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24 September 2014
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Flamin' heck
Gigs: 4 November - The Flaming Lips at Hammersmith Apollo
The Flaming Lips
Sound and vision: The Flaming Lips onstage
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Bizarre inflatables, furry creatures, strange rants - if only The Flaming Lips could pay as much attention to the music, says Deborah Doherty...

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Ìý A bearded man dressed in white stands centre stage flanked by a menagerie of furry creatures: dolphins and deer, eagles and pandas, tigers and kangaroos.

"As the night progressed, Coyne's exploits became
increasingly comical
: a glove puppet led one sing-along, while later he smeared fake blood on his forehead.
.."
No, not Knockwood Primary's adaptation of Noah's Ark, but Flaming LipsÂ’ frontman Wayne Coyne, and somewhere among the menagerie of inflatable sunshines, giraffes and chickens is the rest of this Oklahoma three-piece.

If the appearance of the bizarre cast of creatures doesn't surprise you then the second song of the evening might.

It's a cover of The White Stripes' 'Seven Nation Army' - sung through a loudspeaker while rabbits point searchlights into the watching crowd.

A few songs in and the set was brought to a halt with the first of numerous monologues from Coyne.

jarring contrast

Rant number one covered the 'buffoons' in power and here Coyne clearly had the support of the crowd.

Then he dropped in the crass: "People are dying in Iraq every day. At the moment it's American boys, but soon it could be you English..." and the cheers lessened perceptively.

This wasn't the only jarring contrast in the show: the images on the video screen behind the band were carefully juxtaposed to shock and manipulate the audience: at one point a handcuffed Chinese boy being shot by soldiers was intercut with three jumping women in swimsuits.

Wayne Coyne onstageAs the night progressed, Coyne's exploits became
increasingly comical: a glove puppet in the shape of a nun led a sing-along to 'Yoshimi Fights the Pink Robots pt 1', while later in 'The Spark That Bled', Coyne smeared fake blood on his forehead.

strangely poignant

The songs still broke your heart and the glorious
spectacle onstage only added to the party. But the evening was continually marred by Coyne stopping to turn the houselights up and witter on...and on.

The closing number, a cover of Bing Crosby's 'White Christmas' (again sung through a megaphone along with fake snow and swaying furry animals), made a strangely poignant ending to a night which had included some moments of undoubted brilliance.

But as we drifted out I felt a little cheated. It was a shame. When your songs speak so eloquently, it's probably wise to let them do the talking.

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