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28 October 2014
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Withered on the vine...
Gigs: May 1- The Vines at Brixton Academy
The Vines
Almost unsupportable... The Vines and frontman Craig Nicholls
spacer Vines fan Deborah Doherty was looking forward to a night of Highly Evolved rock
n roll. Despite flashes of greatness, it was more like rock and role...
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Support acts Rocket Science and You Am I provided two fantastic performances (particularly from the latter, who were mesmerising), which really revved up a packed Academy crowd.

So much so that the venue was buzzing by the time The Vines came on stage. They seemingly couldn't fail.

"When frontman Craig Nicholls stripped to the waist mid-set, revealing the chest of a pre-pubescent boy, your only thought was 'Put it away'...!"

But despite the great mood created by the support acts, the performance of frontman Craig Nicholls and Co was, ironically, almost unsupportable.

There were flashes of greatness: Get Free delivered the mosh pit anthem goods, the teasing way Nicholls toyed with the speed of In the Jungle surprised and impressed, while ÃÛÑ¿´«Ã½sick moved as much live as it does on record.

The Vines started out as a Nirvana covers band and at times Nicholl's stage act seemed like a well choreographed tribute to tragic, flawed rocker Kurt Cobain.

But unlike Cobain, Nicholls just seemed to be going through the 'I'm messed-up, me' motions.

predictable

Rock and Roll? More rock and role... he half-heartedly dropped his guitar midway through Highly Evolved - but the replacement was on hand so quickly that it was clearly not unexpected by the roadie.

And when Nicholls stripped to the waist mid-set - revealing the under-developed chest of a pre- pubescent boy - your only thought was 'Put it away!'

All this, ahem, 'crazy' behaviour seemed paradoxically predictable.

A caricature rock band, ticking off a list of bad boy stage antics: attention-seeking poses: check. Tuneless castrato howling: check. Over-the-top distortion and feedback: check.

wasted

Towards the end of the set they wheeled out their cover of Outkast's Miss Jackson which has been given radio airtime too many times to startle any longer.

However, this was the only time the otherwise misplaced falsetto seemed to fit, though Nicholls still had trouble deciding which octave he wanted to sing in for more than a few notes.

His attitude made the final encore, F*** The World seem a little like a personal attack on the audience, who had 'forced' the band to go through the 'agony' of a performance.

A notorious stoner, Nicholls may well have been wasted throughout the show. Funny that: so was an hour of my time.

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