mozart’s sunny Violin Sonata in G major, K379, and the dazzling 1984 Partita by Witold Lutosławski, a composer central to the festival’s focus on Polish music.
Conductor Kenneth Woods introduces a selection of readings about Gustav Mahler, including the composer’s letters, reviews and biographies. Rana Mitter presents.
Jonathan Nott conducts the Bamberg Symphony Orchestra in Mahler’s Symphony No. 5, whose Adagietto is a tender tribute to his wife, Alma. The Arditti Quartet joins the orchestra for the UK premiere of Helmut Lachenmann’s vast and atmospheric Tanzsuite mit Deutschlandlied.
Jonathan Nott conducts the Bamberg Symphony Orchestra in Mahler’s Symphony No. 5, whose Adagietto is a tender tribute to his wife, Alma. The Arditti Quartet joins the orchestra for the UK premiere of Helmut Lachenmann’s vast and atmospheric Tanzsuite mit Deutschlandlied.
Louise Fryer speaks to David Matthews about his new commission and Daniel Grimley gives an introduction to Nielsen and his ‘Inextinguishable’ Symphony No. 4.
Inspired by daybreak on the Kent coast, David Matthews’s A Vision of the Sea opens the ÃÛÑ¿´«Ã½ Philharmonic’s Prom with Juanjo Mena. Nobuyuki Tsujii is the soloist in Rachmaninov’s Piano Concerto No. 2, a passionate upbeat to Nielsen’s life-affirming ‘Inextinguishable’ Symphony.
Inspired by daybreak on the Kent coast, David Matthews’s A Vision of the Sea opens the ÃÛÑ¿´«Ã½ Philharmonic’s Prom with Juanjo Mena. Nobuyuki Tsujii is the soloist in Rachmaninov’s Piano Concerto No. 2, a passionate upbeat to Nielsen’s life-affirming ‘Inextinguishable’ Symphony.
The London Adventist Chorale, London Community Gospel Choir, People’s Christian Fellowship Choir, Muyiwa & Riversongz and Pastor David Daniel raise the roof of the Royal Albert Hall in a late-night celebration of gospel music’s powerful songs of praise and passion.
The London Adventist Chorale, London Community Gospel Choir, People’s Christian Fellowship Choir, Muyiwa & Riversongz and Pastor David Daniel raise the roof of the Royal Albert Hall in a late-night celebration of gospel music’s powerful songs of praise and passion.
Polish is the third most spoken language in the UK, after English and Welsh, and the 2011 census found over half a million Poles living in Britain. But you don't need to speak Polish in order to embrace Polish culture, thanks to a current boom in translating Polish novels into English. Rana Mitter asks the Polish-born writers Eva Hoffman and A.M. Bakalar to provide a guide to the most exciting writing coming out of Poland today.
Thomas Adès conducts the ÃÛÑ¿´«Ã½ Symphony Orchestra, Christianne Stotijn and Simon Keenlyside in the world premiere of his Totentanz, a work inspired by a mural destroyed in the Second World War bombing of Lübeck. Britten’s Sinfonia da Requiem and LutosÅ‚awski’s Cello Concerto complete a programme of remembrance and survival.
Thomas Adès conducts the ÃÛÑ¿´«Ã½ Symphony Orchestra, Christianne Stotijn and Simon Keenlyside in the world premiere of his Totentanz, a work inspired by a mural destroyed in the Second World War bombing of Lübeck. Britten’s Sinfonia da Requiem and LutosÅ‚awski’s Cello Concerto complete a programme of remembrance and survival.
Join Rachel Leach on an epic climb up an Alpine mountain, from twilight to nightfall with every tiny detail described along the way.
Nordic forests, Alpine sunlight and a Moorish nocturne. The ÃÛÑ¿´«Ã½ National Orchestra of Wales and conductor Thomas SøndergÃ¥rd play Wilhelm Stenhammar’s Excelsior!, Strauss’s An Alpine Symphony and Szymanowski’s opulent symphony subtitled ‘The Song of the Night’.
Nordic forests, Alpine sunlight and a Moorish nocturne. The ÃÛÑ¿´«Ã½ National Orchestra of Wales and conductor Thomas SøndergÃ¥rd play Wilhelm Stenhammar’s Excelsior!, Strauss’s An Alpine Symphony and Szymanowski’s opulent symphony subtitled ‘The Song of the Night’.
Louise Fryer is joined by composer and musicologist William Mival to discuss Rachmaninov and his Symphony No. 2.
Sir Antonio Pappano conducts the Orchestra of the Academy of Santa Cecilia, Rome, in Rachmaninov’s Second Symphony and Mozart’s elegant ‘Haffner’ Symphony. Jan Lisiecki plays Schumann’s intimate Piano Concerto in the first of Pappano’s two Proms.
Sir Antonio Pappano conducts the Orchestra of the Academy of Santa Cecilia, Rome, in Rachmaninov’s Second Symphony and Mozart’s elegant ‘Haffner’ Symphony. Jan Lisiecki plays Schumann’s intimate Piano Concerto in the first of Pappano’s two Proms.
Jeffrey Skidmore and Ex Cathedra perform Welt-Parlament, the a cappella Babel tower centrepiece of Stockhausen’s opera Mittwoch aus ‘Licht’. Sound-projectionist Kathinka Pasveer oversees Gesang der Jünglinge, the visionary composer’s first masterpiece.
Jeffrey Skidmore and Ex Cathedra perform Welt-Parlament, the a cappella Babel tower centrepiece of Stockhausen’s opera Mittwoch aus ‘Licht’. Sound-projectionist Kathinka Pasveer oversees Gesang der Jünglinge, the visionary composer’s first masterpiece.
Explore Rachmaninov’s great music together with your family in the Family Orchestra & Chorus - a retrospective look at Prom 10 on Friday 19 July.
Richard Egarr and the Academy of Ancient Music play works by Handel and the Roman composers who inspired him. Soprano Sophie Bevan sings two Italian cantatas in a programme including concerti grossi by Corelli and Valentini and keyboard miniatures by Bernardo Pasquini.
Richard Egarr and the Academy of Ancient Music play works by Handel and the Roman composers who inspired him. Soprano Sophie Bevan sings two Italian cantatas in a programme including concerti grossi by Corelli and Valentini and keyboard miniatures by Bernardo Pasquini.
Experience some of the vocal writing of Verdi’s Four Sacred Pieces with Mary King.
Sir Antonio Pappano, the Orchestra and Chorus of the Academy of Santa Cecilia, Rome, and soprano Maria Agresta celebrate Verdi’s bicentenary with the Four Sacred Pieces, the original version of the Requiem’s ‘Libera me’, a touching Ave Maria setting and the orchestral version of the great opera composer’s String Quartet.
Sir Antonio Pappano, the Orchestra and Chorus of the Academy of Santa Cecilia, Rome, and soprano Maria Agresta celebrate Verdi’s bicentenary with the Four Sacred Pieces, the original version of the Requiem’s ‘Libera me’, a touching Ave Maria setting and the orchestral version of the great opera composer’s String Quartet.
Sean Shepherd talks about his new commission and working with the NYO-USA. Gerard McBurney introduces Shostakovich’s Symphony No. 10.
The newly formed National Youth Orchestra of the United States of America makes its Proms debut under the baton of Valery Gergiev in Sean Shepherd’s Magiya and Shostakovich’s Tenth Symphony. Violinist Joshua Bell is the soloist in Tchaikovsky’s Violin Concerto.
The newly formed National Youth Orchestra of the United States of America makes its Proms debut under the baton of Valery Gergiev in Sean Shepherd’s Magiya and Shostakovich’s Tenth Symphony. Violinist Joshua Bell is the soloist in Tchaikovsky’s Violin Concerto.
Paul Van Nevel and the Huelgas Ensemble mine the rich and rarely performed repertoire of Renassiance and Baroque Poland in motets by Zieleński, Klabon, Demantius and Marenzio, including the earliest-known setting of a Polish text, the mid-15th-century ‘Chwała tobie, Gospodznie’ (Praise to Thee, O Lord).
Paul Van Nevel and the Huelgas Ensemble mine the rich and rarely performed repertoire of Renassiance and Baroque Poland in motets by Zieleński, Klabon, Demantius and Marenzio, including the earliest-known setting of a Polish text, the mid-15th-century ‘Chwała tobie, Gospodznie’ (Praise to Thee, O Lord).
Stolen gold and a world order in chaos. Daniel Barenboim and the Staatskapelle Berlin open the Proms cycle of Wagner’s epic operatic tetralogy The Ring of the Nibelung, with a cast hand-picked from Barenboim’s Berlin and Milan productions.
Stolen gold and a world order in chaos. Daniel Barenboim and the Staatskapelle Berlin open the Proms cycle of Wagner’s epic operatic tetralogy The Ring of the Nibelung, with a cast hand-picked from Barenboim’s Berlin and Milan productions.
Sara Mohr-Pietsch is joined by Elaine Padmore for an introduction to Die Walküre.
Daniel Barenboim’s Proms Ring cycle with the Staatskapelle Berlin continues with Die Walküre. Simon O’Neill and Anja Kampe sing the roles of the tragic twins Siegmund and Sieglinde, whose doomed love inspires the rebellion of Brünnhilde (sung by Nina Stemme).
Daniel Barenboim’s Proms Ring cycle with the Staatskapelle Berlin continues with Die Walküre. Simon O’Neill and Anja Kampe sing the roles of the tragic twins Siegmund and Sieglinde, whose doomed love inspires the rebellion of Brünnhilde (sung by Nina Stemme).
What makes Falstaff so irresistible to writers and composers? Timothy West talks about his experiences of playing one of Shakespeare's greatest characters.
Two portraits of Sir John Falstaff and a rare performance of Granville Bantock’s Sapphic Poem with cellist Raphael Wallfisch. Jac van Steen conducts the ÃÛÑ¿´«Ã½ National Orchestra of Wales in a programme that climaxes with Tchaikovsky’s heady Fourth Symphony.
Two portraits of Sir John Falstaff and a rare performance of Granville Bantock’s Sapphic Poem with cellist Raphael Wallfisch. Jac van Steen conducts the ÃÛÑ¿´«Ã½ National Orchestra of Wales in a programme that climaxes with Tchaikovsky’s heady Fourth Symphony.
Step into the heat of Spain as Rachel Leach re-tells the story of Falla's most popular ballet, featuring a beautiful lady, an angry husband and a man with a three-cornered hat!
Juanjo Mena and the ÃÛÑ¿´«Ã½ Philharmonic present a programme of dance music spanning Beethoven’s Seventh Symphony, John McCabe’s Joybox, Ravel’s µþ´Ç±ôé°ù´Ç and Falla’s Spanish ballet The Three-Cornered Hat.
Juanjo Mena and the ÃÛÑ¿´«Ã½ Philharmonic present a programme of dance music spanning Beethoven’s Seventh Symphony, John McCabe’s Joybox, Ravel’s µþ´Ç±ôé°ù´Ç and Falla’s Spanish ballet The Three-Cornered Hat.
Sara Mohr-Pietsch is joined by Mark Berry (Royal Holloway, University of London) for an introduction to tonight's opera, Siegfried.
Talking birds, dragon’s blood and a ring of fire. Lance Ryan sings the title-role in the third part of Daniel Barenboim’s complete Ring cycle with the Staatskapelle Berlin. Nine Stemme is the rebel Valkyrie, Brünnhilde, who teaches Siegfried love and fear.
Talking birds, dragon’s blood and a ring of fire. Lance Ryan sings the title-role in the third part of Daniel Barenboim’s complete Ring cycle with the Staatskapelle Berlin. Nine Stemme is the rebel Valkyrie, Brünnhilde, who teaches Siegfried love and fear.
Wagner's stage directions are notorious: giant dragons; underwater singing; horses on stage; storms; destruction by raging fires. Designer Peter Mumford and Dr John Snelson of the ROH discuss the solutions available to 21st century artists and some famous 19th and 20th century stagings. Presented by Anne McElvoy and including readings by David Rintoul. Guests include Philip Hoare, Jamila Gavin and Elizabeth Gray. Recorded in front of an audience at the Royal College of Music as part of this year's Proms Plus events.
Semyon Bychkov and the ÃÛÑ¿´«Ã½ Symphony Orchestra interrupt the Ring cycle to explore Wagner’s intoxicating tragedy Tristan and Isolde, a turning point in the history of Romantic music. Robert Dean Smith and Violeta Urmana are the illicit lovers.
Semyon Bychkov and the ÃÛÑ¿´«Ã½ Symphony Orchestra interrupt the Ring cycle to explore Wagner’s intoxicating tragedy Tristan and Isolde, a turning point in the history of Romantic music. Robert Dean Smith and Violeta Urmana are the illicit lovers.
Sara Mohr-Pietsch is joined by Sarah Lenton for an introduction to ³Òö³Ù³Ù±ð°ù»åä³¾³¾±ð°ù³Ü²Ô²µ.
Daniel Barenboim’s survey of The Ring of the Nibelung with the Staatskapelle Berlin concludes with betrayal, revenge, immolation and the return of the stolen gold to the waters of the Rhine. Nina Stemme sings the role of Brünnhilde, while Mikhail Petrenko is the vengeful Hagen.
Daniel Barenboim’s survey of The Ring of the Nibelung with the Staatskapelle Berlin concludes with betrayal, revenge, immolation and the return of the stolen gold to the waters of the Rhine. Nina Stemme sings the role of Brünnhilde, while Mikhail Petrenko is the vengeful Hagen.
Pianist Imogen Cooper, soprano Ruby Hughes, tenor James Gilchrist and guitarist Christoph Denoth mark Britten’s centenary in a sequence of song-cycles and miniatures, from Night Piece (Notturno) to A Charm of Lullabies, My beloved is mine and Abraham and Isaac.
Pianist Imogen Cooper, soprano Ruby Hughes, tenor James Gilchrist and guitarist Christoph Denoth mark Britten’s centenary in a sequence of song-cycles and miniatures, from Night Piece (Notturno) to A Charm of Lullabies, My beloved is mine and Abraham and Isaac.
John le Carré, one of the greatest spy novelists, celebrates 50 years since the publication of his groundbreaking Cold War espionage novel, The Spy Who Came in from the Cold, with Anne McElvoy.
The UK premiere of Colin Matthews’s Turning Point opens the ÃÛÑ¿´«Ã½ National Orchestra of Wales’s first Prom with Thomas SøndergÃ¥rd. Daniel Hope plays Prokofiev’s Violin Concerto No. 2, the quicksilver antipode to Shostakovich’s monumental Symphony No. 11, ‘The Year 1905’.
The UK premiere of Colin Matthews’s Turning Point opens the ÃÛÑ¿´«Ã½ National Orchestra of Wales’s first Prom with Thomas SøndergÃ¥rd. Daniel Hope plays Prokofiev’s Violin Concerto No. 2, the quicksilver antipode to Shostakovich’s monumental Symphony No. 11, ‘The Year 1905’.
Fresh from their residency at the O2, the inimitable vocalists of Naturally 7 build on the gospel legacy in a Late Night Prom of a cappella soul with a hip hop tang. Drums, harmonica, brass, turntable ‘scratching’ and electric guitars are all in the mix – recreated with nothing more than the human voice.
James Jolly explores Mozart's life in Vienna and the city's influences on the music in tonight's programme.
The Mahler Chamber Orchestra returns to the ÃÛÑ¿´«Ã½ Proms with conductor Daniel Harding. Paul Lewis is the soloist in Mozart’s Piano Concerto No. 25, its play of light and shade echoed in the same composer’s Masonic Funeral Music, Schumann’s Second Symphony and Sibelius’s Seventh.
The Mahler Chamber Orchestra returns to the ÃÛÑ¿´«Ã½ Proms with conductor Daniel Harding. Paul Lewis is the soloist in Mozart’s Piano Concerto No. 25, its play of light and shade echoed in the same composer’s Masonic Funeral Music, Schumann’s Second Symphony and Sibelius’s Seventh.
The writers Simon Heffer and Andrew O'Hagan discuss the halcyon days of light music at the ÃÛÑ¿´«Ã½ and beyond with Matthew Sweet. With its jaunty melodies and cascading strings, they restore it to its proper place: the heart of British musical life. Recorded in front of an audience at the Royal College of Music as part of this year's Proms Plus events.
Barry Wordsworth and the ÃÛÑ¿´«Ã½ Concert Orchestra, with pianists Noriko Ogawa and Kathryn Stott, offer a parade of British light and occasional music, including Arnold’s Concerto for two pianos (three hands), Bantock’s bittersweet Pierrot of the Minute, Elgar’s Nursery Suite and a medley of radio favourites.
Barry Wordsworth and the ÃÛÑ¿´«Ã½ Concert Orchestra, with pianists Noriko Ogawa and Kathryn Stott, offer a parade of British light and occasional music, including Arnold’s Concerto for two pianos (three hands), Bantock’s bittersweet Pierrot of the Minute, Elgar’s Nursery Suite and a medley of radio favourites.
Fasten your seat belts as Nicholas Collon and the Aurora Orchestra plunge into Frank Zappa’s counter-culture satire The Adventures of Greggery Peccary, with a car-chase, a coughing mountain and a choir of stenographers. A wild Study for player piano by Conlon Nancarrow and the UK premiere of Philip Glass’s Tenth Symphony complete a far-reaching Late Night Prom.
Fasten your seat belts as Nicholas Collon and the Aurora Orchestra plunge into Frank Zappa’s counter-culture satire The Adventures of Greggery Peccary, with a car-chase, a coughing mountain and a choir of stenographers. A wild Study for player piano by Conlon Nancarrow and the UK premiere of Philip Glass’s Tenth Symphony complete a far-reaching Late Night Prom.
Rana Mitter introduces an anthology of unexpected readings from the letters and autobiography of the English composer Michael Tippett, with guests Ivan Hewett and Oliver Soden.
Legendary American pianist Peter Serkin makes his Proms debut with Oliver Knussen and the ÃÛÑ¿´«Ã½ Symphony Orchestra in Stravinsky’s Concerto for piano and wind instruments. Henze’s Barcarola opens the first of this season’s concerts focusing on the music of Michael Tippett as Knussen conducts Tippett’s Symphony No. 2.
Legendary American pianist Peter Serkin makes his Proms debut with Oliver Knussen and the ÃÛÑ¿´«Ã½ Symphony Orchestra in Stravinsky’s Concerto for piano and wind instruments. Henze’s Barcarola opens the first of this season’s concerts focusing on the music of Michael Tippett as Knussen conducts Tippett’s Symphony No. 2.
Naresh Sohal, in conversation with Andrew McGregor, discusses his ÃÛÑ¿´«Ã½ commission and introduces his chamber works.
Peter Oundijan conducts the Royal Scottish National Orchestra and Nikolai Lugansky in Rachmaninov’s Piano Concerto No. 3, Tchaikovsky’s Fifth Symphony and the world premiere of Naresh Sohal’s brand-new The Cosmic Dance, a celebration of ancient mythology and mathematical theory.
Peter Oundijan conducts the Royal Scottish National Orchestra and Nikolai Lugansky in Rachmaninov’s Piano Concerto No. 3, Tchaikovsky’s Fifth Symphony and the world premiere of Naresh Sohal’s brand-new The Cosmic Dance, a celebration of ancient mythology and mathematical theory.
Music for strings by Tippett, Holst and Britten, plus two dramatic works for the female voice: Britten’s Phaedra and Lennox Berkeley’s Four Poems of St Teresa of Avila. Mezzo-soprano Sarah Connolly joins conductor Sian Edwards and the Britten Sinfonia.
Music for strings by Tippett, Holst and Britten, plus two dramatic works for the female voice: Britten’s Phaedra and Lennox Berkeley’s Four Poems of St Teresa of Avila. Mezzo-soprano Sarah Connolly joins conductor Sian Edwards and the Britten Sinfonia.
Robert Crawford and Fiona Stafford discuss how the Romantic movement linked Beethoven with the poetry of Scottish writers such as Burns, James Macpherson and Walter Scott.
Vadim Repin plays James MacMillan’s Violin Concerto with Donald Runnicles and the ÃÛÑ¿´«Ã½ Scottish Symphony Orchestra. Threaded with reels and old laments, MacMillan’s work complements the concentrated dramas of Beethoven’s ‘Coriolan’ Overture and Fifth Symphony.
Vadim Repin plays James MacMillan’s Violin Concerto with Donald Runnicles and the ÃÛÑ¿´«Ã½ Scottish Symphony Orchestra. Threaded with reels and old laments, MacMillan’s work complements the concentrated dramas of Beethoven’s ‘Coriolan’ Overture and Fifth Symphony.
Hannah Conway presents stories and music based on Jon Klassen's I Want My Hat Back.
Sing extracts from °Õ²¹²Ô²Ô³óä³Ü²õ±ð°ù with Mary King.
An introduction to Wagner's °Õ²¹²Ô²Ô³óä³Ü²õ±ð°ù, with James Jolly.
Acclaimed Wagnerian Donald Runnicles continues the Proms Wagner bicentenary celebrations with Wagner’s °Õ²¹²Ô²Ô³óä³Ü²õ±ð°ù. Robert Dean Smith sings the role of the titular troubadour who tires of sensual pleasure and longs for spiritual redemption
Acclaimed Wagnerian Donald Runnicles continues the Proms Wagner bicentenary celebrations with Wagner’s °Õ²¹²Ô²Ô³óä³Ü²õ±ð°ù. Robert Dean Smith sings the role of the titular troubadour who tires of sensual pleasure and longs for spiritual redemption
Norwegian trumpeter Tine Thing Helseth and her all-female brass ensemble, tenThing, play a vibrant programme of tangos, seguidillas and serenades by Bizet, Copland, Grieg and Piazzolla – and a new work by British composer Diana Burrell.
Norwegian trumpeter Tine Thing Helseth and her all-female brass ensemble, tenThing, play a vibrant programme of tangos, seguidillas and serenades by Bizet, Copland, Grieg and Piazzolla – and a new work by British composer Diana Burrell.
Edward Cowie discusses his ÃÛÑ¿´«Ã½ commission with Andrew McGregor prior to its world premiere and introduces performances of his chamber works.
Gianandrea Noseda conducts the ÃÛÑ¿´«Ã½ Philharmonic in Prokofiev’s Second Piano Concerto (with soloist Jean-Efflam Bavouzet), Borodin’s Prince Igor overture, Tchaikovsky’s ‘Little Russian’ Symphony and the world premiere of Edward Cowie’s Earth Music 1 – The Great Barrier Reef.
Gianandrea Noseda conducts the ÃÛÑ¿´«Ã½ Philharmonic in Prokofiev’s Second Piano Concerto (with soloist Jean-Efflam Bavouzet), Borodin’s Prince Igor overture, Tchaikovsky’s ‘Little Russian’ Symphony and the world premiere of Edward Cowie’s Earth Music 1 – The Great Barrier Reef.
Create your own coronation music in the style of two British greats - Rubbra and Walton - with Rachel Leach and professional musicians.
John StorgÃ¥rds directs the ÃÛÑ¿´«Ã½ Philharmonic in Korngold’s Symphony, drawn in part from the film music for The Private Lives of Elizabeth and Essex, Rubbra’s Ode to the Queen and Walton’s Orb and Sceptre. Vilde Frang plays Bruch’s much-loved Violin Concerto.
John StorgÃ¥rds directs the ÃÛÑ¿´«Ã½ Philharmonic in Korngold’s Symphony, drawn in part from the film music for The Private Lives of Elizabeth and Essex, Rubbra’s Ode to the Queen and Walton’s Orb and Sceptre. Vilde Frang plays Bruch’s much-loved Violin Concerto.
This workshop is for 12-18 year olds who are interested in writing contemporary music and will be led by Fraser Trainer.
The Aurora Orchestra, under Nicholas Collon, performs the winning entries in this year's ÃÛÑ¿´«Ã½ Proms Inspire Young Composers' Competition.
Two works by Gustav Holst, and two from the Polish composer Witold LutosÅ‚awski. Edward Gardner directs the ÃÛÑ¿´«Ã½ Symphony Orchestra in Holst’s Egdon Heath and The Planets and LutosÅ‚awski’s Symphonic Variations. Louis Lortie is the soloist in LutosÅ‚awski’s Piano Concerto.
Two works by Gustav Holst, and two from the Polish composer Witold LutosÅ‚awski. Edward Gardner directs the ÃÛÑ¿´«Ã½ Symphony Orchestra in Holst’s Egdon Heath and The Planets and LutosÅ‚awski’s Symphonic Variations. Louis Lortie is the soloist in LutosÅ‚awski’s Piano Concerto.
To mark the 50th anniversary of the death of Sylvia Plath and the publication of her novel, The Bell Jar, the writer, Lavinia Greenlaw and the critic, Sally Bayley, look back on the legacy of a remarkable poet with readings by Buffy Davis. Â Born in Boston in 1932 Plath moved to England to study at Cambridge where she met and married the poet Ted Hughes. Her first collection of poems, Colossus, was published here in 1960. In 1962 she wrote most of the poems which would form her best known collection, Ariel. She died in February 1963 during one of the most severe winters on record in Britain. Ariel and The Bell Jar were published after her death. Â Recorded in front of an audience at the Royal College of Music as part of this year's Proms Plus events.
Mitsuko Uchida plays Beethoven’s Piano Concerto No. 4 with the Bavarian Radio Symphony Orchestra and its Chief Conductor, Mariss Jansons. The opium-fuelled idylls and nightmares of Berlioz’s Symphonie fantastique complete one of the festival’s hottest programmes.
Mitsuko Uchida plays Beethoven’s Piano Concerto No. 4 with the Bavarian Radio Symphony Orchestra and its Chief Conductor, Mariss Jansons. The opium-fuelled idylls and nightmares of Berlioz’s Symphonie fantastique complete one of the festival’s hottest programmes.
Hail, ice, thunder, rain … and the bark of a dog on a sunny afternoon. Iconoclastic violinist Nigel Kennedy plays Vivaldi’s endlessly fascinating set of concertos, The Four Seasons, in a Late Night Prom with players from Palestine and Poland.
Hail, ice, thunder, rain … and the bark of a dog on a sunny afternoon. Iconoclastic violinist Nigel Kennedy plays Vivaldi’s endlessly fascinating set of concertos, The Four Seasons, in a Late Night Prom with players from Palestine and Poland.
Norman Lebrecht and Jeremy Barham discuss Mahler's conversion from Judaism to Christianity, spirituality and the social context of the 'Resurrection' Symphony.
In their second ÃÛÑ¿´«Ã½ Proms appearance this season, Mariss Jansons and the Bavarian Radio Symphony Orchestra are joined by Genia Kühmeier, Anna Larsson and the Bavarian Radio Chorus for Mahler’s epic Symphony No. 2, ‘Resurrection’, bringing a vision of life after death.
In their second ÃÛÑ¿´«Ã½ Proms appearance this season, Mariss Jansons and the Bavarian Radio Symphony Orchestra are joined by Genia Kühmeier, Anna Larsson and the Bavarian Radio Chorus for Mahler’s epic Symphony No. 2, ‘Resurrection’, bringing a vision of life after death.
A late-night feast of sinfonias, arias and chorales as Sir John Eliot Gardiner, 70 this year, conducts the singers and players of the Monteverdi Choir and English Baroque Soloists in Bach’s Easter Oratorio and Ascension Oratorio.
A late-night feast of sinfonias, arias and chorales as Sir John Eliot Gardiner, 70 this year, conducts the singers and players of the Monteverdi Choir and English Baroque Soloists in Bach’s Easter Oratorio and Ascension Oratorio.
Mary King explores Britten's mastery of word-setting in his vocal writing.
Pianist Barry Douglas directs Camerata Ireland in music by Britten and his peers, including Young Apollo, Variations on a Theme of Frank Bridge, Priaulx Rainier’s Movement for strings, and Shostakovich’s sparkling Piano Concerto No. 1 (featuring trumpeter Alison Balsom).
Pianist Barry Douglas directs Camerata Ireland in music by Britten and his peers, including Young Apollo, Variations on a Theme of Frank Bridge, Priaulx Rainier’s Movement for strings, and Shostakovich’s sparkling Piano Concerto No. 1 (featuring trumpeter Alison Balsom).
An introduction to tonight's Urban Classic Prom.
Broadcast live on ÃÛÑ¿´«Ã½ Radio 1, ÃÛÑ¿´«Ã½ Radio 1Xtra and ÃÛÑ¿´«Ã½ Radio 3, Jules Buckley leads the ÃÛÑ¿´«Ã½ Symphony Orchestra in a collision of Fazer, Henze, Laura Mvula, Mosolov and Maverick Sabre, with guest artists from the worlds of urban and contemporary classical music.
Broadcast live on ÃÛÑ¿´«Ã½ Radio 1, ÃÛÑ¿´«Ã½ Radio 1Xtra and ÃÛÑ¿´«Ã½ Radio 3, Jules Buckley leads the ÃÛÑ¿´«Ã½ Symphony Orchestra in a collision of Fazer, Henze, Laura Mvula, Mosolov and Maverick Sabre, with guest artists from the worlds of urban and contemporary classical music.
Helen Wallace and Amanda Glauert discuss Beethoven's Symphony No. 9 and its link with the Royal Philharmonic Society.
Vasily Petrenko conducts the National Youth Orchestra of Great Britain and young singers from across the British Isles in Beethoven’s Ninth Symphony, Vaughan Williams’s Walt Whitman setting Towards the Unknown Region and the world premiere of Mark-Anthony Turnage’s Frieze.
Vasily Petrenko conducts the National Youth Orchestra of Great Britain and young singers from across the British Isles in Beethoven’s Ninth Symphony, Vaughan Williams’s Walt Whitman setting Towards the Unknown Region and the world premiere of Mark-Anthony Turnage’s Frieze.
Late-15th-century motets from the Eton Choirbook alternate with music by Gustav Holst and his daughter Imogen and the UK premiere of Sir Harrison Birtwistle’s The Moth Requiem in an alluring programme from the ÃÛÑ¿´«Ã½ Singers and the Nash Ensemble under Nicholas Kok.
Late-15th-century motets from the Eton Choirbook alternate with music by Gustav Holst and his daughter Imogen and the UK premiere of Sir Harrison Birtwistle’s The Moth Requiem in an alluring programme from the ÃÛÑ¿´«Ã½ Singers and the Nash Ensemble under Nicholas Kok.
Louise Fryer talks to Stephen Johnson and musicologist Kate Kennedy about Vaughan Williams and introduces A London Symphony.
David Atherton conducts the ÃÛÑ¿´«Ã½ National Orchestra of Wales in Holst’s tone-poem Indra, the world premiere of Nishat Khan’s new Sitar Concerto No. 1 and Vaughan Williams’s bittersweet portrait of the capital’s parks and pavements, A London Symphony.
David Atherton conducts the ÃÛÑ¿´«Ã½ National Orchestra of Wales in Holst’s tone-poem Indra, the world premiere of Nishat Khan’s new Sitar Concerto No. 1 and Vaughan Williams’s bittersweet portrait of the capital’s parks and pavements, A London Symphony.
Cerys Matthews, Laura Marling and The Stranglers join London Sinfonietta for an eclectic Late Night Prom including 20th-century classics by Berio, Varèse and Xenakis, plus a live remix mash-up by composer Anna Meredith.
Cerys Matthews, Laura Marling and The Stranglers join London Sinfonietta for an eclectic Late Night Prom including 20th-century classics by Berio, Varèse and Xenakis, plus a live remix mash-up by composer Anna Meredith.
Take an imaginary stroll through an art gallery with Rachel Leach and hear 15 pictures brought to life as music.
Valery Gergiev and the London Symphony Orchestra play Ravel’s vivid orchestration of Mussorgsky’s Pictures at an Exhibition and the UK premiere of Sofia Gubaidulina’s The Rider on the White Horse. Daniil Trifonov is the soloist in Glazunov’s Second Piano Concerto.
Valery Gergiev and the London Symphony Orchestra play Ravel’s vivid orchestration of Mussorgsky’s Pictures at an Exhibition and the UK premiere of Sofia Gubaidulina’s The Rider on the White Horse. Daniil Trifonov is the soloist in Glazunov’s Second Piano Concerto.
This workshop is for 12-18 year olds and will be led by Judith Weir and the ÃÛÑ¿´«Ã½ Singers
Ian Skelly talks to Marina Frolova-Walker and Rosamund Bartlett about Tchaikovsky and his world, looking at the influences in his life at the time of writing his Third Symphony.
Kirill Karabits conducts the Bournemouth Symphony Orchestra in JanáÄek’s brassy Sinfonietta and Tchaikovsky’s ‘Polish’ Symphony (No. 3). Sunwook Kim is the soloist in Beethoven’s Piano Concerto No. 3.
Kirill Karabits conducts the Bournemouth Symphony Orchestra in JanáÄek’s brassy Sinfonietta and Tchaikovsky’s ‘Polish’ Symphony (No. 3). Sunwook Kim is the soloist in Beethoven’s Piano Concerto No. 3.
Celebrating their 40th anniversary, the Tallis Scholars return to the ÃÛÑ¿´«Ã½ Proms in a Late Night Prom interweaving the movements of John Taverner’s Missa Gloria tibi Trinitas with motets by the infamous aristocratic madrigalist Carlo Gesualdo.
Celebrating their 40th anniversary, the Tallis Scholars return to the ÃÛÑ¿´«Ã½ Proms in a Late Night Prom interweaving the movements of John Taverner’s Missa Gloria tibi Trinitas with motets by the infamous aristocratic madrigalist Carlo Gesualdo.
Dame Monica Mason, former direcor of the Royal Ballet, who partnered Rudolf Nureyev in Hamlet, celebrates his life and legacy.
Charles Dutoit conducts the Royal Philharmonic Orchestra and a trio of solo cellists in Penderecki’s Concerto grosso. Stravinsky provides the Fireworks, Debussy the sea (La mer) and Ravel a sensual sunrise (in music from the ballet Daphnis and Chloe).
Charles Dutoit conducts the Royal Philharmonic Orchestra and a trio of solo cellists in Penderecki’s Concerto grosso. Stravinsky provides the Fireworks, Debussy the sea (La mer) and Ravel a sensual sunrise (in music from the ballet Daphnis and Chloe).
Louise Fryer talks to Oliver Soden about Tippett's own libretto for The Midsummer Marriage and the influence on the opera of poet T. S. Eliot.
Last heard at the Proms in 1977, The Midsummer Marriage is Tippett’s The Magic Flute, an opera rich in trials and transformations. Sir Andrew Davis conducts the ÃÛÑ¿´«Ã½ Symphony Orchestra and ÃÛÑ¿´«Ã½ Singers, with Paul Groves and Erin Wall singing the roles of Mark and Jenifer.
Last heard at the Proms in 1977, The Midsummer Marriage is Tippett’s The Magic Flute, an opera rich in trials and transformations. Sir Andrew Davis conducts the ÃÛÑ¿´«Ã½ Symphony Orchestra and ÃÛÑ¿´«Ã½ Singers, with Paul Groves and Erin Wall singing the roles of Mark and Jenifer.
Explore the vocal writing in Brahms's A German Requiem with Mary King. Suitable for singers familiar with the work who want to get some vocal tips!
The City of Birmingham Symphony Orchestra plays Dvořák last ‘Old World’ Symphony, No. 8, under Andris Nelsons. Soprano Kristīne Opolais sings arias by Verdi and Tchaikovsky in a matinee that ends with a flurry of Viennese waltzes and polkas by Johann Strauss II.
The City of Birmingham Symphony Orchestra plays Dvořák last ‘Old World’ Symphony, No. 8, under Andris Nelsons. Soprano Kristīne Opolais sings arias by Verdi and Tchaikovsky in a matinee that ends with a flurry of Viennese waltzes and polkas by Johann Strauss II.
Laura Tunbridge looks at Brahms and the works performed in tonight's concert.
Marin Alsop conducts the Orchestra of the Age of Enlightenment and the Choir of the Enlightenment in a rare performance of Brahms’s A German Requiem on period instruments. Brahms’s Tragic Overture and Schumann’s Fourth Symphony complete a powerful programme of mourning and consolation.
Marin Alsop conducts the Orchestra of the Age of Enlightenment and the Choir of the Enlightenment in a rare performance of Brahms’s A German Requiem on period instruments. Brahms’s Tragic Overture and Schumann’s Fourth Symphony complete a powerful programme of mourning and consolation.
Create a piece of music together with your family, inspired by the music in this evening's Prom.
Louise Fryer presents an introduction to tonight's programme with a focus on Stravinsky's The Firebird.
Composer Matthias Pintscher conducts trumpeters Tine Thing Helseth and Marco Blaauw and the ÃÛÑ¿´«Ã½ Scottish Symphony Orchestra in the London premiere of Chute d’étoiles. Ravel’s Rapsodie espagnole and Stravinsky’s ballet The Firebird continue the festival’s focus on dance music.
Composer Matthias Pintscher conducts trumpeters Tine Thing Helseth and Marco Blaauw and the ÃÛÑ¿´«Ã½ Scottish Symphony Orchestra in the London premiere of Chute d’étoiles. Ravel’s Rapsodie espagnole and Stravinsky’s ballet The Firebird continue the festival’s focus on dance music.
Robin Tritschler sings Warlock’s The Curlew with the London Conchord Ensemble. The intimate programme moves from Imogen Holst’s Phantasy Quartet to Poulenc’s Sextet and Thomas Adès’s arrangement of François Couperin’s Les baricades mistérieuses.
Robin Tritschler sings Warlock’s The Curlew with the London Conchord Ensemble. The intimate programme moves from Imogen Holst’s Phantasy Quartet to Poulenc’s Sextet and Thomas Adès’s arrangement of François Couperin’s Les baricades mistérieuses.
Kenneth Hamilton, concert pianist and Professor of Music at Cardiff University, looks at the story of the Romantic piano concerto, and at Mendelssohn's Piano Concerto in G minor.
The Scottish Chamber Orchestra and Robin Ticciati explore Romantic ideals of heroism and tragedy in Berlioz’s King Lear overture and Beethoven’s ‘Eroica’ Symphony. George Benjamin reimagines Bach and Stephen Hough returns for Mendelssohn’s Piano Concerto No. 1.
The Scottish Chamber Orchestra and Robin Ticciati explore Romantic ideals of heroism and tragedy in Berlioz’s King Lear overture and Beethoven’s ‘Eroica’ Symphony. George Benjamin reimagines Bach and Stephen Hough returns for Mendelssohn’s Piano Concerto No. 1.
Ilan Volkov conducts the ÃÛÑ¿´«Ã½ Scottish Symphony Orchestra in the world premiere of Rzewski’s Piano Concerto (with the composer as soloist), Gerald Barry’s No other people., John White’s Chord-Breaking Machine and Morton Feldman’s late masterpiece, Coptic Light.
Ilan Volkov conducts the ÃÛÑ¿´«Ã½ Scottish Symphony Orchestra in the world premiere of Rzewski’s Piano Concerto (with the composer as soloist), Gerald Barry’s No other people., John White’s Chord-Breaking Machine and Morton Feldman’s late masterpiece, Coptic Light.
Benjamin Britten's compositions were inspired by the work of many poets and novelists. Actor Samuel West and writer Alexandra Harris explore the relationship between Britten's words and music.
The Fanfare No. 5 from Tippett’s The Mask of Time opens tonight's survey of 20th-century greats with the London Symphony Orchestra and Ian Bostridge, from Tippett’s Concerto for Double String Orchestra and Britten’s Les illuminations to Elgar’s Second Symphony.
The Fanfare No. 5 from Tippett’s The Mask of Time opens tonight's survey of 20th-century greats with the London Symphony Orchestra and Ian Bostridge, from Tippett’s Concerto for Double String Orchestra and Britten’s Les illuminations to Elgar’s Second Symphony.
Param Vir discusses Cave of Luminous Mind with Andrew McGregor prior to its world premiere and introduces performances of his chamber works given by musicians from the Royal Academy of Music.
Elgar Medal-winner Sakari Oramo conducts the ÃÛÑ¿´«Ã½ Symphony Orchestra in the world premiere of Param Vir’s Cave of Luminous Mind, Granville Bantock’s dreamlike Celtic Symphony and Elgar’s ‘Enigma’ Variations. Lisa Batiashvili is the soloist in Sibelius’s Violin Concerto.
Elgar Medal-winner Sakari Oramo conducts the ÃÛÑ¿´«Ã½ Symphony Orchestra in the world premiere of Param Vir’s Cave of Luminous Mind, Granville Bantock’s dreamlike Celtic Symphony and Elgar’s ‘Enigma’ Variations. Lisa Batiashvili is the soloist in Sibelius’s Violin Concerto.
James Jolly talks to Fiona McKnight, Archivist of the Serge Prokofiev Archive at Goldsmiths, University of London, about Prokofiev and his Fifth Symphony.
Anna Caterina Antonacci sings Wagner’s Wesendonck-Lieder with Yannick Nézet-Séguin and the Rotterdam Philharmonic, a mini Tristan and Isolde. Tchaikovsky’s fantasy-overture Romeo and Juliet and the bright colours of Prokofiev’s Fifth Symphony form a strong contrast.
Anna Caterina Antonacci sings Wagner’s Wesendonck-Lieder with Yannick Nézet-Séguin and the Rotterdam Philharmonic, a mini Tristan and Isolde. Tchaikovsky’s fantasy-overture Romeo and Juliet and the bright colours of Prokofiev’s Fifth Symphony form a strong contrast.
London-Azerbaijani World Routes Academy protégée Fidan Hajiyeva, Azerbaijani mugham mentor Gochaq Askarov, Malian blues musicians Bassekou Kouyaté & Ngoni Ba and newly formed Trio Da Kali appear in the late-night World Routes Prom.
London-Azerbaijani World Routes Academy protégée Fidan Hajiyeva, Azerbaijani mugham mentor Gochaq Askarov, Malian blues musicians Bassekou Kouyaté & Ngoni Ba and newly formed Trio Da Kali appear in the late-night World Routes Prom.
Andrew McGregor talks to Nick Reyland about Lutosławski, Panufnik and their place in the history of Polish culture.
Antoni Witt and the Warsaw Philharmonic make their ÃÛÑ¿´«Ã½ Proms debut with Witold LutosÅ‚awski’s Concerto for Orchestra, Andrzej Panufnik’s Lullaby and Tragic Overture and Shostakovich’s Sixth Symphony. Alexander Melnikov is the soloist in Shostakovich’s Piano Concerto No. 2.
Antoni Witt and the Warsaw Philharmonic make their ÃÛÑ¿´«Ã½ Proms debut with Witold LutosÅ‚awski’s Concerto for Orchestra, Andrzej Panufnik’s Lullaby and Tragic Overture and Shostakovich’s Sixth Symphony. Alexander Melnikov is the soloist in Shostakovich’s Piano Concerto No. 2.
John Woolrich and Tansy Davies add two new variations to ‘Sellinger’s Round’, the Elizabethan melody embellished by Imogen Holst, Britten, Tippett and their contemporaries in 1952. Ben Johnson sings the Serenade for tenor, horn and strings in the English Chamber Orchestra’s matinee, which includes Lutosławski’s Paroles tissées.
John Woolrich and Tansy Davies add two new variations to ‘Sellinger’s Round’, the Elizabethan melody embellished by Imogen Holst, Britten, Tippett and their contemporaries in 1952. Ben Johnson sings the Serenade for tenor, horn and strings in the English Chamber Orchestra’s matinee, which includes Lutosławski’s Paroles tissées.
Join Rachel Leach and professional musicians to discover the hidden stories within the music of tonight’s Prom. Bring your instrument and join in!
The pan-European Gustav Mahler Jugendorchester returns to the ÃÛÑ¿´«Ã½ Proms with conductor Philippe Jordan and pianist Jean-Yves Thibaudet in a programme of Wagner’s overture to Rienzi, Ravel’s jazz-inflected Piano Concerto in G major and Shostakovich’s Fifth Symphony.
The pan-European Gustav Mahler Jugendorchester returns to the ÃÛÑ¿´«Ã½ Proms with conductor Philippe Jordan and pianist Jean-Yves Thibaudet in a programme of Wagner’s overture to Rienzi, Ravel’s jazz-inflected Piano Concerto in G major and Shostakovich’s Fifth Symphony.
Martin Handley presents an introduction to Wagner’s epic and final opera, Parsifal, with Stephen Johnson.
Sir Mark Elder conducts the ±á²¹±ô±ôé in Wagner’s final opera of sensual temptation and spiritual redemption, Parsifal. Lars Cleveman is the Holy Fool of the title, Katarina Dalayman the Magdalen figure Kundry, Detlef Roth the wounded Amfortas and Sir John Tomlinson Gurnemanz.
Sir Mark Elder conducts the ±á²¹±ô±ôé in Wagner’s final opera of sensual temptation and spiritual redemption, Parsifal. Lars Cleveman is the Holy Fool of the title, Katarina Dalayman the Magdalen figure Kundry, Detlef Roth the wounded Amfortas and Sir John Tomlinson Gurnemanz.
ÃÛÑ¿´«Ã½ Radio 3 New Generation Artists the Signum Quartet explore the Bartók-influenced String Quartet No. 3 of one of the 20th century’s most accomplished composers, Elizabeth Maconchy. Pianist and fellow NGA Christian Ihle Hadland joins the quartet for Brahms’s F minor Piano Quintet, another work of passion and precision.
ÃÛÑ¿´«Ã½ Radio 3 New Generation Artists the Signum Quartet explore the Bartók-influenced String Quartet No. 3 of one of the 20th century’s most accomplished composers, Elizabeth Maconchy. Pianist and fellow NGA Christian Ihle Hadland joins the quartet for Brahms’s F minor Piano Quintet, another work of passion and precision.
Join Mary King for a sing through some great tunes from musicals and movies to get you in the toe-tapping mood for this evening's Hollywood Rhapsody Prom! Suitable for all.
A Bank Holiday recital exploring the lighter side of the organ. Richard Hills’s matinée includes music by John Ireland, Edward German, Eric Coates and Arthur Sullivan, as well as skirting the fringes of jazz.
A Bank Holiday recital exploring the lighter side of the organ. Richard Hills’s matinée includes music by John Ireland, Edward German, Eric Coates and Arthur Sullivan, as well as skirting the fringes of jazz.
Film composer Debbie Wiseman and writer David Benedict talk to Matthew Sweet about the ways in which film-makers have created mood with music from the very first days of silent film to the contemporary CGI blockbuster.
The John Wilson Orchestra returns to the ÃÛÑ¿´«Ã½ Proms with a programme of Golden Age film music from Edward Newman’s ‘Street Scene’ (from How to Marry a Millionnaire) to Erich Korngold’s swashbuckling suite from Robin Hood and Franz Waxman’s A Place in the Sun.
The John Wilson Orchestra returns to the ÃÛÑ¿´«Ã½ Proms with a programme of Golden Age film music from Edward Newman’s ‘Street Scene’ (from How to Marry a Millionnaire) to Erich Korngold’s swashbuckling suite from Robin Hood and Franz Waxman’s A Place in the Sun.
D.H. Lawrence hailed Herbert Melville's novella, Billy Budd, a masterpiece when it was first published in 1924. Then, in 1951, came Britten's opera, adapted from the book. The writers Philip Hoare and Jamila Gavin join Rana Mitter to explore the book's themes of good and evil, justice and the law and the actor Peter Marinker will be on hand to illustrate their remarks with readings from the book.
Sir Andrew Davis conducts the London Philharmonic Orchestra and the Glyndebourne Festival Opera cast in Britten’s predatory tragedy. Jacques Imbrailo sings the title-role, Brindley Sherratt is Claggart, Mark Padmore the spineless Captain Vere.
Sir Andrew Davis conducts the London Philharmonic Orchestra and the Glyndebourne Festival Opera cast in Britten’s predatory tragedy. Jacques Imbrailo sings the title-role, Brindley Sherratt is Claggart, Mark Padmore the spineless Captain Vere.
Charlotte Seither discusses her commisssion with Andrew McGregor and introduces performances of her chamber works given by musicians from the Royal Conservatoire of Scotland.
Josep Pons conducts the ÃÛÑ¿´«Ã½ Singers and ÃÛÑ¿´«Ã½ Symphony Orchestra in the world premiere of Charlotte Seither’s Language of Leaving. Frank Peter Zimmermann plays Brahms’s Violin Concerto in a concert that contrasts Stravinsky’s ballet Petrushka with a cappella motets.
Josep Pons conducts the ÃÛÑ¿´«Ã½ Singers and ÃÛÑ¿´«Ã½ Symphony Orchestra in the world premiere of Charlotte Seither’s Language of Leaving. Frank Peter Zimmermann plays Brahms’s Violin Concerto in a concert that contrasts Stravinsky’s ballet Petrushka with a cappella motets.
British jazz luminary Django Bates appears with his piano trio, Belovèd, and Swedish visitors the Norrbotten Big Band in a late-night tribute to bebop legend Charlie Parker.
British jazz luminary Django Bates appears with his piano trio, Belovèd, and Swedish visitors the Norrbotten Big Band in a late-night tribute to bebop legend Charlie Parker.
Stephen Johnson talks about Peter Eötvös’s DoReMi and introduces Bruckner’s Symphony No. 7
Esa-Pekka Salonen conducts the Philharmonia Orchestra in the overture to Mozart’s comedy Der Schauspieldirektor and Bruckner’s Seventh Symphony, its sound-world coloured by rich-toned Wagner tubas. Violinist Midori plays in the UK premiere of Peter Eötvös’s DoReMi.
Esa-Pekka Salonen conducts the Philharmonia Orchestra in the overture to Mozart’s comedy Der Schauspieldirektor and Bruckner’s Seventh Symphony, its sound-world coloured by rich-toned Wagner tubas. Violinist Midori plays in the UK premiere of Peter Eötvös’s DoReMi.
Find out the real meaning of Strauss’s epic Also sprach Zarathustra, along with the stories behind The Witch of Atlas and Pohjola’s Daughter in this introductory talk for families with Rachel Leach.
Three tone-poems and a piano concerto. Vladimir Jurowski directs the London Philharmonic Orchestra in Bantock’s The Witch of Atlas, Sibelius’s Pohjola’s Daughter and Strauss’s Also sprach Zarathustra. Anika Vavic is the soloist in Prokofiev’s Piano Concerto No. 3.
Three tone-poems and a piano concerto. Vladimir Jurowski directs the London Philharmonic Orchestra in Bantock’s The Witch of Atlas, Sibelius’s Pohjola’s Daughter and Strauss’s Also sprach Zarathustra. Anika Vavic is the soloist in Prokofiev’s Piano Concerto No. 3.
This workshop is for 12-18 year olds who are interested in writing music for film and will be led by composer Michael Price.
Violinist Terje Tønnesen and the Camerata Nordica perform Britten’s Lachrymae, Walton’s Sonata for strings and Tippett’s Little Music, and give the world premiere of Britten’s early Elegy for strings, written four years before the Simple Symphony.
Violinist Terje Tønnesen and the Camerata Nordica perform Britten’s Lachrymae, Walton’s Sonata for strings and Tippett’s Little Music, and give the world premiere of Britten’s early Elegy for strings, written four years before the Simple Symphony.
Matthew Sweet considers the ways in which film composers have risen to the challenge of capturing the sound of dark matter and distant planets.
Keith Lockhart conducts the ÃÛÑ¿´«Ã½ Concert Orchestra in Addinsell’s Warsaw Concerto and music by Walton (Battle of Britain), William Alwyn (The True Glory), Leighton Lucas (Ice Cold in Alex) and Richard Rodney Bennett (Lady Caroline Lamb), and a second half filled with the Hollywood superheroes and space travellers.
Keith Lockhart conducts the ÃÛÑ¿´«Ã½ Concert Orchestra in Addinsell’s Warsaw Concerto and music by Walton (Battle of Britain), William Alwyn (The True Glory), Leighton Lucas (Ice Cold in Alex) and Richard Rodney Bennett (Lady Caroline Lamb), and a second half filled with the Hollywood superheroes and space travellers.
Create, explore and play music inspired by today’s Family Prom with a team of professional musicians. Suitable for all the family.
Poet, author and national treasure Michael Rosen spins a story with illustrator Tony Ross, with music by Mussorgsky, Stravinsky and Grieg performed by the Royal Liverpool Philharmonic Orchestra and 160 young singers and orchestral musicians from Liverpool.
Poet, author and national treasure Michael Rosen spins a story with illustrator Tony Ross, with music by Mussorgsky, Stravinsky and Grieg performed by the Royal Liverpool Philharmonic Orchestra and 160 young singers and orchestral musicians from Liverpool.
Martin Handley talks to Paul Kildea about Britten and his place in 20th-century music.
Arvo Pärt’s Cantus in memoriam Benjamin Britten opens Paavo Järvi’s performance with the Orchestre de Paris. Janine Jansen is the soloist in Britten’s Violin Concerto. Berlioz’s Le corsaire overture and Saint-Saëns’s ‘Organ’ Symphony complete a programme of vivid contrasts.
Arvo Pärt’s Cantus in memoriam Benjamin Britten opens Paavo Järvi’s performance with the Orchestre de Paris. Janine Jansen is the soloist in Britten’s Violin Concerto. Berlioz’s Le corsaire overture and Saint-Saëns’s ‘Organ’ Symphony complete a programme of vivid contrasts.
In the last Cadogan Hall concert of the festival, tenor Ian Bostridge, lutenist Elizabeth Kenny and the viol consort Fretwork mark the 450th anniversary of the birth of John Dowland, the laureate of the Elizabethan lute song, in a sequence of galliards, lachrimaes and fantasias.
In the last Cadogan Hall concert of the festival, tenor Ian Bostridge, lutenist Elizabeth Kenny and the viol consort Fretwork mark the 450th anniversary of the birth of John Dowland, the laureate of the Elizabethan lute song, in a sequence of galliards, lachrimaes and fantasias.
Andrew Motion, former Poet Laureate, and poet Paul Farley discuss one of the most influential of the Thirties Poets, Louis MacNeice, who worked with Benjamin Britten during his time as a ÃÛÑ¿´«Ã½ producer.
Vasily Petrenko, the Oslo Philharmonic Orchestra and violinist Baiba Skride continue the Proms focus on Polish music with Szymanowski’s Violin Concerto No. 1. This opulent fantasy is framed by Tchaikovsky’s Symphony No. 1 and Rachmaninov’s Symphonic Dances.
Vasily Petrenko, the Oslo Philharmonic Orchestra and violinist Baiba Skride continue the Proms focus on Polish music with Szymanowski’s Violin Concerto No. 1. This opulent fantasy is framed by Tchaikovsky’s Symphony No. 1 and Rachmaninov’s Symphonic Dances.
An introduction to Bruckner the man, and his influences and inspirations at the time of writing the ‘Romantic’ Symphony.
In their second Proms appearance this summer, Vasily Petrenko and the Oslo Philharmonic Orchestra explore the sublime landscape of Bruckner’s Fourth Symphony. ÃÛÑ¿´«Ã½ Radio 3 New Generation Artist Christian Ihle Hadland joins them for Beethoven’s Second Piano Concerto, a turning point in the composer’s development.
In their second Proms appearance this summer, Vasily Petrenko and the Oslo Philharmonic Orchestra explore the sublime landscape of Bruckner’s Fourth Symphony. ÃÛÑ¿´«Ã½ Radio 3 New Generation Artist Christian Ihle Hadland joins them for Beethoven’s Second Piano Concerto, a turning point in the composer’s development.
David Hill conducts the ÃÛÑ¿´«Ã½ Singers and the Choristers of Temple Church in Britten’s choral variations A Boy was Born, written when the composer was just 19 years old, and George Lloyd’s Requiem, dedicated to the memory of Diana, Princess of Wales.
David Hill conducts the ÃÛÑ¿´«Ã½ Singers and the Choristers of Temple Church in Britten’s choral variations A Boy was Born, written when the composer was just 19 years old, and George Lloyd’s Requiem, dedicated to the memory of Diana, Princess of Wales.
Join Proms Director Roger Wright and Chris Cotton, Chief Executive of the Royal Albert Hall, as they look back over the 2013 season with Petroc Trelawny.
A series of musical farewells as Osmo Vänskä conducts the ÃÛÑ¿´«Ã½ Symphony Orchestra in Tchaikovsky’s turbulent ‘Pathétique’ Symphony, Górecki’s Symphony of Sorrowful Songs and Anthony Payne’s orchestration of Vaughan Williams’s Four Last Songs.
A series of musical farewells as Osmo Vänskä conducts the ÃÛÑ¿´«Ã½ Symphony Orchestra in Tchaikovsky’s turbulent ‘Pathétique’ Symphony, Górecki’s Symphony of Sorrowful Songs and Anthony Payne’s orchestration of Vaughan Williams’s Four Last Songs.
Ian Skelly presents a discussion on Verdi and the orchestra, plus an introduction to Tchaikovsky’s Manfred.
Xian Zhang directs the Orchestra Sinfonica di Milano Giuseppe Verdi in Tchaikovsky’s symphonic drama Manfred and the overtures to La forza del destino and La traviata. Celebrated Maltese tenor Joseph Calleja sings arias from Rigoletto, Luisa Miller and I vespri siciliani.
Xian Zhang directs the Orchestra Sinfonica di Milano Giuseppe Verdi in Tchaikovsky’s symphonic drama Manfred and the overtures to La forza del destino and La traviata. Celebrated Maltese tenor Joseph Calleja sings arias from Rigoletto, Luisa Miller and I vespri siciliani.
In the final Late Night Prom of the season, pianist Imogen Cooper plays Schubert’s late Sonata in C minor. Paul Lewis joins her for the composer’s ‘Grand Duo’, written in Slovakia in the summer of 1824 when Schubert was music-master to Marie and Caroline Esterházy.
In the final Late Night Prom of the season, pianist Imogen Cooper plays Schubert’s late Sonata in C minor. Paul Lewis joins her for the composer’s ‘Grand Duo’, written in Slovakia in the summer of 1824 when Schubert was music-master to Marie and Caroline Esterházy.
Poet Don Paterson and Radio 3 presenter Ian McMillan introduce the winning entries in this year’s Proms Poetry competition, in association with the Poetry Society. Actress Samantha Bond will read the winning poems.
Lorin Maazel conducts the Vienna Philharmonic in Bruckner’s monumental Eighth Symphony. Klaus Sonnleitner – the present-day successor to Bruckner as organist at St Florian’s Abbey in Linz – sets the scene with a sequence of works by Bach, one of Bruckner’s idols.
Lorin Maazel conducts the Vienna Philharmonic in Bruckner’s monumental Eighth Symphony. Klaus Sonnleitner – the present-day successor to Bruckner as organist at St Florian’s Abbey in Linz – sets the scene with a sequence of works by Bach, one of Bruckner’s idols.
A fun workshop with Mary King to get you ready for vocal action at the Last Night singalong.
Hosted by Sir Terry Wogan join the Last Night of the Proms celebrations in Hyde Park with a host of musical stars including world-famous tenor Joseph Calleja, the ÃÛÑ¿´«Ã½ Concert Orchestra and a special appearance from Nigel Kennedy.
ÃÛÑ¿´«Ã½ Proms in the Park returns to the Titanic Slipway in Belfast on Saturday, September 7, 2013 as local audiences join the UK-wide celebrations of the world famous Last Night of the Proms.
The Last Night celebrations return to Glasgow Green. Join presenters Jamie MacDougall and Susan Calman in a night featuring an array of musical stars including singing sensation and former Spice Girl Melanie C, leading Scottish traditional violinist John McCusker, Scot soprano Kate Valentine and tenor Nicky Spence.
Marin Alsop becomes the first female conductor of the Last Night of the Proms. Joyce DiDonato and Nigel Kennedy join the ÃÛÑ¿´«Ã½ Symphony Orchestra in a concert that runs from Rossini and Handel arias to a mass singalong, and from Vaughan Williams’s The Lark Ascending and rarities by Britten and Bantock to a new opener by Anna Clyne.
Marin Alsop becomes the first female conductor of the Last Night of the Proms. Joyce DiDonato and Nigel Kennedy join the ÃÛÑ¿´«Ã½ Symphony Orchestra in a concert that runs from Rossini and Handel arias to a mass singalong, and from Vaughan Williams’s The Lark Ascending and rarities by Britten and Bantock to a new opener by Anna Clyne.
The ÃÛÑ¿´«Ã½ National Orchestra of Wales brings the Proms in the Park to Caerphilly for an evening of spectacular performances featuring West End singing stars John Owen Jones and Sophie Evans.